Mr. Holland's Opus
(1995) Of All the Lives He Changed, the One That Changed the Most Was His Own. | Released
Ratings
59%
7
7.3
74%
Financials
Revenue: $106,300,000
Budget: $31,000,000
Profit: + $75,300,000
Movie Details
Tag Line: Of All the Lives He Changed, the One That Changed the Most Was His Own.
Status: Released
Average Rating: 7
Release Date: Dec 29, 1995
Rating: PG
Run Time: 2h 23m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: Hollywood Pictures , Interscope Communications , PolyGram Filmed Entertainment , The Charlie Mopic Company
Genres
Keywords
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Synopsis
In 1965, passionate musician Glenn Holland takes a day job as a high school music teacher, convinced it's just a small obstacle on the road to his true calling: writing a historic opus. As the decades roll by with the composition unwritten but generations of students inspired through his teaching, Holland must redefine his life's purpose.
Crew
| Department | Role | Name |
|---|---|---|
| Production | Casting |
Sharon Bialy
|
| Executive Producer |
Scott Kroopf
Patrick Sheane Duncan
|
|
| Producer |
Ted Field
Robert W. Cort
Michael Nolin
|
|
| Unit Production Manager |
William Teitler
|
|
| Co-Producer |
William Teitler
Judith James
|
|
| Production Supervisor |
Jeffrey Downer
|
|
| Location Manager |
Joanna Guzzetta
|
|
| Production Coordinator |
Valerie Mickaelian Kucera
|
|
| Sound | Original Music Composer |
Michael Kamen
|
| Supervising Sound Editor |
Richard C. Franklin
Tim Chau
|
|
| Music Supervisor |
Sharon Boyle
|
|
| Boom Operator |
Earl Sampson
|
|
| Sound Editor |
Albert Gasser
David Kern
Donald J. Malouf
Nils C. Jensen
|
|
| ADR Editor |
Chris Jargo
|
|
| Supervising ADR Editor |
Thomas Whiting
|
|
| Supervising Music Editor |
Christopher Brooks
|
|
| Scoring Mixer |
Stephen McLaughlin
|
|
| Costume & Make-Up | Costume Design |
Aggie Guerard Rodgers
|
| Makeup Artist |
Ken Chase
Gerald Quist
Martin 'Vinnie' Hagood
|
|
| Hairstylist |
Susan V. Kalinowski
Mary L. Pyanowski
|
|
| Key Hair Stylist |
Werner Sherer
|
|
| Costume Supervisor |
Linda Henrikson
|
|
| Camera | Director of Photography |
Oliver Wood
|
| Steadicam Operator |
David Luckenbach
|
|
| Camera Operator |
William D. Barber
|
|
| Still Photographer |
Gemma La Mana
|
|
| Key Grip |
Bob Munoz
|
|
| Dolly Grip |
Gene Kearney
Nick Papanickolas
|
|
| Directing | Director |
Stephen Herek
|
| First Assistant Director |
Jeffrey Wetzel
|
|
| Script Supervisor |
Adrienne Hamalian-Mangine
|
|
| Art | Set Decoration |
Jan K. Bergstrom
|
| Art Direction |
Dina Lipton
|
|
| Construction Coordinator |
Brian Markey
|
|
| Set Designer |
Alan Manzer
Alan Locke
|
|
| Property Master |
Greg McMickle
|
|
| Production Design |
David Nichols
|
|
| Writing | Writer |
Patrick Sheane Duncan
|
| Editing | First Assistant Editor |
Tara Timpone
|
| Editor |
Trudy Ship
|
|
| Crew | Stunt Coordinator |
Steve Boyum
|
| Special Effects Coordinator |
Bob Riggs
|
|
| Choreographer |
Bruce McDonald
|
|
| Score Engineer |
Stephen McLaughlin
|
|
| Lighting | Chief Lighting Technician |
James B. Crawford
|
| Best Boy Electric |
Michael Laws
|
|
| Department | Role | Name |