Ratings
Financials
Revenue: $130,300,000
Budget: $70,000,000
Profit: + $60,300,000
Movie Details
Tag Line: Creasy's art is death, and he is about to paint his masterpiece.
Status: Released
Average Rating: 8
Release Date: Apr 23, 2004
Rating: 2004-04-21
Run Time: 2h 26m
Original Language: English
Website: -
Production Countries: Switzerland , United Kingdom , United States of America
Production Companies: Fox 2000 Pictures , Regency Enterprises , New Regency Pictures , Scott Free Productions , Epsilon Motion Pictures
Sources:
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Keywords
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Synopsis
Jaded ex-CIA operative John Creasy reluctantly accepts a job as the bodyguard for a 10-year-old girl in Mexico City. They clash at first, but eventually bond, and when she's kidnapped he's consumed by fury and will stop at nothing to save her life.
Crew
| Department | Role | Name |
|---|---|---|
| Writing | Novel |
A. J. Quinnell
|
| Screenplay |
Brian Helgeland
|
|
| Production | Producer |
Lucas Foster
Tony Scott
Arnon Milchan
|
| Executive Producer |
James W. Skotchdopole
Lance Hool
|
|
| Casting |
Bonnie Timmermann
|
|
| Location Manager |
Janice Polley
|
|
| Production Accountant |
Armando Amador
|
|
| Production Office Coordinator |
Yuria Goded
|
|
| Associate Producer |
Peter Toumasis
Don Ferrarone
|
|
| Co-Producer |
Conrad Hool
|
|
| Casting Associate |
Stephen Vincent
|
|
| Production Manager |
Anna Roth
|
|
| Unit Production Manager |
Conrad Hool
|
|
| Production Coordinator |
Jessica Fawcett Garcia
|
|
| Researcher |
Marcela Fuentes-Berain
|
|
| Unit Manager |
Carlos Taibo
|
|
| Casting Assistant |
Jose Cabrera
|
|
| Local Casting |
Manuel Teil
|
|
| ADR Voice Casting |
Barbara Harris
|
|
| Additional Casting |
Carla Hool
|
|
| Location Coordinator |
Claudia Montero
|
|
| Production Executive |
Kelly Kiernan
|
|
| Location Assistant |
Analeine Cal y Mayor
|
|
| Production Runner |
Fernando Urdapilleta
|
|
| Extras Casting Assistant |
Sonia Guerrero
|
|
| Production Assistant |
Marcela Arevalo
|
|
| Extras Casting |
Jorge Guerrero
|
|
| Key Set Production Assistant |
Mauricio Lule
|
|
| Sound | Original Music Composer |
Harry Gregson-Williams
|
| Supervising Sound Editor |
George Watters II
F. Hudson Miller
|
|
| Sound Effects Editor |
Gary Wright
R.J. Palmer
Odin Benitez
Randle Akerson
Suhail Kafity
|
|
| Foley |
Dan O'Connell
|
|
| Boom Operator |
Gary A. Theard
|
|
| Music Supervisor |
David Lai
|
|
| Orchestrator |
Kirk Bennett
|
|
| Music Editor |
Robb Boyd
|
|
| Production Sound Mixer |
Willie D. Burton
|
|
| ADR Editor |
Denise Horta
Nicholas Korda
|
|
| Musician |
Peter DiStefano
|
|
| Conductor |
Harry Gregson-Williams
Stephen Barton
|
|
| Foley Editor |
Fred Burke
|
|
| Supervising Music Editor |
Richard Whitfield
|
|
| Assistant Sound Editor |
Melissa Lytle
|
|
| Music Programmer |
Stephen Barton
|
|
| Supervising ADR Editor |
Juno J. Ellis
|
|
| Supervising Dialogue Editor |
Teri E. Dorman
|
|
| Dialogue Editor |
Ulrika Akander
David V. Butler
David A. Arnold
|
|
| ADR Mixer |
Thomas J. O'Connell
|
|
| ADR Recordist |
Rick Canelli
|
|
| Foley Mixer |
James Ashwill
|
|
| Foley Artist |
John T. Cucci
|
|
| Music Consultant |
Trent Reznor
|
|
| Music Arranger |
Meri Gavin
|
|
| Vocals |
Lisa Gerrard
|
|
| Camera | Director of Photography |
Paul Cameron
|
| Still Photographer |
Keith Hamshere
Stephen Vaughan
Jürgen Vollmer
|
|
| Steadicam Operator |
Jacques Jouffret
Stephen St. John
|
|
| Camera Operator |
Guillermo Rosas
César Charlone
Paul A. Edwards
|
|
| Underwater Camera |
Maryan Zurek
Wayne Baker
|
|
| Additional Camera |
Luis David Sansans
|
|
| First Assistant Camera |
Donald Burghardt
|
|
| Key Grip |
Gustavo Covarrubias
|
|
| Dolly Grip |
Ricardo Covarrubias
|
|
| Grip |
Salvador De Gante
|
|
| Camera Loader |
Ian Clampett
|
|
| Aerial Director of Photography |
David B. Nowell
|
|
| Assistant Camera |
Edgar Hurtado
|
|
| Best Boy Grip |
Craig Vaccaro
|
|
| Second Assistant Camera |
Thomas A. Barrios
|
|
| Editing | Editor |
Christian Wagner
|
| Editorial Consultant |
Skip Chaisson
|
|
| First Assistant Editor |
Leigh Folsom Boyd
Ron South
|
|
| Color Timer |
Jim Passon
|
|
| Editorial Services |
Valance Eisleben
|
|
| Negative Cutter |
Gary Burritt
|
|
| Additional Colorist |
Mark T. Osborne
|
|
| Digital Intermediate Producer |
Erik Rogers
|
|
| Assistant Editor |
Daniel Lee
|
|
| Colorist |
Ryan Pannell
|
|
| Digital Conform Editor |
Christopher Reichel
|
|
| Digital Color Timer |
Joe Hathaway
|
|
| Directing | Director |
Tony Scott
|
| Script Supervisor |
Julie Pitkanen
|
|
| Script Coordinator |
Karin Anderson
|
|
| Second Assistant Director |
Frank Kostenko Jr.
|
|
| First Assistant Director |
John Wildermuth
|
|
| Costume & Make-Up | Costume Design |
Louise Frogley
|
| Wardrobe Assistant |
Lupita Peckinpah
Rocio Ceja
|
|
| Makeup Artist |
Carl Fullerton
|
|
| Hairstylist |
Graham Johnston
Larry M. Cherry
|
|
| Wigmaker |
Marco A. Garcia
|
|
| Wardrobe Supervisor |
Joyce Kogut
|
|
| Makeup Supervisor |
Graham Johnston
|
|
| Tailor |
Pedro Raúl Flores
|
|
| Key Costumer |
Jonny Pray
|
|
| Costumer |
Christine Orth
|
|
| Art | Production Design |
Chris Seagers
Benjamín Fernández
|
| Art Department Coordinator |
Ricardo M. Kaplan
|
|
| Assistant Art Director |
Carlos Benassini
Alejandro Fernández
Mark Swain
|
|
| Set Decoration |
Elli Griff
|
|
| Art Direction |
Héctor Romero
|
|
| Construction Coordinator |
Ben Zeller
|
|
| Standby Painter |
René Marquéz
|
|
| Leadman |
Tatiana Maganda
|
|
| Location Scout |
Stuart Raven Barter
|
|
| Art Department Assistant |
Vida Corona
|
|
| Painter |
Panfilo Herrera Sanchez
|
|
| Greensman |
Rafael Jaime Mendéz
|
|
| Set Dresser |
Denise Camargo
|
|
| Assistant Property Master |
Nick Milner
|
|
| Property Master |
Graeme Purdy
Gilberto Cortes
|
|
| Swing |
Daniel Gallardo
|
|
| Set Dressing Buyer |
Jorge Barba
|
|
| Graphic Designer |
Guillermo Serrano
|
|
| Crew | Armorer |
David Fencl
Michael Papac
|
| Visual Effects Editor |
Christopher S. Baird
|
|
| Special Effects Coordinator |
Jesus G. Duran
|
|
| Additional Music |
Justin Caine Burnett
|
|
| Set Production Assistant |
Guillermo 'Memo' Carreño
|
|
| Transportation Captain |
Ricardo Díaz Avilés
|
|
| Driver |
Sergio Galicia
|
|
| Craft Service |
Jose Manuel Ballesteros
|
|
| Set Medic |
Ernesto Trejo
|
|
| Picture Car Coordinator |
Alejandro Soto
|
|
| Post-Production Manager |
Patrick Esposito
|
|
| Post Production Supervisor |
Michael Tinger
|
|
| Carpenter |
Antonio Lopez Martinez
|
|
| Transportation Coordinator |
Arturo Curiel
|
|
| Projection |
Luis Fuentes Pimentel
|
|
| Stunts |
Fidel Abrego
Chuck Picerni Jr.
Manuel Poncelis
Dana Kristen Vahle
Alan D. Purwin
|
|
| Video Assist Operator |
Miguel Avilez Betancourt
|
|
| Cableman |
León Sandoval
|
|
| Stunt Coordinator |
Paul Borne
Balo Bucio
Gerardo Albarrán
Bob Brown
Gerardo Moreno
|
|
| Post Production Assistant |
Lonnie A. Mathes
|
|
| Unit Publicist |
Luis Reyes
|
|
| Studio Teachers |
Jan Cerwonka
|
|
| Special Sound Effects |
Beau Borders
|
|
| Pilot |
Alan D. Purwin
|
|
| Animal Wrangler |
Rocío Ortega
|
|
| Aerial Coordinator |
Sean Byrne
|
|
| Technical Advisor |
Don Ferrarone
|
|
| Special Effects Assistant |
Antonio Cornejo
|
|
| Dialogue Coach |
Joy Ellison
|
|
| Security Coordinator |
Luis Aguilar
|
|
| Visual Effects | Visual Effects Supervisor |
Nathan McGuinness
Marc Varisco
|
| I/O Supervisor |
Brian Cuscino
|
|
| 24 Frame Playback |
Stephanie Ormonde
|
|
| Compositing Artist |
Steven Fagerquist
|
|
| Lighting | Rigging Gaffer |
Jesus 'Moroco' Gonzalez
|
| Gaffer |
Phil Walker
|
|
| Best Boy Electric |
Corwin A. Bibb
|
|
| Rigging Grip |
Alfredo Audel
|
|
| Electrician |
Jose Luis Anzaga
|
|
| Key Rigging Grip |
Pedro González
|
|
| Department | Role | Name |







