Ratings
Financials
Revenue: $18,137,661
Budget: $0
Profit: + $18,137,661
Movie Details
Tag Line: You can't get enough of a good thing... But first you have to find it.
Status: Released
Average Rating: 6
Release Date: Aug 31, 1994
Rating: PG-13
Run Time: 1h 48m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: The Kennedy/Marshall Company , Paramount
Genres
Keywords
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Synopsis
Three young boys pool their money and pay V, a kindhearted prostitute, to strip for them. Afterward, she drives them home to the suburbs -- but then her car breaks down. It's just as well, though, because a mobster named Waltzer is after her, and V realizes the suburbs are the perfect place to hide. But things get a lot more complicated when V falls in love with Tom, a single father who is unaware of her real profession.
Crew
Department | Role | Name |
---|---|---|
Production | Producer |
Kathleen Kennedy
Frank Marshall
|
Casting |
Amy Lippens
Mary Goldberg
|
|
Executive Producer |
Michael Finnell
Patrick J. Palmer
|
|
Unit Production Manager |
Patrick J. Palmer
|
|
ADR Voice Casting |
Barbara Harris
|
|
Production Coordinator |
Yvonne Yaconelli
Kelly Barr
|
|
Production Accountant |
Robert C. Campion
|
|
Location Manager |
Jule Ann Jappe
Deirdre Costa
Nathan Gendzier
|
|
Casting Assistant |
Jennifer Appleberry
|
|
Directing | Second Unit Director |
Frank Marshall
Patrick J. Palmer
|
Director |
Richard Benjamin
|
|
First Assistant Director |
Cara Giallanza
Vincent Agostino
|
|
Script Supervisor |
Karen Hale Wookey
|
|
Second Assistant Director |
Scott Metcalfe
|
|
Sound | Original Music Composer |
Michael Convertino
|
ADR Mixer |
Doc Kane
Bob Baron
|
|
ADR Editor |
Denise Horta
|
|
Sound Re-Recording Mixer |
Paul Massey
Chris David
Dennis S. Sands
|
|
Conductor |
Artie Kane
|
|
Music Editor |
Kenneth Wannberg
Richard Whitfield
|
|
Sound Effects Editor |
Kim Secrist
Gary Krivacek
Bob O'Brien
|
|
ADR Supervisor |
Juno J. Ellis
|
|
Foley Editor |
Scott D. Jackson
Neil Burrow
Matthew Harrison
|
|
Foley Mixer |
Randy Singer
|
|
Dialogue Editor |
Michael Magill
Lucy Coldsnow-Smith
Constance A. Kazmer
Richard Burton
Karen G. Wilson
|
|
Supervising Sound Editor |
Alan Robert Murray
Mike Dobie
|
|
Sound Mixer |
Richard Lightstone
|
|
Boom Operator |
Gabriel Cubos
|
|
Music Supervisor |
Christie Barnes
|
|
Camera | Director of Photography |
David Watkin
|
Dolly Grip |
Kenneth Fundus
|
|
Still Photographer |
Jon Baronn Farmer
|
|
Camera Operator |
Harald Ortenburger
|
|
Second Unit Director of Photography |
Robin Browne
|
|
Costume & Make-Up | Costume Design |
Theoni V. Aldredge
|
Costume Supervisor |
Linda Matthews
|
|
Hairstylist |
Kathryn Blondell
Jeffrey Sacino
|
|
Makeup Designer |
Naomi Donne
|
|
Costumer |
Nava R. Sadan
|
|
Assistant Costume Designer |
Wallace G. Lane Jr.
Pam Cane
|
|
Makeup Artist |
Richard Arias
|
|
Crew | Stunt Coordinator |
Rocky Capella
Ronnie Rondell Jr.
|
Choreographer |
Adam Shankman
|
|
Transportation Captain |
Oscar Beguiristain
Michael Sean Ryan
Bucky Braunsdorf
|
|
Special Effects Coordinator |
Alan E. Lorimer
|
|
Stunts |
Scott Wilder
Richard M. Ellis
Danny Wynands
Annie Ellis
|
|
Unit Publicist |
Susan Trembly
|
|
Art | Production Design |
Paul Sylbert
|
Set Decoration |
Casey Hallenbeck
|
|
Set Dresser |
Charlotte Garnell-Scheide
|
|
Title Designer |
Pablo Ferro
|
|
Set Designer |
Antoinette J. Gordon
|
|
Property Master |
Horst Grandt
|
|
Construction Coordinator |
Harold Collins
|
|
Editing | Editor |
Jacqueline Cambas
|
Assistant Editor |
Paul Martinez
Margaret Adachi
|
|
Writing | Writer |
John Mattson
|
Lighting | Chief Lighting Technician |
James P. Dolan
|
Department | Role | Name |