Ratings
Financials
Revenue: $0
Budget: $7,834,998
Profit: - $-7,834,998
Movie Details
Tag Line: Pug....Actually
Status: Released
Average Rating: 7
Release Date: Jun 29, 2018
Rating: 2018-06-29
Run Time: 1h 34m
Original Language: English
Website: -
Production Countries: United Kingdom
Production Companies: Head Gear Films , The Exchange , Metrol Technology , BondIt , Wagging Tale Productions
Sources:
Genres
Keywords
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Synopsis
A woman's chaotic life becomes more complicated when she inherits her grandmother's dog.
Crew
| Department | Role | Name |
|---|---|---|
| Production | Executive Producer |
James Scott
Tracey McCarrick
Giovanna Trischitta
Yvette Hoyle
Jonathan Feuer
Peter Hampden
Ciro Orsini
Brian O'Shea
Geraldine East
Norman Merry
Peter Kandiah
James Swarbrick
Matthew Helderman
Joe Listhaus
Phil Hunt
Compton Ross
Tim Smith
|
| Unit Production Manager |
Victoria Zalin
|
|
| Production Assistant |
Louie Joe Findlater
|
|
| Assistant Production Coordinator |
Stephanie Hamilton-Jordan
|
|
| Associate Producer |
Caddy Vanasirikul
Emily Precious
Tom Harberd
|
|
| Assistant Accountant |
Christine Samways
Laura Cowcher
|
|
| Location Manager |
Matthew Lane
|
|
| Production Coordinator |
Amelia Southgate
|
|
| Production Accountant |
Elizabeth Brizzell
|
|
| Co-Producer |
Nadia Khamlichi
Adrian Politowski
Jane Hooks
|
|
| Producer |
Vanessa Davies
Sue Latimer
James Spring
|
|
| Casting |
Alex Johnson
|
|
| Crew | Post Production Supervisor |
Katie Bullock-Webster
|
| Stunt Coordinator |
Paul Kennington
|
|
| Scenic Artist |
James Gemmill
|
|
| Transportation Captain |
Graham Ashley
|
|
| Stunts |
Edward Upcott
|
|
| Costume & Make-Up | Hair Designer |
Bean Ellis
|
| Makeup Designer |
Bean Ellis
|
|
| Makeup Supervisor |
Emily Dodge
|
|
| Makeup & Hair |
Sarah Armstrong
Juliana Ferreira
Gabriella Winwood
|
|
| Costume Supervisor |
Jessie Metcalf
|
|
| Hair Supervisor |
Emily Dodge
|
|
| Costume Design |
Jenny Beavan
|
|
| Sound | Music Supervisor |
Sarah Bridge
|
| Foley Supervisor |
Phillip Barrett
|
|
| Foley Artist |
Paul Hanks
Dave Poulton
|
|
| Sound Designer |
James Hayday
|
|
| Foley Mixer |
Simon Trundle
|
|
| ADR Editor |
Ben Tat
|
|
| Dialogue Editor |
Justin Dolby
|
|
| Sound Re-Recording Mixer |
Rob Hughes
|
|
| Conductor |
Michael Price
|
|
| Sound Effects Editor |
Brian Gilligan
|
|
| Production Sound Mixer |
David Lascelles
|
|
| Sound Recordist |
George Oulton
|
|
| Orchestrator |
Anthony Weeden
|
|
| Original Music Composer |
Michael Price
|
|
| Directing | Second Assistant Director |
Alex Gavigan
|
| Third Assistant Director |
Freddie Hall
|
|
| First Assistant Director |
Phil Booth
|
|
| Script Supervisor |
Andrea Bamford
|
|
| Director |
Mandie Fletcher
|
|
| Camera | Steadicam Operator |
Derek Walker
|
| Digital Imaging Technician |
Alistair Holloway
|
|
| Grip |
Robin Stone
|
|
| First Assistant Camera |
Toby Goodger
|
|
| Second Assistant Camera |
Samuel Hayes
|
|
| Director of Photography |
Chris Goodger
|
|
| Editing | Additional Editor |
Nick Moore
|
| First Assistant Editor |
Charlie Thompson
|
|
| Colorist |
Jamie Welsh
|
|
| Editor |
Matthew Tucker
|
|
| Art | Construction Manager |
Andy Ivey
|
| Art Direction |
Nikki Startup
|
|
| Standby Art Director |
Margaret Spohrer
|
|
| Graphic Designer |
Rebecca Rose Carey
|
|
| Property Master |
Chas Johnson
|
|
| Set Decoration |
Laura Richardson
|
|
| Production Design |
Harry Banks
|
|
| Lighting | Electrician |
Sam Madden
Graham Banks
William Sheffield
|
| Best Boy Electric |
Oliver Poole
|
|
| Gaffer |
Darren Harvey
|
|
| Writing | Writer |
Mandie Fletcher
Vanessa Davies
|
| Department | Role | Name |
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