Love, of Course
(2018) | Released
Ratings
6.7
6.8
Financials
Revenue: $0
Budget: $0
Profit: - $0
Movie Details
Tag Line:
Status: Released
Average Rating: 7
Release Date: Oct 20, 2018
Rating:
Run Time: 1h 24m
Original Language: English
Website: Link
Production Countries: Canada , United States of America
Production Companies: Hallmark Media , Farpoint Films
Genres
Keywords
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Synopsis
A helicopter mom follows her daughter to college and lands a job on campus. When she meets a charismatic professor, she learns more about herself and discovers a life of her own.
Crew
| Department | Role | Name |
|---|---|---|
| Editing | Editor |
Lara Mazur
|
| Assistant Editor |
Julie Hackett
|
|
| Colorist |
Tony Wytinck
|
|
| Production | Casting |
Penny Perry
Jim Heber
|
| Executive Producer |
Anne Carlucci
|
|
| Extras Casting |
Lori Stefaniuk
|
|
| Producer |
Kyle Bornais
Byron A. Martin
|
|
| Assistant Location Manager |
Liam Kiernan
|
|
| Unit Production Manager |
Byron A. Martin
|
|
| Location Manager |
Robin Brinsmead
|
|
| Extras Casting Assistant |
Patricia Kress
|
|
| Production Coordinator |
Kathleen Easton
|
|
| Camera | First Assistant "A" Camera |
Jocelyn Simard
|
| Director of Photography |
Daniel Villeneuve
|
|
| "A" Camera Operator |
Daniel Villeneuve
|
|
| Best Boy Grip |
Hugh Patterson
|
|
| Key Grip |
Leo Fafard
|
|
| First Assistant "B" Camera |
Ina Lopez
|
|
| Grip |
Basil Fafard
Kiefer Schneider
|
|
| Dolly Grip |
David Hutton
|
|
| Steadicam Operator |
Zefred Ansaldo
|
|
| "B" Camera Operator |
Zefred Ansaldo
|
|
| Second Assistant "A" Camera |
Ariane Aubin-Cloutier
|
|
| Second Assistant "B" Camera |
Charles Durand-Morin
|
|
| Still Photographer |
Steven Ackerman
|
|
| Camera Trainee |
Nicole Bailey Staats
|
|
| Directing | First Assistant Director |
Roman Buchok
|
| Director |
Lee Friedlander
|
|
| Script Supervisor |
Anne-Cécile Boulais
|
|
| Second Assistant Director |
Robert Glover
|
|
| Third Assistant Director |
Richard Altman
|
|
| Writing | Teleplay |
Lee Friedlander
Tracy Andreen
Janna King
|
| Story |
Janna King
|
|
| Sound | Music |
James Gelfand
|
| Dialogue Editor |
Jill Purdy
Faustine Pelipel
Danielle McBride
|
|
| Sound Re-Recording Mixer |
Stephen Traub
Lucas Roveda
|
|
| Sound Effects Editor |
Alan Geldart
Noam Lauder
|
|
| Music Supervisor |
Valerie Biggin
|
|
| ADR Recordist |
Jeffrey Roy
Rob Sinko
Eric Stern
Colin Simkins
|
|
| Boom Operator |
Urmas Rosin
|
|
| Foley Artist |
Kayleigh Bell
|
|
| Foley Recordist |
Dave Mercel
|
|
| Sound Recordist |
Robert Woolfson
|
|
| ADR Supervisor |
Danielle McBride
|
|
| Costume & Make-Up | Assistant Costume Designer |
Wanda Farian
Paula Dunfield
Joanne Rodriques
|
| Key Makeup Artist |
Pamela M. Athayde
|
|
| Key Hair Stylist |
Rocco Stallone
|
|
| Assistant Makeup Artist |
Ashley Lamon
|
|
| Makeup Artist |
Kristen Watts
|
|
| Costume Designer |
Maria Duplaga
|
|
| Assistant Hairstylist |
Heather Streilein
|
|
| Hairstylist |
Kaela Perry
|
|
| Crew | Post Production Supervisor |
Bruce Little
|
| Special Effects Coordinator |
Jason Wilkins
|
|
| Transportation Coordinator |
Derek Dupont
|
|
| Generator Operator |
Charles Proulx
|
|
| Transportation Captain |
Michelle Pirlot
|
|
| Security Coordinator |
James Cronk
|
|
| Craft Service |
Suzanne Shawbonquit
|
|
| Art | Production Design |
Jill Scott
|
| Art Direction |
Mike Mulhall
|
|
| Set Decoration |
April Forward
|
|
| Property Master |
Dwayne Higgins
|
|
| Set Dresser |
Mike Nava
Heather Madill
Adrianna King
|
|
| Assistant Set Decoration |
Steve Grosskurth
|
|
| Lead Set Dresser |
Brooke Rochon
|
|
| Assistant Property Master |
Ben Dyck
|
|
| Lighting | Gaffer |
Alex Amyot
|
| Best Boy Electric |
Charles Proulx
|
|
| Electrician |
Miles Tapp
|
|
| Visual Effects | Visual Effects Supervisor |
Andrew Degryse
|
| Department | Role | Name |
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