No Way Out
(1987) Is it a crime of passion, or an act of treason? | Released
Ratings
77%
6.9
7.1
91%
Financials
Revenue: $35,509,515
Budget: $15,000,000
Profit: + $20,509,515
Movie Details
Tag Line: Is it a crime of passion, or an act of treason?
Status: Released
Average Rating: 7
Release Date: Aug 14, 1987
Rating: R
Run Time: 1h 54m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: Orion Pictures
Genres
Keywords
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Synopsis
Navy Lt. Tom Farrell meets a young woman, Susan Atwell , and they share a passionate fling. Farrell then finds out that his superior, Defense Secretary David Brice, is also romantically involved with Atwell. When the young woman turns up dead, Farrell is put in charge of the murder investigation. He begins to uncover shocking clues about the case, but when details of his encounter with Susan surface, he becomes a suspect as well.
Crew
| Department | Role | Name |
|---|---|---|
| Sound | Sound Mixer |
Jack Solomon
|
| Original Music Composer |
Maurice Jarre
|
|
| Sound Re-Recording Mixer |
Charles Grenzbach
Richard D. Rogers
John Wilkinson
|
|
| Music Editor |
Jeff Carson
Jim Harrison
|
|
| Sound Effects Editor |
Bob Cornett
Eric Lindemann
Richard Raderman
|
|
| Dialogue Editor |
Warren Chadwick
|
|
| Foley Editor |
Allan Schultz
|
|
| Boom Operator |
Paul Wolfe
|
|
| Editing | Editor |
William Hoy
Neil Travis
|
| Assistant Editor |
Chip Masamitsu
Ron South
|
|
| Writing | Screenplay |
Robert Garland
|
| Screenstory |
Robert Garland
|
|
| Novel |
Kenneth Fearing
|
|
| Production | Producer |
Robert Garland
Laura Ziskin
|
| Executive Producer |
Mace Neufeld
|
|
| Casting |
Ilene Starger
|
|
| Unit Production Manager |
Mel Dellar
|
|
| Extras Casting |
Robert Lansing Parker
|
|
| Associate Producer |
Glenn Neufeld
|
|
| Location Manager |
Stuart Neumann
|
|
| Production Accountant |
Sam Bernstein
|
|
| Production Coordinator |
Richard Liebegott
|
|
| Camera | Director of Photography |
John Alcott
|
| Steadicam Operator |
Stephen St. John
|
|
| Camera Operator |
Mike Benson
|
|
| First Assistant Camera |
Billy Clevenger
|
|
| Still Photographer |
Gemma La Mana
|
|
| Dolly Grip |
David L. Merrill
|
|
| Second Assistant Camera |
R. Scott Goodrich
|
|
| Key Grip |
David Fay
|
|
| Grip |
Gary J. Jensen
|
|
| Crew | Special Effects |
Terry D. Frazee
Jack Monroe
|
| Stunts |
Diamond Farnsworth
Steve Kelso
Donna Evans
Michael Adams
|
|
| Stunt Coordinator |
Diamond Farnsworth
|
|
| Post Production Supervisor |
Anthony DiMarco
|
|
| Transportation Coordinator |
Russell McEntyre
|
|
| Transportation Captain |
Wayne Stone
|
|
| Art | Production Design |
J. Dennis Washington
|
| Set Decoration |
Bruce A. Gibeson
|
|
| Construction Coordinator |
Cal DiValerio
|
|
| Set Designer |
Richard McKenzie
Henry Alberti
|
|
| Title Designer |
Pablo Ferro
|
|
| Greensman |
Dave Newhouse
|
|
| Property Master |
Horst Grandt
|
|
| Art Direction |
Anthony Brockliss
|
|
| Directing | Director |
Roger Donaldson
|
| Script Supervisor |
Doris Grau
|
|
| Second Assistant Director |
Jim Charleston
Brad Yacobian
|
|
| First Assistant Director |
Herb Adelman
|
|
| Lighting | Rigging Gaffer |
Peter Davidian
|
| Electrician |
Charles Smock
Michael Arvanitis
|
|
| Gaffer |
Bobby Burton
|
|
| Costume & Make-Up | Hairstylist |
Lynda Gurasich
|
| Makeup Artist |
Michael Hancock
|
|
| Department | Role | Name |