Ratings
Financials
Revenue: $40,382,659
Budget: $35,000,000
Profit: + $5,382,659
Movie Details
Tag Line: Not since Gone with the Wind has there been a great romantic epic like it!
Status: Released
Average Rating: 7
Release Date: Dec 25, 1981
Rating: 1981-12-25
Run Time: 3h 15m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: JRS Productions , Barclays Mercantile Industrial Finance , Paramount Pictures
Sources:
Genres
Keywords
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Synopsis
An account of the revolutionary years of the legendary American journalist John Reed, who shared his adventurous professional life with his radical commitment to the socialist revolution in Russia, his dream of spreading its principles among the members of the American working class, and his troubled romantic relationship with the writer Louise Bryant.
Crew
| Department | Role | Name |
|---|---|---|
| Directing | Director |
Warren Beatty
|
| Assistant Director |
Carl Mesterton
Simon Relph
|
|
| Second Assistant Director |
Enrique Gabriel
Lauri Törhönen
Joseph J. Kontra
Tom Seidman
Robert E. Warren
Michael Green
Peter Waller
|
|
| First Assistant Director |
Kuki López Rodero
Alan Hopkins
James Quinn
Robert Birnbaum
|
|
| Script Supervisor |
Karen Hale Wookey
Zelda Barron
|
|
| Second Unit Director |
Craig R. Baxley
|
|
| Third Assistant Director |
Michael Zimbrich
|
|
| Crew | Additional Writing |
Elaine May
|
| Special Effects |
Bob Dawson
Ian Wingrove
Antonio Parra
|
|
| Carpenter |
Peter Verard
Bert Long
Dick Brown
|
|
| Visual Effects Editor |
Sam Fine
|
|
| Additional Music |
Dave Grusin
|
|
| Stunt Coordinator |
Craig R. Baxley
|
|
| Choreographer |
Gillian Gregory
Stefan Wenta
|
|
| Scenic Artist |
Bob Spencer
|
|
| Lighting | Gaffer |
Laurie Shane
Filippo Cafolla
|
| Best Boy Electric |
Martin Evans
|
|
| Production | Producer |
Warren Beatty
|
| Associate Producer |
David L. MacLeod
|
|
| Casting |
Patsy Pollock
Noel Davis
Marion Dougherty
Gretchen Rennell
Kathy Talbert
Jane Jenkins
Nancy Foy
Jeremy Zimmermann
|
|
| Executive Producer |
Dede Allen
Simon Relph
|
|
| Location Manager |
Redmond Morris
Juan Clemente Prosper
Simon Bosanquet
|
|
| Production Manager |
Vicente Escrivá hijo
Kaj Holmberg
Jack Terry
A. Kitman Ho
Nigel Wooll
|
|
| Post Production Accountant |
Sandy Varga
|
|
| Extras Casting |
Beverley Keogh
|
|
| Production Consultant |
Åke Lindman
|
|
| Assistant Accountant |
Rosalie King
Alan John
|
|
| Unit Manager |
Toivo Lehmusvirta
|
|
| Post Production Coordinator |
Sherri Taffel Brown
|
|
| Production Assistant |
Vicki Deason
|
|
| Production Accountant |
Jak King
|
|
| Camera | Director of Photography |
Vittorio Storaro
|
| Assistant Camera |
Giorgio Urbinelli
Mauro Marchetti
|
|
| Grip |
Alfredo Marchetti
Mario Marchetti
Tony Cridlin
|
|
| Camera Operator |
Camillo Bazzoni
Enrico Umetelli
|
|
| Clapper Loader |
David Watkins
Jeremy Gee
|
|
| Still Photographer |
David Appleby
|
|
| Focus Puller |
Roberto Alberti
|
|
| Art | Art Direction |
Simon Holland
Vesa Tapola
Fernando González
|
| Production Design |
Richard Sylbert
|
|
| Props |
Eddie Francis
Mickey Pugh
|
|
| Set Dresser |
Michael Seirton
|
|
| Dressing Prop |
Denis Hopperton
|
|
| Set Buyer |
Jill Quertier
|
|
| Set Decoration |
Thomas L. Roysden
Paul Hefferan
|
|
| Title Designer |
Wayne Fitzgerald
|
|
| Property Master |
George Ball
|
|
| Draughtsman |
John King
Buzz Stephens
|
|
| Construction Manager |
Jack Carter
|
|
| Assistant Art Director |
Ros Shingleton
|
|
| Editing | Editor |
Dede Allen
Craig McKay
|
| Assistant Editor |
Marty Levenstein
Jill Savitt
Claire Simpson
Joan Metzger
Karen I. Stern
Eric L. Beason
Ray Hubley
Leslie Gaulin
William S. Scharf
|
|
| Additional Editing |
Gerald B. Greenberg
Richard Marden
Richard Hiscott
|
|
| Editorial Services |
Katherine Wenning
|
|
| Associate Editor |
Brian Peachey
Angelo Corrao
|
|
| First Assistant Editor |
Cindy Kaplan Rooney
|
|
| Negative Cutter |
Donah Bassett
|
|
| Costume & Make-Up | Costume Design |
Shirley Russell
|
| Wardrobe Assistant |
Cath Halloran
Nicolas Ede
|
|
| Costume Assistant |
Linda Burtenshaw
|
|
| Wardrobe Master |
Martín Díaz Porras
William Loger
Marilyn Putnam
Rebecca Breed
|
|
| Hairstylist |
Carolyn Elias
Phil Naso
Barry Richardson
Joan Carpenter
|
|
| Makeup Artist |
William Turner
Fern Buchner
Paul Engelen
Bob Lawrance
|
|
| Costume Supervisor |
Richard La Motte
|
|
| Wardrobe Supervisor |
Richard Pointing
|
|
| Sound | Original Music Composer |
Stephen Sondheim
Dave Grusin
|
| Sound Editor |
David Ray
Peter Odabashian
Kate Hirson
Louis Cerborino
Peter C. Frank
Stan Bochner
Hal Levinsohn
Maurice Schell
Marjorie Deutsch
Jay Dranch
Dan Lieberstein
|
|
| Sound Mix Technician |
Des Edwards
|
|
| Conductor |
Paul Gemignani
|
|
| Sound Mixer |
Al Mian
Bruce Bisenz
Simon Kaye
|
|
| Music Supervisor |
Paul Gemignani
|
|
| Sound Re-Recording Mixer |
Tom Fleischman
Dick Vorisek
|
|
| Supervising Sound Editor |
Richard P. Cirincione
|
|
| Sound Engineer |
David Allen
|
|
| Assistant Sound Editor |
Jeffrey Stern
Thomas A. Gulino
Yvette Nabel
Harry Peck Bolles
Marshall Grupp
Darrell Hanzalik
Brunilda Torres
Fred Rosenberg
Jane McCulley
Bruce Kitzmeyer
Randall Coleman
|
|
| Boom Operator |
David Stephenson
|
|
| Music Editor |
Ted Whitfield
Michael Tronick
|
|
| Writing | Screenplay |
Warren Beatty
Trevor Griffiths
|
| Department | Role | Name |







