Police Academy
(1984) Call them slobs. Call them jerks. Call them gross. Just don't call them when you're in trouble. | Released
Ratings
41%
6.7
6.7
41%
Financials
Revenue: $81,198,894
Budget: $4,500,000
Profit: + $76,698,894
Movie Details
Tag Line: Call them slobs. Call them jerks. Call them gross. Just don't call them when you're in trouble.
Status: Released
Average Rating: 7
Release Date: Mar 22, 1984
Rating: 1984-12-31
Run Time: 1h 37m
Original Language: English
Website: Link
Production Countries: United States of America
Production Companies: The Ladd Company , Warner Bros. Pictures
Sources:
Genres
Keywords
People Rated This
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Synopsis
New rules enforced by the Lady Mayoress mean that sex, weight, height and intelligence need no longer be a factor for joining the Police Force. This opens the floodgates for all and sundry to enter the Police Academy, much to the chagrin of the instructors. Not everyone is there through choice, though. Social misfit Mahoney has been forced to sign up as the only alternative to a jail sentence and it doesn't take long before he falls foul of the boorish Lieutenant Harris. But before long, Mahoney realises that he is enjoying being a police cadet and decides he wants to stay... while Harris decides he wants Mahoney out!
Crew
| Department | Role | Name |
|---|---|---|
| Directing | Director |
Hugh Wilson
|
| Script Supervisor |
Penelope Hynam
Penny Hynam
|
|
| First Assistant Director |
Michael Zenon
|
|
| Second Assistant Director |
Allan Harmon
Richard Flower
Rocco Gismondi
|
|
| Writing | Screenplay |
Neal Israel
Pat Proft
Hugh Wilson
|
| Story |
Neal Israel
Pat Proft
|
|
| Original Concept |
Paul Maslansky
|
|
| Production | Producer |
Paul Maslansky
|
| Production Manager |
James Margellos
|
|
| Casting |
Pamela Basker
Fern Champion
|
|
| Production Coordinator |
Suzanne Lore
|
|
| Executive Producer |
Alan Ladd Jr.
Gareth Wigan
|
|
| Extras Casting |
Peter Lavender
|
|
| Location Manager |
Michael Brownstone
|
|
| Production Assistant |
Benita Allen
Christopher Kroll
Sasha Maslansky
|
|
| Publicist |
Patricia Johnson
|
|
| Production Secretary |
Andrea Poulis
|
|
| Production Accountant |
Donald L. West
|
|
| Assistant Accountant |
Lyn Lucibello
|
|
| Sound | Original Music Composer |
Robert Folk
|
| Music Editor |
Douglas M. Lackey
|
|
| Supervising Sound Editor |
Anthony Ippolito
|
|
| Sound Editor |
John M. Colwell
Stanley Paul
William Hooper
|
|
| Sound Re-Recording Mixer |
John L. Mack
Don MacDougall
Richard Tyler
|
|
| Production Sound Mixer |
David Lee
|
|
| ADR Mixer |
Alan Holly
Don White
|
|
| Foley Mixer |
Alan Holly
|
|
| Foley Editor |
Bob Rutledge
|
|
| ADR Editor |
Paul B. Clay
|
|
| Assistant Sound Editor |
Dave Kulczycki
|
|
| Music Coordinator |
Paula Spang
|
|
| Boom Operator |
Steve Switzer
|
|
| Foley Artist |
Gary A. Hecker
|
|
| Sound Assistant |
Ron Scelza
|
|
| Scoring Mixer |
Dan Wallin
Robert Fernandez
|
|
| Musician |
Robert Adcock
Murray Adler
Arnold Belnick
Harry Bluestone
Denyse Buffum
Larry Bunker
Norman Carr
Ronald Cooper
Vince De Rosa
Drew Dembowski
Alan DeVeritch
Bob DiVall
George Doering
Chuck Domanico
David Duke
Dominick Fera
Elizabeth Finch
Harris Goldman
Pamela Goldsmith
Gwenn Heller
Norman Herzburg
Paula Hochhalter
Barbara Hunter
Craig Huxley
Tommy Johnson
Michael Lang
Ronald Langinger
Ron Leonard
Arthur Maebe
Frank Marocco
Malcolm McNab
Peter Mercurio
Richard Nash
Buell Neidlinger
Erno Neufeld
Mike Nowak
Richard Perissi
Joe Porcaro
George Roberts
Jay Rosen
Harry Shlutz
Haim Shtrum
Henry Sigismonti
Sheridon Stokes
Linn Subotnick
James Thatcher
Louise Di Tullio
Lloyd Ulyate
Ian Underwood
Ken Watson
John Winter
John Wittenberg
Graham Young
Bob Zimmitti
|
|
| Conductor |
Robert Folk
|
|
| Orchestrator |
Robert Folk
|
|
| Camera | Director of Photography |
Michael D. Margulies
|
| Still Photographer |
Shin Sugino
|
|
| Camera Operator |
Peter Luxford
|
|
| Additional Photography |
Robert Saad
|
|
| Assistant Camera |
Joachim Martin
Pat Williams
|
|
| Best Boy Grip |
Glen Goodchild
|
|
| Key Grip |
Ron Gillham
|
|
| Editing | Editor |
Robert Brown
Zach Staenberg
|
| Assistant Editor |
Howard Heard
|
|
| Negative Cutter |
Donah Bassett
|
|
| Color Timer |
Robert Raring
|
|
| Art | Production Design |
Trevor Williams
|
| Set Decoration |
Steve Shewchuk
|
|
| Property Master |
John 'Frenchie' Berger
Chris Biden
|
|
| Construction Coordinator |
Neil Grocutt
|
|
| Painter |
I.R. McEune
Serge Genitempo
|
|
| Art Designer |
Drew Struzan
|
|
| Costume & Make-Up | Costume Design |
Christopher Ryan
|
| Hairstylist |
James D. Brown
|
|
| Makeup Artist |
Ken Brooke
|
|
| Wardrobe Assistant |
Linda Kemp
Larry S. Wells
SJ Teasdale
|
|
| Crew | Stunt Coordinator |
Joe Dunne
|
| Stunts |
Wink Roberts
Buzz Bundy
Debbie Kirby
Julius LeFlore
Denver Mattson
Gary McLarty
Angie Reno
Dar Robinson
Janet Brady
Marco Bianco
Celia Bond
Peter Cox
Carol Daniels
Joe Dunne
Ted Hanlan
Danny Lima
Gene Mack
F. Braun McAsh
Dwayne McLean
Brent Meyer
Branko Racki
George Marshall Ruge
T.J. Scott
Todd Schroeder
|
|
| Special Effects |
David Neil Trifunovich
Roger Hansen
|
|
| Scenic Artist |
Guenter Bartlik
|
|
| Carpenter |
Paul Theodore
|
|
| Special Effects Assistant |
Gene Grigg
|
|
| Stunt Double |
Dar Robinson
Todd Schroeder
|
|
| Generator Operator |
David G. Todd
|
|
| Editorial Staff |
Ben Williams
Terry Kelley
|
|
| Transportation Coordinator |
Jim Kennedy
|
|
| Transportation Captain |
Craig S. Kohne
|
|
| Presenter |
Alan Ladd Jr.
|
|
| Set Production Assistant |
Curtis Carlin
|
|
| Lighting | Best Boy Electric |
Tony Eldridge
|
| Gaffer |
Chris Holmes
|
|
| Department | Role | Name |