Night at the Museum
(2006) Where History Comes To Life | Released
Ratings
48%
6.6
6.4
43%
Financials
Revenue: $574,480,841
Budget: $110,000,000
Profit: + $464,480,841
Movie Details
Tag Line: Where History Comes To Life
Status: Released
Average Rating: 7
Release Date: Oct 20, 2006
Rating: PG
Run Time: 1h 48m
Original Language: English
Website: -
Production Countries: United States of America , United Kingdom
Production Companies: 1492 Pictures , 21 Laps Entertainment , 20th Century Fox , Ingenious Media , Sun Canada Productions
Genres
Keywords
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Synopsis
Chaos reigns at the natural history museum when night watchman Larry Daley accidentally stirs up an ancient curse, awakening Attila the Hun, an army of gladiators, a Tyrannosaurus rex and other exhibits.
Crew
| Department | Role | Name |
|---|---|---|
| Sound | Original Music Composer |
Alan Silvestri
|
| ADR Supervisor |
R.J. Kizer
|
|
| Sound Recordist |
Tim Gomillion
Dennis Rogers
Matt Patterson
|
|
| First Assistant Sound Editor |
Warren Hendriks
|
|
| ADR Editor |
Mildred Iatrou
|
|
| ADR Recordist |
David Lucarelli
|
|
| Foley Supervisor |
John Murray
|
|
| ADR Mixer |
Charleen Richards
|
|
| Foley Artist |
Dan O'Connell
John T. Cucci
|
|
| Sound Designer |
Craig Henighan
|
|
| Supervising Sound Editor |
Craig Henighan
John A. Larsen
|
|
| Dialogue Editor |
Susan Dawes
Helen Luttrell
|
|
| Sound Effects Editor |
Dave Kulczycki
|
|
| Supervising Music Editor |
Terry Wilson
|
|
| Foley Editor |
Donald Sylvester
|
|
| Assistant Sound Editor |
Skip Longfellow
|
|
| Production Sound Mixer |
Rob Young
|
|
| Foley Mixer |
James Ashwill
|
|
| Boom Operator |
Michael Hibberson
|
|
| Writing | Screenplay |
Thomas Lennon
Ben Garant
|
| Book |
Milan Trenc
|
|
| Camera | Director of Photography |
Guillermo Navarro
|
| Second Unit Director of Photography |
Larry Blanford
|
|
| "A" Camera Operator |
David Crone
|
|
| "B" Camera Operator |
Glen A. Dickson
|
|
| Dolly Grip |
James Salberg
Neil McBride
|
|
| Camera Loader |
Scott Cozens
|
|
| Costume & Make-Up | Costume Design |
Renée April
|
| Wardrobe Designer |
Karen Patch
|
|
| Makeup Artist |
Victoria Down
|
|
| Costume Supervisor |
Blanche Boileau
|
|
| Hairstylist |
Sherry Linder-Gygli
|
|
| Production | Casting |
Ilene Starger
|
| Co-Producer |
Josh McLaglen
|
|
| Producer |
Chris Columbus
Shawn Levy
Michael Barnathan
|
|
| Executive Producer |
Mark Radcliffe
Thomas M. Hammel
Ira Shuman
|
|
| Unit Production Manager |
Thomas M. Hammel
Ira Shuman
Anne M. Simonet
|
|
| Associate Producer |
Ellen Somers
|
|
| Casting Associate |
Zoe E. Rotter
|
|
| Location Manager |
Neil Robertson
|
|
| Casting Assistant |
Valerie Lindquist
|
|
| Extras Casting |
James Forsyth
|
|
| Directing | First Assistant Director |
Josh McLaglen
Marty Eli Schwartz
|
| Second Unit Director |
Brian Smrz
|
|
| Director |
Shawn Levy
|
|
| Script Supervisor |
Diane Durant
|
|
| Second Second Assistant Director |
Daniel Mansfield
|
|
| Second Assistant Director |
Misha Bukowski
|
|
| Third Assistant Director |
Rhonda Taylor
|
|
| Art | Art Direction |
Michele Laliberte
Michael Diner
Bridget McGuire
Grant Van Der Slagt
|
| Set Decoration |
Lin MacDonald
|
|
| Production Design |
Claude Paré
|
|
| Supervising Art Director |
Helen Jarvis
|
|
| Set Designer |
Chris Beach
Glenn Bydwell
Peter Bodnarus
Doug Girling
|
|
| Construction Coordinator |
Jan Kobylka
|
|
| Property Master |
Ellen Freund
|
|
| Construction Foreman |
John Dale
|
|
| Graphic Designer |
Loree Cameron
Ray Lai
|
|
| Editing | Editor |
Don Zimmerman
|
| Color Timer |
Chris Regan
|
|
| Negative Cutter |
Gary Burritt
|
|
| Crew | Other |
Stefán Karl Stefánsson
|
| Stunt Driver |
Blaise Corrigan
|
|
| Stunt Coordinator |
J.J. Makaro
|
|
| Special Effects Coordinator |
William H. Orr
|
|
| Unit Publicist |
Gloria Davies
|
|
| Transportation Coordinator |
Rob Vreugde
|
|
| Visual Effects | Visual Effects Supervisor |
Jim Rygiel
|
| Visual Effects Producer |
Julie D'Antoni
|
|
| Department | Role | Name |
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