Se7en
(2024) Seven deadly sins. Seven ways to die. | Released
Ratings
65%
8.4
8.6
80%
Financials
Revenue: $327,311,859
Budget: $33,000,000
Profit: + $294,311,859
Movie Details
Tag Line: Seven deadly sins. Seven ways to die.
Status: Released
Average Rating: 8
Release Date: Jun 27, 2024
Rating: 2024-05-03
Run Time: 2h 07m
Original Language: English
Website: Link
Production Countries: United States of America
Production Companies: New Line Cinema , Juno Pix , Cecchi Gori Pictures
Genres
Keywords
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Synopsis
Two homicide detectives are on a desperate hunt for a serial killer whose crimes are based on the "seven deadly sins" in this dark and haunting film that takes viewers from the tortured remains of one victim to the next. The seasoned Det. Sommerset researches each sin in an effort to get inside the killer's mind, while his novice partner, Mills, scoffs at his efforts to unravel the case.
Crew
| Department | Role | Name |
|---|---|---|
| Art | Art Direction |
Gary Wissner
|
| Set Decoration |
Clay A. Griffith
|
|
| Production Design |
Arthur Max
|
|
| Set Designer |
Elizabeth Lapp
Hugo Santiago
Lori Rowbotham
|
|
| Art Department Coordinator |
Jan O'Connell
|
|
| Leadman |
Chris Gibbin
|
|
| Assistant Art Director |
Barry Chusid
|
|
| Construction Foreman |
William Davidson
|
|
| Property Master |
Roy 'Bucky' Moore
|
|
| Painter |
Shawn Albro
|
|
| Construction Coordinator |
Robert Bonino
|
|
| Storyboard Artist |
Jacques Rey
|
|
| Production Illustrator |
Daren Dochterman
|
|
| Standby Painter |
Nicholas C. John
|
|
| Sculptor |
Moto Hata
|
|
| Set Decoration Buyer |
Elizabeth Ragali
|
|
| Location Scout |
Fred Jove
|
|
| Concept Artist |
Jim Feldman
|
|
| Title Designer |
Kyle Cooper
|
|
| Art Department Assistant |
John S. Dorsey
|
|
| Swing |
Bruce Bellamy
|
|
| Conceptual Illustrator |
Patrick Tatopoulos
|
|
| Production | Producer |
Arnold Kopelson
Phyllis Carlyle
|
| Casting |
Kerry Barden
Billy Hopkins
Suzanne Smith Crowley
|
|
| Executive Producer |
Anne Kopelson
Dan Kolsrud
Gianni Nunnari
|
|
| Executive In Charge Of Post Production |
Joe Fineman
|
|
| Production Coordinator |
Wendy Cox
|
|
| Co-Producer |
Stephen Joel Brown
Sanford Panitch
Nana Greenwald
|
|
| Unit Production Manager |
Allan Wertheim
Robert S. Mendelsohn
|
|
| Associate Producer |
Michele Platt
|
|
| Co-Executive Producer |
Lynn Harris
Richard Saperstein
|
|
| Casting Associate |
Aisha Coley
|
|
| Executive In Charge Of Production |
Ted Zachary
|
|
| Location Manager |
Paul Hargrave
|
|
| Line Producer |
William C. Gerrity
|
|
| Casting Assistant |
Kim Taylor-Coleman
Jennifer McNamara
|
|
| Publicist |
François Frey
|
|
| Production Accountant |
Robert Grindrod
|
|
| Location Assistant |
Joe Johnston
|
|
| Art Department Production Assistant |
Craig Albrecht
|
|
| Production Secretary |
Janet Ingram
|
|
| Payroll Accountant |
Brad Davis
|
|
| Assistant Location Manager |
Flint Maloney
|
|
| Production Assistant |
Gary A. Martin
|
|
| First Assistant Accountant |
Jerri Whiteman
|
|
| Assistant Production Coordinator |
John L. Anderson
|
|
| Executive Assistant |
Maria Norman
|
|
| Camera | Director of Photography |
Darius Khondji
|
| Camera Operator |
Conrad W. Hall
Michael A. Chavez
|
|
| Steadicam Operator |
Dale Myrand
David Emmerichs
|
|
| Still Photographer |
Peter Sorel
Melodie McDaniel
|
|
| First Assistant Camera |
Brad Edmiston
|
|
| Camera Technician |
Michael Charbonnet
|
|
| Key Grip |
Michael J. Coo
|
|
| Grip |
Nico Bally
|
|
| Additional Photography |
Harris Savides
|
|
| Aerial Camera |
Donald M. Morgan
|
|
| Dolly Grip |
Michael Brennan
|
|
| Second Assistant Camera |
Brent Beal
|
|
| Camera Loader |
David Sanchez
|
|
| Best Boy Grip |
William E. Fitch
|
|
| Costume & Make-Up | Costume Design |
Michael Kaplan
|
| Costume Supervisor |
Elinor Bardach
|
|
| Set Costumer |
Larry Velasco
|
|
| Hair Designer |
Becky Ochoa
|
|
| Makeup Artist |
Monty Westmore
Michael Hancock
|
|
| Set Dressing Artist |
Christopher Casey
|
|
| Makeup Supervisor |
Jean Ann Black
|
|
| Costumer |
Marsha Bozeman
|
|
| Prosthetics |
Gary Archer
|
|
| Makeup Effects Designer |
Rob Bottin
|
|
| Directing | Director |
David Fincher
|
| Script Supervisor |
Cori Glazer
|
|
| Second Second Assistant Director |
Craig A. Pinckes
|
|
| Additional Second Assistant Director |
Leonard Bram
|
|
| Second Assistant Director |
Frank Davis
|
|
| First Assistant Director |
Michael Alan Kahn
|
|
| Editing | Editor |
Richard Francis-Bruce
|
| Additional Editing |
William Hoy
|
|
| First Assistant Editor |
Robert C. Lusted
|
|
| Color Timer |
Andrea Gargano
Yvan Lucas
Dale Caldwell
|
|
| Negative Cutter |
Gary Burritt
|
|
| Assistant Editor |
Tom Barrett
|
|
| Sound | Original Music Composer |
Howard Shore
|
| Sound Re-Recording Mixer |
Rick Hart
Robert J. Litt
Elliot Tyson
|
|
| Orchestrator |
Bert Dovo
John Lissauer
|
|
| Music Editor |
Angie Rubin
Ellen Segal
|
|
| Boom Operator |
Marvin E. Lewis
|
|
| Sound Effects Editor |
Jennifer L. Ware
Kim B. Christensen
Ren Klyce
|
|
| Sound Designer |
Ren Klyce
|
|
| Production Sound Mixer |
Willie D. Burton
|
|
| Supervising Sound Editor |
Patrick Dodd
|
|
| Sound Recordist |
David Behle
Philip Rogers
Jack Keller
|
|
| Foley Artist |
Marnie Moore
Margie O'Malley
|
|
| ADR Editor |
Joan E. Chapman
Jeff Watts
Mark Levinson
|
|
| Foley Mixer |
Richard Duarte
Jeremy Molod
|
|
| Dialogue Editor |
John Nutt
Francesca Dodd
|
|
| ADR Supervisor |
Patrick Dodd
|
|
| Assistant Sound Designer |
Steve Boeddeker
|
|
| Foley Editor |
Malcolm Fife
|
|
| Musician |
Tom Boyd
Armen Ksajikian
|
|
| Conductor |
Lucas Richman
|
|
| ADR Recordist |
Rick Canelli
|
|
| Music Coordinator |
Mark Kaufman
|
|
| Music Consultant |
Rachel Flanagan
|
|
| Utility Sound |
Robert W. Harris
|
|
| ADR Mixer |
Thomas J. O'Connell
|
|
| Assistant Dialogue Editor |
Erik R. Kraber
|
|
| Visual Effects | Visual Effects Supervisor |
Greg Kimble
|
| Special Effects Supervisor |
Danny Cangemi
|
|
| Visual Effects Producer |
Peter Frankfurt
|
|
| Visual Effects Coordinator |
Tim Thompson
|
|
| Crew | Stunt Coordinator |
Chuck Picerni Jr.
|
| Transportation Coordinator |
Russell McEntyre
|
|
| Post Production Supervisor |
Ric Keeley
Mark Graziano
|
|
| Special Effects Coordinator |
Peter Albiez
|
|
| Transportation Captain |
Wayne Stone
|
|
| Thanks |
Vincent Landay
Ceán Chaffin
|
|
| Driver |
George Alden
Bonnie Alden
|
|
| Visual Effects Editor |
J.W. Kompare
|
|
| Set Production Assistant |
Kenneth H. Frith Jr.
|
|
| Chef |
Jose Majica
|
|
| Special Effects |
William B. Doane
|
|
| Craft Service |
Ronald E. Hairston
|
|
| Post Production Assistant |
Ian Crockett
|
|
| Production Controller |
Paul Prokop
|
|
| Stand In |
Thomas Brader
|
|
| Unit Publicist |
Susan Steinlauf-Pascal
|
|
| Stunts |
LaFaye Baker
Kane Hodder
Charlie Picerni
Henry Kingi
Bob Brown
Tim A. Davison
Janet Brady
Kenny Endoso
Sandy Berumen
|
|
| Propmaker |
Alan Alvarado
|
|
| Stunt Double |
Scott Wilder
|
|
| Aerial Coordinator |
Charles A. Tamburro
|
|
| Medical Consultant |
Robert M. Rey
|
|
| Lighting | Electrician |
Michael S. Adler
|
| Rigging Grip |
Joseph Graham
|
|
| Gaffer |
Claudio Miranda
|
|
| Lighting Technician |
Thomas P. Powell
|
|
| Key Rigging Grip |
Larry J. Aube
|
|
| Writing | Writer |
Andrew Kevin Walker
|
| Department | Role | Name |
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