Panic Room
(2002) It was supposed to be the safest room in the house. | Released
Ratings
65%
6.8
6.8
75%
Financials
Revenue: $197,100,000
Budget: $48,000,000
Profit: + $149,100,000
Movie Details
Tag Line: It was supposed to be the safest room in the house.
Status: Released
Average Rating: 7
Release Date: Mar 29, 2002
Rating: 2002-03-18
Run Time: 1h 51m
Original Language: English
Website: Link
Production Countries: United States of America
Production Companies: Columbia Pictures , Hofflund/Polone , Indelible Pictures
Sources:
Genres
Keywords
People Rated This
Where to watch Panic Room
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Synopsis
Trapped in their New York brownstone's panic room, a hidden chamber built as a sanctuary in the event of break-ins, newly divorced Meg Altman and her young daughter Sarah play a deadly game of cat-and-mouse with three intruders - Burnham, Raoul and Junior - during a brutal home invasion. But the room itself is the focal point because what the intruders really want is inside it.
Crew
| Department | Role | Name |
|---|---|---|
| Production | Producer |
Ceán Chaffin
David Koepp
Gavin Polone
Judy Hofflund
|
| Casting |
Laray Mayfield
|
|
| Assistant Production Coordinator |
Orlando R. Gonzales
|
|
| Assistant Accountant |
Kirsten Anderson
|
|
| Production Secretary |
Scott Puckett
|
|
| Producer's Assistant |
Janice Naehu
|
|
| Production Assistant |
Katie Watkins
Jason Cox
Carlos P. Cunha
Petter Eldin
Stephen B. Howard
Robert Todd Skaggs
|
|
| Unit Production Manager |
Denis L. Stewart
|
|
| Production Coordinator |
Daren Hicks
|
|
| Casting Assistant |
Christie Cean George
|
|
| Associate Producer |
John S. Dorsey
|
|
| Production Accountant |
Mike Revell
|
|
| Directing | Director |
David Fincher
|
| Second Second Assistant Director |
Maria Mantia
|
|
| First Assistant Director |
Mike Topoozian
|
|
| Second Assistant Director |
Bob Wagner
|
|
| Script Supervisor |
Sharron Reynolds-Enriquez
|
|
| Camera | Director of Photography |
Darius Khondji
Conrad W. Hall
|
| Second Assistant "A" Camera |
Lisa Guerriero
|
|
| Key Grip |
Doug Cowden
|
|
| First Assistant "A" Camera |
John T. Connor
|
|
| Best Boy Grip |
Walter Royle
|
|
| Dolly Grip |
Danny Stephens
|
|
| Camera Operator |
Ray De La Motte
Aaron Pazanti
|
|
| Still Photographer |
Merrick Morton
|
|
| First Assistant "B" Camera |
Matthew Nelson
|
|
| Editing | Editor |
James Haygood
Angus Wall
|
| Digital Color Timer |
Stephen Nakamura
|
|
| Assistant Editor |
Alex Olivares
John Venzon
|
|
| Color Timer |
Stephen Nakamura
|
|
| Crew | Stunts |
Charlie Brewer
Chris Carnel
Jill Stokesberry
Pete Turner
John Hateley
Rachel Parsons
Thirl Haston
Kevin Derr
Cliff McLaughlin
Lanier Edwards
Andy Epper
Todd Schneider
Darrin Prescott
Steven Lambert
|
| Video Assist Operator |
Scott Hammer
|
|
| Loader |
Brandon Cox
|
|
| Actor's Assistant |
Erin O'Donnell
|
|
| Craft Service |
John Wright
Michael Kehoe
|
|
| Transportation Co-Captain |
Richard West
|
|
| Set Medic |
Robert W. Sanders
|
|
| Studio Teacher |
Judith M. Brown
|
|
| Digital Effects Supervisor |
David Ebner
|
|
| CG Supervisor |
Olivier Cauwet
|
|
| Makeup Effects |
Tom Woodruff Jr.
Alec Gillis
|
|
| Stunt Coordinator |
Dan Bradley
|
|
| Post Production Supervisor |
Peter Mavromates
|
|
| Transportation Captain |
Gary Preece
|
|
| Score Engineer |
John Kurlander
|
|
| Costume & Make-Up | On Set Dresser |
John H. Maxwell
|
| Costumer |
Scott R. Hankins
Terry Anderson
|
|
| Costume Designer |
Michael Kaplan
|
|
| Costume Supervisor |
Linda Matthews
|
|
| Key Hair Stylist |
Edward Morrison
|
|
| Key Makeup Artist |
Julie L. Pearce
|
|
| Hairstylist |
Frances Mathias
|
|
| Makeup Artist |
Robert McCann
|
|
| Special Effects Makeup Artist |
Alec Gillis
Tom Woodruff Jr.
|
|
| Writing | Screenplay |
David Koepp
|
| Art | Storyboard Artist |
Peter Ramsey
|
| Construction Coordinator |
Daniel R. Pemberton
|
|
| Assistant Property Master |
Bryce Moore
|
|
| Production Design |
Arthur Max
|
|
| Storyboard Designer |
Peter Ramsey
|
|
| Art Direction |
James E. Tocci
Keith Neely
|
|
| Set Decoration |
Jon Danniells
Garrett Lewis
|
|
| Property Master |
Roy 'Bucky' Moore
|
|
| Art Department Coordinator |
Carla S. Nemec
|
|
| Lighting | Assistant Chief Lighting Technician |
Mark Hadland
|
| Chief Lighting Technician |
Ian Kincaid
|
|
| Visual Effects | Special Effects Supervisor |
Joe Viskocil
|
| CG Artist |
Dupuis Verbeke
Delahaye Bonnell
Boudaille Alves
Richard Palmieri
|
|
| Visual Effects Supervisor |
Raymond Gieringer
Kevin Tod Haug
|
|
| Visual Effects Producer |
Persis Reynolds
JoAnn Knox
|
|
| Digital Effects Producer |
Vicki Galloway Weimer
|
|
| Lead Animator |
Akira Orikasa
|
|
| Pre-Visualization Supervisor |
Ron Frankel
|
|
| Pre-Visualization Coordinator |
S. Quinn
|
|
| Visual Effects Coordinator |
Leslie McMinn
|
|
| Animation |
Gabriel Vargas
|
|
| Compositing Supervisor |
Michael Hatton
|
|
| Sound | Foley Artist |
John Roesch
Alyson Dee Moore
|
| Assistant Dialogue Editor |
Karen Brocco
|
|
| Assistant Sound Designer |
Misa Kageyama
Eric B. Dachs
|
|
| Sound Supervisor |
Richard Hymns
|
|
| Foley Supervisor |
Malcolm Fife
|
|
| ADR Engineer |
Edward J. Hernandez
|
|
| ADR Recordist |
Jeanette Browning
|
|
| Foley Recordist |
Carolyn Tapp
|
|
| Foley Mixer |
Mary Jo Lang
|
|
| ADR Mixer |
Doc Kane
|
|
| Music Editor |
Lisa Jaime
Ramiro Belgardt
John Klepko
Mark Willsher
|
|
| Loop Group Coordinator |
Barbara Harris
|
|
| Sound Designer |
Ren Klyce
|
|
| Sound Re-Recording Mixer |
Todd Boekelheide
David Parker
Lora Hirschberg
|
|
| Production Sound Mixer |
Willie D. Burton
|
|
| Boom Operator |
Marvin E. Lewis
|
|
| ADR Editor |
Tom Bellfort
Gwendolyn Yates Whittle
|
|
| Sound Effects Editor |
David C. Hughes
|
|
| Dialogue Editor |
Richard Quinn
Ewa Sztompke
Michael Silvers
|
|
| Original Music Composer |
Howard Shore
|
|
| Sound Engineer |
Mark Curry
|
|
| Musician |
Natalie Leggett
Don Williams
Liane Mautner
|
|
| Music Producer |
Michael Tremante
David Gleeson
|
|
| Department | Role | Name |