Stigmata
(1999) The messenger must be silenced. | Released
Ratings
28%
6.3
6.2
21%
Financials
Revenue: $50,041,732
Budget: $29,000,000
Profit: + $21,041,732
Movie Details
Tag Line: The messenger must be silenced.
Status: Released
Average Rating: 6
Release Date: Sep 2, 1999
Rating: R
Run Time: 1h 43m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: FGM Entertainment , Metro-Goldwyn-Mayer
Genres
Keywords
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Synopsis
A young woman with no strong religious beliefs, Frankie Paige begins having strange and violent experiences, showing signs of the wounds that Jesus received when crucified. When the Vatican gets word of Frankie's situation, a high-ranking cardinal requests that the Rev. Andrew Kiernan investigate her case. Soon Kiernan realizes that very sinister forces are at work, and tries to rescue Frankie from the entity that is plaguing her.
Crew
| Department | Role | Name |
|---|---|---|
| Sound | Supervising Sound Editor |
Mark A. Mangini
|
| Sound Effects Editor |
Richard L. Anderson
George Simpson
Mike Chock
|
|
| ADR Mixer |
Doc Kane
Robert Deschaine
Charleen Richards
Troy Porter
Bryan O. Watkins
Greg Steele
Thomas J. O'Connell
|
|
| Sound Re-Recording Mixer |
Ezra Dweck
Scott Millan
Dennis S. Sands
|
|
| Original Music Composer |
Elia Cmiral
Billy Corgan
|
|
| ADR Recordist |
David Lucarelli
Rick Canelli
Michael Miller
|
|
| Boom Operator |
Jack M. Nietzsche Jr.
Mark Steinbeck
|
|
| Foley Artist |
John Roesch
Hilda Hodges
Alyson Dee Moore
Rocco Olivo
|
|
| Foley Editor |
Donald Flick
|
|
| ADR Editor |
Avram D. Gold
Curt Schulkey
|
|
| Sound Editor |
Elliott Koretz
|
|
| Foley Recordist |
Carolyn Tapp
|
|
| Foley Mixer |
Mary Jo Lang
|
|
| Sound Engineer |
John Rotondi
|
|
| Camera | Director of Photography |
Jeffrey L. Kimball
|
| Camera Operator |
Michael St. Hilaire
|
|
| Dolly Grip |
Mark Meyers
|
|
| Second Unit Director of Photography |
Flemming Olsen
|
|
| Steadicam Operator |
David Crone
|
|
| Still Photographer |
Richard Foreman Jr.
|
|
| Grip |
Andy Bertelson
Ralph Del Castillo
Rick Grover
|
|
| First Assistant "B" Camera |
Wally Sweeterman
|
|
| Assistant Camera |
Stacy De La Motte
|
|
| First Assistant "A" Camera |
Ken Nishino
|
|
| Second Assistant Camera |
Francisco Pintore
|
|
| Key Grip |
J. Michael Popovich
|
|
| Camera Loader |
Michael Thomas
|
|
| Additional Photography |
Masato Chikusa
|
|
| Second Assistant "A" Camera |
John O'Connor
|
|
| Second Assistant "B" Camera |
Dale White
|
|
| Costume & Make-Up | Costume Design |
Louise Frogley
|
| Makeup Artist |
Debbie Zoller
Michelle Bühler
Raúl Sarmiento
|
|
| Makeup Department Head |
Ve Neill
|
|
| On Set Dresser |
Candi Guterres
|
|
| Key Makeup Artist |
James MacKinnon
Perri Sorel
|
|
| Costume Supervisor |
Joyce Kogut
|
|
| Hairstylist |
Barbara Lorenz
Michael Reitz
|
|
| Key Hair Stylist |
Ron Scott
|
|
| Crew | Stunts |
Tim Gilbert
David Barrett
Charlie Brewer
Henry Kingi
Rick Avery
Charlie Picerni
Ronnie Rondell Jr.
Clarke Coleman
Troy Robinson
James M. Halty
Mickey Gilbert
Steve Picerni
Steve Holladay
Pat Romano
Manny Perry
Erik Rondell
Michael Rader
Joni Avery
Randy McKenney
Shawn Kautz
Cinda-Lin James
Christopher J. Tuck
Jared S. Eddo
Bobby Ore
|
| Stunt Double |
Kira Reed Lorsch
Kelsee King-Devoreaux
|
|
| Visual Effects Editor |
Peter S. Elliot
|
|
| Utility Stunts |
James Ryan
|
|
| Special Effects Coordinator |
Al Di Sarro
Mark DiSarro
|
|
| Unit Publicist |
David Linck
|
|
| Video Assist Operator |
David Katz
|
|
| Set Medic |
Dyanne C. Deuel
|
|
| Animal Wrangler |
Rocío Ortega
|
|
| Compositor |
Brian Adams
Rory Hinnen
David Crawford
Frank Maurer
Daniel Miller
David Lauer
|
|
| Digital Effects Supervisor |
Blaine Kennison
|
|
| Special Effects Technician |
Thomas Rasada
Tim Walkey
|
|
| Cableman |
Matthew W. Tenggren
|
|
| Stunt Driver |
Joanna Shelmidine
|
|
| Editing | Editor |
Michael R. Miller
Michael J. Duthie
|
| Art | Set Decoration |
Marco Niro
Florence Fellman
|
| Production Design |
Waldemar Kalinowski
|
|
| Art Direction |
Anthony R. Stabley
|
|
| Assistant Art Director |
Douglas Cumming
|
|
| Set Designer |
Maria Baker
Peter Davidson
Theodore Sharps
Barry Lehrman
|
|
| Leadman |
Brent Rice
|
|
| Title Designer |
Christopher James Lopez
Diane Van Ussel
|
|
| Art Department Coordinator |
Monica Frommholz
|
|
| Construction Coordinator |
Barry Kingston
|
|
| Construction Foreman |
Charles Page
|
|
| Storyboard Artist |
Collin Grant
|
|
| Set Dresser |
René Marquéz
Steven Light-Orr
Jeff Hay
Scott W. Leslie
Paul Dowler
R.A. Tony Poland
|
|
| Set Decoration Buyer |
Helen Kozora
Jody Weisenfeld
|
|
| Assistant Property Master |
A. Charles Carnaggio
|
|
| Property Master |
David Q. Quick
|
|
| Directing | Director |
Rupert Wainwright
|
| Script Supervisor |
Jeanne Byrd
|
|
| Production | Casting |
Wendy Kurtzman
|
| Producer |
Frank Mancuso Jr.
|
|
| Art Department Production Assistant |
Gregor Habsburg
|
|
| Writing | Screenplay |
Tom Lazarus
Rick Ramage
|
| Story |
Tom Lazarus
|
|
| Visual Effects | Visual Effects Supervisor |
Jesus G. Duran
Tim McGovern
|
| Special Effects Supervisor |
Jesus G. Duran
|
|
| Visual Effects Producer |
David McCullough
George Merkert
Joan Collins Carey
|
|
| Visual Effects Production Manager |
Mark Spatny
|
|
| Digital Compositor |
Marc Scott
Tony Noel
|
|
| Lighting | Chief Lighting Technician |
Dan Delgado
|
| Electrician |
David H. Neale
|
|
| Department | Role | Name |
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