Peggy Sue Got Married
(1986) Knowing what you know now, what would you do differently? | Released
Ratings
74%
6.1
6.3
85%
Financials
Revenue: $41,382,841
Budget: $18,000,000
Profit: + $23,382,841
Movie Details
Tag Line: Knowing what you know now, what would you do differently?
Status: Released
Average Rating: 6
Release Date: Oct 10, 1986
Rating: 1986-10-10
Run Time: 1h 43m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: American Zoetrope , TriStar Pictures , Rastar Productions , Delphi V
Sources:
Genres
Keywords
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Where to watch Peggy Sue Got Married
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Synopsis
Peggy Sue faints at a high school reunion. When she wakes up she finds herself in her own past, just before she finished school.
Crew
| Department | Role | Name |
|---|---|---|
| Directing | Director |
Francis Ford Coppola
|
| First Assistant Director |
Doug Claybourne
|
|
| Second Assistant Director |
Mark Radcliffe
|
|
| Script Supervisor |
Wilma Garscadden-Gahret
|
|
| Second Second Assistant Director |
Carey Dietrich
|
|
| Production | Producer |
Paul R. Gurian
Francis Ford Coppola
|
| Executive Producer |
Barrie M. Osborne
|
|
| Casting |
Pennie DuPont
|
|
| Unit Production Manager |
Barrie M. Osborne
|
|
| Location Manager |
Sam Mercer
|
|
| Production Accountant |
Elizabeth Yanoska
|
|
| Assistant Accountant |
Eileen McGuire
|
|
| Production Coordinator |
Lisbeth Wynn-Owen
|
|
| Production Assistant |
George Parra
|
|
| Sound | Original Music Composer |
John Barry
|
| Sound Re-Recording Mixer |
Tom Fleischman
Lee Dichter
|
|
| Supervising Sound Editor |
Michael Kirchberger
|
|
| Sound Editor |
Neil L. Kaufman
Thomas A. Gulino
Bitty O'Sullivan-Smith
Louis Bertini
|
|
| ADR Editor |
Dorian Harris
Darrell Hanzalik
|
|
| Music Editor |
George Craig
|
|
| Foley Artist |
Elisha Birnbaum
Marko Costanzo
|
|
| Production Sound Mixer |
Richard Bryce Goodman
|
|
| Boom Operator |
Carl Fischer
D. G. Fisher
|
|
| Camera | Director of Photography |
Jordan Cronenweth
|
| Camera Intern |
Bob Gilles
|
|
| Camera Operator |
John Toll
|
|
| First Assistant Camera |
Bing Sokolsky
|
|
| Second Assistant Camera |
Jeff Cronenweth
|
|
| Still Photographer |
Jane O'Neal
|
|
| Key Grip |
Cary Griffith
|
|
| Best Boy Grip |
Gregg Guellow
|
|
| Dolly Grip |
Billy Beaird
|
|
| Editing | Editor |
Barry Malkin
|
| Assistant Editor |
Debra Bard
|
|
| Negative Cutter |
Dennis Brookins
|
|
| Art | Production Design |
Dean Tavoularis
|
| Art Direction |
Alex Tavoularis
|
|
| Assistant Art Director |
James J. Murakami
|
|
| Set Decoration |
Marvin March
|
|
| Property Master |
Douglas T. Madison
|
|
| Assistant Property Master |
Gary Fettis
|
|
| Construction Coordinator |
John J. Rutchland Jr.
|
|
| Construction Foreman |
John J. Rutchland III
|
|
| Leadman |
Paul Myerberg
|
|
| Costume & Make-Up | Costume Designer |
Theadora Van Runkle
|
| Makeup Artist |
Frank Griffin
John Rizzo
|
|
| Key Hair Stylist |
Kathryn Blondell
|
|
| Hairstylist |
Candida Conery
Susan V. Kalinowski
|
|
| Crew | Stunts |
Steve Holladay
|
| Special Effects Coordinator |
Lawrence J. Cavanaugh
|
|
| Transportation Coordinator |
James Davis
|
|
| Post Production Supervisor |
Kerry Orent
|
|
| Dialogue Coach |
Daniel R. Suhart
|
|
| Choreographer |
Toni Basil
|
|
| Lighting | Gaffer |
Rick Martens
|
| Best Boy Electric |
Jack Kirk
|
|
| Writing | Writer |
Arlene Sarner
Jerry Leichtling
|
| Department | Role | Name |