Meatballs: Part II
(1984) The insanity continues... | Released
Ratings
4.1
3.5
Financials
Revenue: $5,410,972
Budget: $0
Profit: + $5,410,972
Movie Details
Tag Line: The insanity continues...
Status: Released
Average Rating: 4
Release Date: Jul 27, 1984
Rating: 1984-07-27
Run Time: 1h 27m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: TriStar Pictures , Space Productions
Sources:
Genres
Keywords
People Rated This
Where to watch Meatballs: Part II
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Synopsis
Camp Sasquatch will be bought out and closed unless owner Coach Giddy wins the boxing competition scheduled for the end of the summer. Tough city punk Flash, who's performing his community service time at the camp, is the coach's best hope. Flash reluctantly offers to help and so must use his raw sparring talents to get a motley group of adolescent misfits into fighting shape, while also trying to win the heart of pretty Cheryl.
Crew
| Department | Role | Name |
|---|---|---|
| Production | Casting |
Fern Champion
Pamela Basker
|
| Executive Producer |
Lisa Barsamian
|
|
| Producer |
Tony Bishop
Stephen Poe
|
|
| Unit Production Manager |
Robert P. Cohen
|
|
| Production Coordinator |
Janet Lee Smith
|
|
| Post Production Coordinator |
Janet Lee Smith
|
|
| Sound | Original Music Composer |
Ken Harrison
|
| Production Sound Mixer |
Bill Nelson
|
|
| Supervising Sound Editor |
Lucy Coldsnow-Smith
|
|
| Boom Operator |
Earl Sampson
|
|
| Music Editor |
Dino Moriani
|
|
| Sound Editor |
John M. Colwell
John A. Larsen
|
|
| Assistant Sound Editor |
Carolyn Colwell
|
|
| Sound Re-Recording Mixer |
John Wilkinson
Kevin F. Cleary
Robert Thirlwell
|
|
| Editing | Editor |
George Berndt
|
| Assistant Editor |
Martin Cohen
|
|
| Negative Cutter |
Dode Weyant
|
|
| Art | Production Design |
James William Newport
|
| Set Decoration |
Peg Cummings
|
|
| Property Master |
Terry Ballard
|
|
| Set Designer |
Louis M. Mann
|
|
| Assistant Property Master |
Bobby Bleckman
|
|
| Construction Coordinator |
Jim Orendorff
|
|
| Title Designer |
Robert Schaefer
|
|
| Camera | Director of Photography |
Donald M. Morgan
|
| Camera Operator |
Chris Schwiebert
Steve Yaconelli
|
|
| Key Grip |
Thomas Conley
|
|
| Still Photographer |
Laurel Moore
|
|
| First Assistant Camera |
Tony Rivetti Sr.
|
|
| Second Assistant Camera |
Marc Margulies
|
|
| Best Boy Grip |
Mike Olsen
|
|
| Dolly Grip |
Gary Parker
|
|
| Second Unit Director of Photography |
Jan Kiesser
|
|
| Assistant Camera |
John Boccaccio
|
|
| Writing | Screenplay |
Bruce Franklin Singer
|
| Story |
Martin Kitrosser
Carol Watson
|
|
| Directing | Director |
Ken Wiederhorn
|
| First Assistant Director |
Robert P. Cohen
|
|
| Second Assistant Director |
Alice West
|
|
| Script Supervisor |
Louise Jaffe
Wilma Garscadden-Gahret
|
|
| Additional Second Assistant Director |
Gary Dahl
Robert J. Doherty
Hilary Leach
|
|
| Second Unit Director |
Tony Bishop
|
|
| Costume & Make-Up | Costume Designer |
Sandi Love
|
| Costume Supervisor |
Francine Jamison-Tanchuck
|
|
| Makeup Artist |
Cheri Minns
|
|
| Hairstylist |
Lola Kemp
|
|
| Wardrobe Assistant |
Harold Crawford
|
|
| Lighting | Gaffer |
James F. Boyle
|
| Best Boy Electric |
Peter Davidian
|
|
| Crew | Stunt Coordinator |
John Sherrod
|
| Stunts |
Rick Avery
Clay Boss
Ralph D. Carpenter
Tom Elliott
Alan Gibbs
Sandra Lee Gimpel
Brad Orrison
Sharon Schaffer
Spike Silver
Dianne L. Wilson
|
|
| Special Effects Coordinator |
Martin Becker
|
|
| Special Effects |
Tom Connors
Robert Cole
Blair Johnston
Glen Robinson
Ray Scott
Gene Stoddard
Ray Villalobos
Robert Wilcox
|
|
| Visual Effects | Creature Design |
Alfred Der Hacopian
|
| Visual Effects |
Barry Nolan
|
|
| Department | Role | Name |