Robin Hood: Men in Tights
(1993) The legend had it coming... | Released
Ratings
44%
6.6
6.7
48%
Financials
Revenue: $35,739,755
Budget: $20,000,000
Profit: + $15,739,755
Movie Details
Tag Line: The legend had it coming...
Status: Released
Average Rating: 7
Release Date: Jul 28, 1993
Rating: PG-13
Run Time: 1h 44m
Original Language: English
Website: -
Production Countries: France , United States of America
Production Companies: Gaumont , Brooksfilms , 20th Century Fox
Genres
Keywords
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Synopsis
Robin Hood comes home after fighting in the Crusades to learn that the noble King Richard is in exile and that the despotic King John now rules England, with the help of the Sheriff of Rottingham. Robin Hood assembles a band of fellow patriots to do battle with King John and the Sheriff.
Crew
| Department | Role | Name |
|---|---|---|
| Editing | Editor |
Stephen E. Rivkin
|
| Associate Editor |
Darren T. Holmes
|
|
| Color Timer |
Dale Caldwell
|
|
| Negative Cutter |
Gary Burritt
|
|
| Assistant Editor |
Gina Lombardo
|
|
| Production | Casting |
Bill Shepard
Lindsay Chag
|
| Producer |
Mel Brooks
|
|
| Executive In Charge Of Production |
Robert Latham Brown
|
|
| Associate Producer |
Evan Chandler
|
|
| Publicist |
Saul Kahan
|
|
| Executive Producer |
Peter Schindler
|
|
| Production Executive |
Leah Zappy
|
|
| Extras Casting |
Kenneth Chamitoff
|
|
| Assistant Production Coordinator |
Steve Kornacki
|
|
| Production Coordinator |
Alyson Evans
|
|
| Location Manager |
William Bowling
|
|
| Production Accountant |
Cynthia Quan
|
|
| Casting Assistant |
Arlane J. Crawford
|
|
| Art Department Production Assistant |
Dennis Brown
|
|
| Assistant Accountant |
Joshua Ornstein
|
|
| Production Assistant |
Chris Armstrong
|
|
| Costume & Make-Up | Costume Design |
Dodie Shepard
|
| Makeup Artist |
Todd McIntosh
|
|
| Key Costumer |
Robert Q. Mathews
|
|
| Set Dressing Artist |
Mark Boucher
|
|
| Makeup Department Head |
Bari Dreiband-Burman
|
|
| Set Costumer |
Danielle Feller
|
|
| Key Hair Stylist |
Linle White
|
|
| Costume Supervisor |
Charles DeMuth
|
|
| Hairstylist |
Judith Tiedemann
|
|
| Costumer |
Marcie Olivi
|
|
| Art | Set Decoration |
Ronald R. Reiss
|
| Production Design |
Roy Forge Smith
|
|
| Main Title Designer |
Peter Kuran
|
|
| Art Direction |
Stephen Myles Berger
|
|
| Construction Foreman |
Terry Kempf
|
|
| Set Designer |
Cate Bangs
|
|
| Greensman |
Dave Newhouse
|
|
| Property Master |
Jack M. Marino
|
|
| Standby Painter |
Al Kenders
|
|
| Art Department Coordinator |
Jacqueline English
|
|
| Construction Coordinator |
W. Wayne Walser
|
|
| Assistant Property Master |
Jennifer Dawson
|
|
| Storyboard Artist |
Michael Sarley
|
|
| Crew | Special Effects Coordinator |
Richard Ratliff
|
| Stunts |
Dick Warlock
Erik Cord
Larry Holt
Daniel W. Barringer
Loren Janes
Lance Gilbert
Chuck Picerni Jr.
Troy Gilbert
|
|
| Makeup Effects |
Thomas R. Burman
|
|
| Transportation Coordinator |
Jim Chesney
|
|
| Special Effects Assistant |
Larry Odien
|
|
| Loader |
Martin Glover
|
|
| Dialogue Coach |
Julie Adams
|
|
| Propmaker |
Neil Gahm
|
|
| Chef |
Antoine Mascaro
|
|
| Transportation Captain |
John Armstrong
|
|
| Generator Operator |
John Armstrong
|
|
| Stunt Coordinator |
Brian Burrows
|
|
| Choreographer |
Cindy Montoya-Picker
|
|
| Craft Service |
John Moy
|
|
| Sound | ADR Mixer |
Robert Deschaine
|
| Music Editor |
Chris Ledesma
|
|
| Original Music Composer |
Hummie Mann
|
|
| Foley Recordist |
Nerses Gezalyan
|
|
| Foley Artist |
Gary A. Hecker
|
|
| Supervising Sound Editor |
Gary S. Gerlich
|
|
| Sound Designer |
Harry E. Snodgrass
|
|
| Sound Recordist |
Mark 'Frito' Long
|
|
| Supervising ADR Editor |
Petra Bach
|
|
| Sound Editor |
William Jacobs
|
|
| Orchestrator |
Brad Dechter
|
|
| ADR Editor |
Robert Ulrich
|
|
| Scoring Mixer |
Armin Steiner
|
|
| Foley Mixer |
James Ashwill
|
|
| ADR Recordist |
David Jobe
|
|
| Assistant Sound Editor |
Michelle Pleis
|
|
| Music Supervisor |
Brian L. McCarty
|
|
| Visual Effects | Visual Effects Supervisor |
Mat Beck
|
| Matte Painter |
Syd Dutton
|
|
| Writing | Screenplay |
Mel Brooks
J.D. Shapiro
Evan Chandler
|
| Story |
J.D. Shapiro
Evan Chandler
|
|
| Directing | Director |
Mel Brooks
|
| Second Unit Director |
Peter Schindler
|
|
| Second Assistant Director |
Kenneth Silverstein
|
|
| Script Supervisor |
Kristine Greco
|
|
| First Assistant Director |
Gregg Goldstone
|
|
| Second Second Assistant Director |
Judith Moore
|
|
| Camera | Additional Photography |
Lloyd Ahern II
|
| Director of Photography |
Michael D. O'Shea
|
|
| Still Photographer |
Robert Isenberg
|
|
| Camera Operator |
Michael Genne
|
|
| First Assistant Camera |
Michael A. Chavez
|
|
| Key Grip |
Robert Duggan
|
|
| Grip |
James D. Doherty
|
|
| Best Boy Grip |
Richard Redlin
|
|
| Dolly Grip |
Alberto S. Ramos
|
|
| Second Assistant Camera |
Vincent Mata
|
|
| Lighting | Rigging Grip |
Jim Duggan
|
| Electrician |
James F. Cornick
|
|
| Best Boy Electric |
James M. Cox
|
|
| Gaffer |
Gary Tandrow
|
|
| Rigging Gaffer |
Jerry Enright
|
|
| Department | Role | Name |
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