Ordinary People
(1980) Everything is in its proper place... except the past. | Released
Ratings
87%
7.5
7.8
90%
Financials
Revenue: $54,766,923
Budget: $6,000,000
Profit: + $48,766,923
Movie Details
Tag Line: Everything is in its proper place... except the past.
Status: Released
Average Rating: 8
Release Date: Sep 19, 1980
Rating: 1980-09-19
Run Time: 2h 04m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: Paramount Pictures , Wildwood Enterprises
Sources:
Genres
Keywords
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Where to watch Ordinary People
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Synopsis
Beth, Calvin, and their son Conrad are living in the aftermath of the death of the other son. Conrad is overcome by grief and misplaced guilt to the extent of a suicide attempt. He is in therapy. Beth had always preferred his brother and is having difficulty being supportive to Conrad. Calvin is trapped between the two trying to hold the family together.
Crew
| Department | Role | Name |
|---|---|---|
| Production | Casting |
Penny Perry
|
| Producer |
Ronald L. Schwary
|
|
| Production Manager |
Ronald L. Schwary
|
|
| Production Coordinator |
Mary Cay Hollander
|
|
| Location Manager |
Patrick Markey
|
|
| Production Accountant |
Rusty Warren
|
|
| Assistant Accountant |
Dennis Park
|
|
| Costume & Make-Up | Costume Design |
Bernie Pollack
|
| Hairstylist |
Kathe Swanson
Joel Israel
Jean Burt Reilly
|
|
| Makeup Artist |
Gary Liddiard
|
|
| Wardrobe Coordinator |
Robert M. Moore
Rita Salazar
|
|
| Art | Set Decoration |
Jerry Wunderlich
William B. Fosser
|
| Art Direction |
J. Michael Riva
Phillip Bennett
|
|
| Property Master |
Edward Aiona
|
|
| Construction Coordinator |
Herman Lowers
|
|
| Construction Foreman |
Chuck Stein
|
|
| Painter |
William Powley
|
|
| Head Carpenter |
Willie Marceau
|
|
| Title Designer |
Phill Norman
|
|
| Greensman |
Richard Boris
|
|
| Directing | Director |
Robert Redford
|
| Script Supervisor |
Julie Pitkanen
|
|
| First Assistant Director |
Steve Perry
|
|
| Second Assistant Director |
Michael Britton
|
|
| Writing | Screenplay |
Alvin Sargent
|
| Novel |
Judith Guest
|
|
| Editing | Editor |
Jeff Kanew
|
| Assistant Editor |
Marilyn Madderom
Carol Ann Jackson
|
|
| Camera | Director of Photography |
John Bailey
|
| Still Photographer |
Marcia Reed
|
|
| Camera Operator |
James Glennon
|
|
| First Assistant Camera |
Lou Noto
|
|
| Second Assistant Camera |
Tommy Magglos
|
|
| Key Grip |
Clyde Hart
Robert McLain
|
|
| Sound | Original Music Composer |
Marvin Hamlisch
|
| Supervising Sound Editor |
Kay Rose
|
|
| Sound Editor |
Victoria Rose Sampson
Jerry Rosenthal
|
|
| Assistant Sound Editor |
Kathleen Korth
|
|
| Sound Re-Recording Mixer |
Bill Varney
Steve Maslow
Gregg Landaker
|
|
| Music Editor |
Else Blangsted
Scott Grusin
|
|
| Sound Mixer |
Dan Wallin
Charles M. Wilborn
|
|
| Orchestrator |
Jack Hayes
|
|
| Boom Operator |
Kenneth Schwarz
|
|
| Lighting | Gaffer |
Ronald W. McLeish
John Credidio
|
| Crew | Additional Writing |
Nancy Dowd
|
| Unit Publicist |
Jack Hirshberg
|
|
| Department | Role | Name |