Santa with Muscles
(1996) He's arrived in the St. Nick of time! | Released
Ratings
3.7
2.4
Financials
Revenue: $220,198
Budget: $0
Profit: + $220,198
Movie Details
Tag Line: He's arrived in the St. Nick of time!
Status: Released
Average Rating: 4
Release Date: Nov 8, 1996
Rating: PG
Run Time: 1h 38m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: Cabin Fever Entertainment , Cineplex Odeon Films , Hit Entertainment
Genres
Keywords
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Synopsis
Penurious but muscle-bound Blake Thorne has made a vast fortune marketing health food and health supplements. He once was a nice fellow, but as his wealth increases, he becomes increasingly self-centered and decadent. One day, he gets in a great paint-gun fight that goes too far. Blake escapes the cops by running into a shopping mall, quickly donning a Santa Suit and pretending to be St. Nick. A head injury causes Blake to suffer amnesia, and an opportunistic "elf" decides to convince Blake that he is indeed Santa. This leads "Santa" to help save an orphanage, filled with adorable moppets, from the machinations of a greedy, insane doctor.
Crew
| Department | Role | Name |
|---|---|---|
| Crew | Stunts |
Charlie Brewer
Terry Leonard
Chad McQueen
Pete Antico
Ed Leslie
Carl Ciarfalio
Jeff Jensen
J.J. Perry
Frank Ferrara
Vinnie Curto
Brian J. Williams
John Cenatiempo
Chris Howell
Andy Gill
Rudolf Weber
Steve Picerni
Eddie Braun
Pat Romano
Steve Santosusso
Chris Cenatiempo
Chris Colombo
Anita Hart
Ellis Edwards
Steve Hart
Don McGovern
Roger Wells
R.J. Chambers
Stephen Dunn
Joey Nelson
Johnny Airtime
Ed Donno
Jim Hardy
Richard Malchar
Bill Reid
|
| Stunt Coordinator |
Chuck Zito
|
|
| Stunt Double |
Craig Shugart
|
|
| Additional Script Supervisor |
Lori Grabowski
|
|
| Visual Effects Art Director |
Will Paguntalan
|
|
| Special Effects Assistant |
Steve Newquist
|
|
| Special Effects Coordinator |
Albert Lannutti
|
|
| Camera | Key Grip |
Jack Serino
Michael Pizzuto
Alec Shepherd
Brent Bye
|
| Second Assistant "B" Camera |
Morgan Susser
Elizabeth Algieri
|
|
| Additional Photography |
George Hosek
|
|
| First Assistant "B" Camera |
Richard Benda
Collin S. Colberg
Dan Auerbach
David Goldenberg
|
|
| Still Photographer |
Sam Urdank
|
|
| Director of Photography |
Michael Gfelner
|
|
| Grip |
John Linares
Chris Soronen
Ryan Patterson
Randolph J. Verdigo
Jim Carlton
Rafael Peregrina
Daniel Tesco
|
|
| Second Assistant Camera |
Jennifer Bell
Vicki Brinkman
David Schreiber
Mary Kasparian
|
|
| First Assistant Camera |
David DeForest Keys
Van Flesher
|
|
| Dolly Grip |
Steve Ruffing
|
|
| Best Boy Grip |
Steven Pehl
|
|
| Camera Loader |
Dale Geurts
|
|
| Second Unit Director of Photography |
David MacKay
|
|
| Costume & Make-Up | Makeup & Hair |
Pam Phillips
|
| Hairstylist |
Mary Ann Valdes
|
|
| Costume Designer |
Cathryn Wagner
|
|
| Set Costumer |
Anita Louise Brown
Marissa Borsetto
|
|
| Makeup & Hair Assistant |
Francie Hart
Suzi Haydon
|
|
| Wardrobe Supervisor |
Christina Mongini
|
|
| Editing | Editor |
Stephen R. Myers
William Marrinson
|
| Assistant Editor |
Keith Henderson
|
|
| Color Timer |
Chuck Winston
|
|
| Production | Location Manager |
Kai Ephron
|
| Co-Producer |
Michael C. Cuddy
David Silberg
James R. Rosenthal
|
|
| Executive Producer |
Jordan Belfort
Harry Shuster
Danny Porush
|
|
| Producer |
Brian Shuster
|
|
| Post Production Coordinator |
Maui Holcomb
|
|
| Casting |
Tom McSweeney
|
|
| Assistant Production Coordinator |
Jon Joseph Glover
|
|
| Casting Associate |
Fred Mata
|
|
| Line Producer |
Paula F. Major
|
|
| Assistant Location Manager |
Nancy Moss Ephron
Kevin W. Cochran
|
|
| Production Coordinator |
Shelly Bovert
Dee Dee Irwin
|
|
| Unit Production Manager |
Dee Dee Irwin
|
|
| Casting Assistant |
Bardene Klein
|
|
| ADR Voice Casting |
Toby Stone
Joan Ryan
|
|
| Sound | Sound Effects Editor |
Wayne Scott Joness
Lisa Hannan
Paul N.J. Ottosson
Mark Allen
John Kohlbrenner
Michael Jonascu
Jeff King
Debby Van Poucke
Eriq Jaffe
|
| Foley Recordist |
Michael McCarty
|
|
| Original Music Composer |
James Covell
|
|
| Supervising Sound Editor |
Patrick M. Griffith
|
|
| Dialogue Editor |
Jesse Pomeroy
Keith Burhans
Mike Rodriguez
|
|
| Foley Artist |
Cynthia Merrill
|
|
| Boom Operator |
Ryan Ferro
Peter Darehuk
|
|
| Sound Mixer |
Linda Coffey
Craig Schlattman
|
|
| ADR Editor |
Mike Rodriguez
|
|
| ADR Recordist |
Maxim Carl
|
|
| Sound Re-Recording Mixer |
Tom Moore
|
|
| Art | Production Design |
Chuck Conner
|
| Art Direction |
Chase Harlan
|
|
| Set Decoration |
Michelle Harding Hollie
|
|
| Property Master |
Dort Clark
|
|
| Set Dressing Buyer |
Nick Sternberg
|
|
| Construction Foreman |
H. Max Flannery
|
|
| Assistant Set Decoration |
Mark Steger
|
|
| Assistant Property Master |
Tom Wages
|
|
| Assistant Set Dresser |
Michelle Moore
|
|
| Leadman |
Christopher Hannawalt
|
|
| Storyboard Artist |
Brandon Scott Peterson
|
|
| Visual Effects | Visual Effects Supervisor |
David L. Hewitt
Dale Fay
|
| Rotoscoping Artist |
Larry Arpin
|
|
| Directing | Director |
John Murlowski
|
| Second Unit First Assistant Director |
David Allen Cluck
Brian Bettwy
Keenan Robinson
|
|
| Script Supervisor |
Chris Smernes
Nancy Kamowitz
Cristina Maria
|
|
| First Assistant Director |
David Rimer
|
|
| Second Assistant Director |
Aaron Penn
Michelle LeDoux
|
|
| Second Second Assistant Director |
Peter Stevens
Joshua Newkirk
|
|
| Second Unit Director |
David MacKay
|
|
| Writing | Writer |
Jonathan Bond
Fred Mata
Dorrie Krum Raymond
|
| Lighting | Gaffer |
Giovanni Zelko
Ali Farboud
Jeff Barco
John Pedone
|
| Rigging Gaffer |
Craig Bernstein
Robert Chavez
|
|
| Department | Role | Name |