Sneakers
(1992) We could tell you what it's about. But then, of course, we'd have to kill you. | Released
Ratings
6.9
7.1
81%
Financials
Revenue: $105,232,691
Budget: $23,000,000
Profit: + $82,232,691
Movie Details
Tag Line: We could tell you what it's about. But then, of course, we'd have to kill you.
Status: Released
Average Rating: 7
Release Date: Sep 9, 1992
Rating: PG-13
Run Time: 2h 06m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: Universal Pictures
Genres
Keywords
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Synopsis
When shadowy U.S. intelligence agents blackmail a reformed computer hacker and his eccentric team of security experts into stealing a code-breaking 'black box' from a Soviet-funded genius, they uncover a bigger conspiracy. Now, he and his 'sneakers' must save themselves and the world economy by retrieving the box from their blackmailers.
Crew
| Department | Role | Name |
|---|---|---|
| Costume & Make-Up | Makeup Artist |
Fred C. Blau Jr.
|
| Costume Design |
Bernie Pollack
|
|
| Key Makeup Artist |
Gary Liddiard
|
|
| Hairstylist |
Bunny Parker
Tamara Guthrie
|
|
| Costume Supervisor |
Hugo Peña
|
|
| Wardrobe Supervisor |
Marie Boller
Gregory B. Peña
|
|
| Art | Set Designer |
James J. Murakami
James E. Tocci
Keith Brian Burns
|
| Production Design |
Patrizia von Brandenstein
|
|
| Art Direction |
Dianne Wager
|
|
| Set Dresser |
Lisa K. Sessions
Janine McEuen Newell
|
|
| Property Master |
Don Miloyevich
|
|
| Construction Coordinator |
Dennis DeWaay
|
|
| Leadman |
David C. Potter
Tommy Samona
|
|
| Assistant Property Master |
John Bankson
|
|
| Art Department Coordinator |
Beth Bernstein
|
|
| Set Decoration |
Samara Schaffer
|
|
| Props |
Nat Bocking
|
|
| Construction Foreman |
Steve Fegley
Steve Kallas
|
|
| Editing | Editor |
Tom Rolf
|
| Color Timer |
Phil Hetos
|
|
| Negative Cutter |
Sandy Brundage
|
|
| First Assistant Editor |
Christopher S. Baird
|
|
| Associate Editor |
Vicki Shaki Khan
|
|
| Sound | Sound Editor |
Gordon Davidson
Neil Burrow
Chester Slomka
Scott Burrow
|
| Original Music Composer |
James Horner
|
|
| ADR Mixer |
Doc Kane
|
|
| Foley Recordist |
Sean McCormack
|
|
| Supervising ADR Editor |
Jay Kamen
|
|
| Foley Artist |
Jerry Trent
Audrey Trent
|
|
| Supervising Sound Editor |
Milton C. Burrow
|
|
| Sound Re-Recording Mixer |
Donald O. Mitchell
Michael Herbick
Frank A. Montaño
|
|
| Boom Operator |
Marvin E. Lewis
|
|
| Assistant Sound Editor |
Blake R. Cornett
Karen Wanderman
|
|
| Music Editor |
Jim Henrikson
|
|
| Orchestrator |
Brad Dechter
Frank Bennett
|
|
| Production Sound Mixer |
Willie D. Burton
|
|
| Foley Editor |
David L. Horton Jr.
|
|
| ADR Editor |
Shelley Rae Hinton
Bill Baldwin
|
|
| Foley Mixer |
Karin Roulo
|
|
| Utility Sound |
Robert W. Harris
|
|
| Sound Effects |
Stephen Dewey
|
|
| Apprentice Sound Editor |
Dennis McCurdy
|
|
| Writing | Screenplay |
Walter F. Parkes
Lawrence Lasker
Phil Alden Robinson
|
| Production | Producer |
Walter F. Parkes
Lawrence Lasker
|
| Casting Associate |
Mary Vernieu
|
|
| Casting |
Risa Bramon Garcia
Juel Bestrop
|
|
| Associate Producer |
William M. Elvin
|
|
| Executive Producer |
Lindsley Parsons Jr.
|
|
| Production Manager |
Lindsley Parsons Jr.
|
|
| Additional Casting |
Davia Nelson
|
|
| Location Manager |
Robin Citrin
|
|
| Assistant Accountant |
Janet Lonsdale
Nancy Aprile
|
|
| Assistant Production Coordinator |
Fabiana Arrastia
|
|
| Publicist |
Marsha Robertson
|
|
| Assistant Location Manager |
Eva M. Schroeder
|
|
| Production Accountant |
Steev Beeson
|
|
| Production Coordinator |
Lisa J. Watters
|
|
| Extras Casting |
Steve Spiker
|
|
| Crew | Stunts |
Webster Whinery
Rick Seaman
Keith Campbell
Carl Ciarfalio
Bob Herron
Orwin C. Harvey
Spiro Razatos
Glory Fioramonti
Denney Pierce
Larry Holt
Bill McIntosh
Julius LeFlore
Melvin Jones
Michael Adams
William Washington
Eddie Braun
Bernie Pock
Terry James
Jeff Smolek
|
| Stunt Coordinator |
Glenn Randall Jr.
|
|
| Special Effects Coordinator |
Ken Pepiot
|
|
| Transportation Coordinator |
Ed Arter
|
|
| Transportation Co-Captain |
Cary Kelley
|
|
| Set Medic |
Jamale Case
|
|
| Transportation Captain |
Ronald B. Dinson Sr.
|
|
| Craft Service |
Robert Bruce Moore
|
|
| Directing | Second Unit Director |
Glenn Randall Jr.
|
| Second Second Assistant Director |
Nandi Bowe
|
|
| Director |
Phil Alden Robinson
|
|
| First Assistant Director |
William M. Elvin
|
|
| Script Supervisor |
Cynthia Upstill
|
|
| Second Assistant Director |
Alan Edmisten
|
|
| Camera | Steadicam Operator |
J. Michael Muro
|
| Director of Photography |
John Lindley
|
|
| First Assistant Camera |
Henry Kline
|
|
| Still Photographer |
Melinda Sue Gordon
|
|
| Camera Operator |
Lawrence Karman
|
|
| Grip |
Kurt Grossi
Larry McCarron
Dustin Ault
David Morrison
|
|
| Assistant Camera |
Camilla Calamandrei
|
|
| Key Grip |
Herb Ault
|
|
| Dolly Grip |
Richard L. Carden
|
|
| Best Boy Grip |
Kenneth E. King
|
|
| Second Assistant Camera |
Brian T. Pitts
|
|
| Lighting | Assistant Chief Lighting Technician |
Jeffrey W. Petersen
|
| Electrician |
David St. Onge
David Dunbar
Tom Cantrell
Jim Fine
Patrick G. Ralston
|
|
| Chief Lighting Technician |
Robert Jason
|
|
| Rigging Grip |
Mike Hodges
|
|
| Rigging Gaffer |
Rod Robertson
|
|
| Department | Role | Name |
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