Somersault
(2004) Love can turn you upside down. | Released
Ratings
73%
6.1
6.8
83%
Financials
Revenue: $1,482,316
Budget: $0
Profit: + $1,482,316
Movie Details
Tag Line: Love can turn you upside down.
Status: Released
Average Rating: 6
Release Date: Jun 19, 2004
Rating:
Run Time: 1h 45m
Original Language: English
Website: Link
Production Countries: Australia
Production Companies: Showtime Australia , Red Carpet Productions , Fortissimo Films , New South Wales Film & Television Office , Australian Film Finance Corporation , Australian Film Commission , SBS Independent
Genres
Keywords
People Rated This
Watch Somersault
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Synopsis
Australian teenager Heidi is left with little choice but to leave home after she's caught red-handed with her mother's boyfriend. With few options, Heidi ends up in Jindabyne, a tourist community. Upon meeting Joe at a bar, she pursues a relationship with him and tries to find something resembling a normal home life. Heidi makes small strides by getting a job and finding a place to stay, but her relationship with Joe must overcome more than its share of hurdles.
Crew
| Department | Role | Name |
|---|---|---|
| Production | Executive Producer |
Jan Chapman
|
| Production Manager |
Libby Sharpe
|
|
| Casting |
Nikki Barrett
|
|
| Location Manager |
Annelies Norland
|
|
| Producer |
Anthony Anderson
|
|
| Production Coordinator |
Sophie Dick
|
|
| Unit Manager |
Cameron Wintour
|
|
| Production Accountant |
Ben Breen
|
|
| Crew | Stunt Coordinator |
Robert Simper
|
| Post Production Supervisor |
Naomi Wenck
Colleen Clarke
|
|
| Dialogue Coach |
Victoria Mielewska
|
|
| Special Effects Coordinator |
Tim O'Brien
|
|
| Scenic Artist |
Danny Strachan
|
|
| Art | Production Design |
Melinda Doring
|
| Art Direction |
Janie Parker
|
|
| Title Designer |
Andy Canny
Donna McCrum
|
|
| Set Decoration |
Glen W. Johnson
|
|
| Graphic Designer |
Katerina Stratos
|
|
| Costume & Make-Up | Costume Design |
Emily Seresin
|
| Hair Supervisor |
Angela Conte
|
|
| Makeup Supervisor |
Angela Conte
|
|
| Costume Supervisor |
Shareen Beringer
|
|
| Writing | Screenplay |
Cate Shortland
|
| Script Editor |
Denise Morgan
Amanda Higgs
|
|
| Directing | Director |
Cate Shortland
|
| Third Assistant Director |
Kate North Ash
|
|
| Script Supervisor |
Paul Kiely
|
|
| First Assistant Director |
John Martin
|
|
| Second Assistant Director |
Eddie Raymond
|
|
| Editing | Editor |
Scott Gray
|
| First Assistant Editor |
Rodrigo Balart
|
|
| Camera | Director of Photography |
Robert Humphreys
|
| Focus Puller |
Bonnie Elliott
|
|
| Still Photographer |
Matt Nettheim
Elise Lockwood
|
|
| Additional Camera |
Benjamin Jasper
|
|
| Second Unit Director of Photography |
Carolyn Constantine
|
|
| Clapper Loader |
Nigel Tomkinson
|
|
| Sound | Sound Re-Recording Mixer |
Peter D. Smith
Sam Petty
|
| Sound Designer |
Sam Petty
|
|
| Dialogue Editor |
Yulia Akerholt
|
|
| Sound Effects Editor |
Mark Franken
|
|
| Original Music Composer |
Decoder Ring
|
|
| Sound Recordist |
Mark Blackwell
|
|
| Music Supervisor |
Norman Parkhill
|
|
| Visual Effects | Special Effects Supervisor |
Peter Stubbs
|
| Department | Role | Name |