Single White Female
(1992) Living with a roommate can be murder. | Released
Ratings
63%
6.2
6.3
55%
Financials
Revenue: $48,017,402
Budget: $16,000,000
Profit: + $32,017,402
Movie Details
Tag Line: Living with a roommate can be murder.
Status: Released
Average Rating: 6
Release Date: Aug 14, 1992
Rating: R
Run Time: 1h 47m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: Columbia Pictures
Genres
Keywords
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Synopsis
Attractive Manhattanite Allison Jones has it all: a handsome beau, a rent-controlled apartment, and a promising career as a fashion designer. When boyfriend Sam proves unfaithful, Allison strikes out on her own but must use the classifieds to seek out a roommate in order to keep her spacious digs.
Crew
| Department | Role | Name |
|---|---|---|
| Sound | Original Music Composer |
Howard Shore
|
| Assistant Sound Designer |
Christopher Boyes
Tom Myers
|
|
| Sound Designer |
Gary Rydstrom
|
|
| Sound Re-Recording Mixer |
Gary Rydstrom
Richard Beggs
Tom Johnson
|
|
| Supervising Sound Editor |
Gloria S. Borders
Tim Holland
|
|
| Music Editor |
Jim Weidman
|
|
| Boom Operator |
Carl Fischer
|
|
| Sound Editor |
Gwendolyn Yates Whittle
Ethan van der Ryn
Robert Shoup
Ken Fischer
Marilyn McCoppen
Don Hall
E. Jeane Putnam
|
|
| Assistant Sound Editor |
J.R. Grubbs
Claire Sanfilippo
|
|
| Production | Casting |
Howard Feuer
|
| Producer |
Barbet Schroeder
|
|
| Associate Producer |
Susan Hoffman
|
|
| Executive Producer |
Jack Baran
|
|
| Casting Assistant |
Jakki Fink
|
|
| Production Coordinator |
Elyse Katz
|
|
| Unit Production Manager |
Roger Joseph Pugliese
|
|
| Co-Producer |
Roger Joseph Pugliese
|
|
| Production Accountant |
Margaret Mitchell
|
|
| Editing | Editor |
Lee Percy
|
| Assistant Editor |
Emily Wallin
Sarah Peddie
|
|
| Art | Set Decoration |
Anne H. Ahrens
|
| Production Design |
Milena Canonero
|
|
| Assistant Art Director |
James F. Truesdale
|
|
| Art Direction |
P. Michael Johnston
|
|
| Construction Coordinator |
Walt Hadfield
|
|
| Title Designer |
Robert Dawson
|
|
| Construction Foreman |
James F. Walker
|
|
| Leadman |
Douglas E. Maxwell
|
|
| Costume & Make-Up | Costume Design |
Milena Canonero
|
| Assistant Costume Designer |
Elisabetta Beraldo
|
|
| Special Effects Makeup Artist |
Matthew W. Mungle
|
|
| Makeup Artist |
Lizbeth Williamson
|
|
| Costume Supervisor |
Eileen Kennedy
|
|
| Hairstylist |
Candace Neal
|
|
| Costumer |
Jaqueline De La Fontaine
|
|
| Directing | Director |
Barbet Schroeder
|
| Script Supervisor |
Wilma Garscadden-Gahret
|
|
| Second Assistant Director |
Daniel R. Suhart
|
|
| Camera | Director of Photography |
Luciano Tovoli
|
| Still Photographer |
François Duhamel
|
|
| Camera Operator |
Monty Rowan
|
|
| First Assistant Camera |
Bob Hall
|
|
| Key Grip |
Gary Dagg
|
|
| Best Boy Grip |
Joe Kelly
|
|
| Dolly Grip |
David Nims
|
|
| Second Assistant Camera |
Brian LeGrady
|
|
| Lighting | Chief Lighting Technician |
Mike Moyer
|
| Assistant Chief Lighting Technician |
David Burnett
|
|
| Writing | Screenplay |
Don Roos
|
| Novel |
John Lutz
|
|
| Crew | Special Effects |
Eddie Surkin
|
| Unit Publicist |
Beverly Walker
|
|
| Stunts |
Joni Avery
Jamie Jo Medearis
|
|
| Transportation Captain |
James Brown
|
|
| Transportation Coordinator |
Tom Briggs
|
|
| Stunt Coordinator |
Edward J. Ulrich
|
|
| Department | Role | Name |
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