Stir of Echoes
(1999) In every mind there is a door that should never be opened. | Released
Ratings
67%
6.7
7
67%
Financials
Revenue: $21,100,000
Budget: $12,000,000
Profit: + $9,100,000
Movie Details
Tag Line: In every mind there is a door that should never be opened.
Status: Released
Average Rating: 7
Release Date: Sep 10, 1999
Rating: 1999-09-10
Run Time: 1h 39m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: Artisan Entertainment , Hofflund/Polone
Sources:
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Keywords
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Where to watch Stir of Echoes
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Synopsis
After being hypnotized by his sister-in-law, Tom Witzky begins seeing haunting visions of a girl's ghost and a mystery begins to unfold around her.
Crew
| Department | Role | Name |
|---|---|---|
| Editing | Editor |
Jill Savitt
|
| Colorist |
Rob Neel
|
|
| First Assistant Editor |
John Axelrad
|
|
| Negative Cutter |
Gary Burritt
|
|
| Additional Editing |
John Axelrad
|
|
| Assistant Editor |
Fred C. Vitale
|
|
| Writing | Screenplay |
David Koepp
|
| Novel |
Richard Matheson
|
|
| Writer |
Andrew Kevin Walker
|
|
| Sound | Original Music Composer |
James Newton Howard
|
| Production Sound Mixer |
Daniel J. Richter
Scott D. Smith
|
|
| Boom Operator |
Scott Warren
John Winch
Jim Gaudio
Robert Oddo
Scott Landreth
|
|
| Sound |
Tim Chau
|
|
| Sound Designer |
Martin Maryska
|
|
| Supervising Sound Editor |
Todd Toon
Carmen Hocson Baker
|
|
| Sound Effects Editor |
Adam Kopald
Kurt Nicholas Forshager
Donald J. Malouf
|
|
| Dialogue Editor |
Jim Brookshire
|
|
| ADR Supervisor |
G.W. Brown
|
|
| Foley Editor |
Piero Mura
|
|
| First Assistant Sound Editor |
Mark A. Tracy
|
|
| ADR Mixer |
Doc Kane
|
|
| Foley Artist |
Gregg Barbanell
Laura Macias
Rich Green
|
|
| Foley Mixer |
Scott Weber
|
|
| Sound Re-Recording Mixer |
Andy D'Addario
Tim Chau
|
|
| Sound Recordist |
Neil Porter
Chris Sparkes
|
|
| Directing | Director |
David Koepp
|
| Script Supervisor |
Barbara Tuss
|
|
| Second Second Assistant Director |
Robert Schick
Bob Schick
|
|
| Second Assistant Director |
Don H. Julien
|
|
| First Assistant Director |
Carla Corwin
|
|
| Production | Producer |
Judy Hofflund
Gavin Polone
|
| Casting |
Mary Colquhoun
|
|
| First Assistant Accountant |
Allen Wong
|
|
| Production Coordinator |
Margaret J. Orlando
|
|
| Post Production Accountant |
Michelle A. De Mayo
|
|
| Production Executive |
Vivian Cannon
|
|
| Assistant Accountant |
Brian Bruskrud
|
|
| Key Set Production Assistant |
Anne Berger
|
|
| Production Accountant |
Steev Beeson
|
|
| Assistant Production Coordinator |
Todd Bachmann
|
|
| Location Assistant |
Owen J. Rice
|
|
| Assistant Location Manager |
James R. McAllister
|
|
| Location Manager |
Wileen Dragovan
|
|
| Local Casting |
Rachel Tenner
Mickie Paskal
|
|
| Extras Casting |
Mark A. Ridge
|
|
| Casting Assistant |
Randall E. Flinn
|
|
| ADR Voice Casting |
Barbara Harris
|
|
| Production Manager |
Laura Stuart
|
|
| Unit Production Manager |
Thomas J. Busch
|
|
| Executive In Charge Of Production |
Bill Block
|
|
| Executive Producer |
Michele Weisler
|
|
| Camera | Director of Photography |
Fred Murphy
|
| Camera Operator |
Frank Perl
|
|
| First Assistant Camera |
Steven Hiller
|
|
| Second Assistant Camera |
Linda Gacsko
|
|
| Camera Loader |
Kristine Scott Schultz
|
|
| "B" Camera Operator |
Gerrit Dangremond
Alan Thatcher
|
|
| First Assistant "B" Camera |
Karel Capek
Dean M. Simmon
|
|
| Second Assistant "B" Camera |
Jacqui Howell
|
|
| Still Photographer |
Michael P. Weinstein
|
|
| Camera Technician |
Timothy S. Hale
Eric Leach
|
|
| Key Grip |
Kelly R. Borisy
|
|
| Best Boy Grip |
Fred Folmer
|
|
| Dolly Grip |
Jason Storandt
|
|
| Grip |
Jim Handly
Chris Ryerson
Walter J. Piers
Dino Yario
|
|
| Additional Grip |
Mark Castelaz
James Dewinski
Joey Fishman
Ronald Leahy
Donna McLain
Thomas Sedor
Christy Taddeo
Timothy Thompson
Ronald Crededio
Martin Ferguson
Adam Griswald
Stanley Mack
Rob Rownd
Steve Seukiw
Rick Thomas
Dave Williamson
|
|
| Art | Production Design |
Nelson Coates
|
| Location Scout |
Jacque E. Day
|
|
| Art Direction |
David W. Krummel
|
|
| Set Decoration |
Susie Goulder
|
|
| Property Master |
Timothy W. Tiedje
|
|
| Assistant Property Master |
Kenneth Gagnon, Jr.
John Rigden
|
|
| Set Dressing Buyer |
Marlene “Mars” Strentz
|
|
| Leadman |
Phillip Ellman
|
|
| Set Dresser |
Helmer A. Claesson
|
|
| Swing |
Scott Borisy
Jeff Dieter
Steve Cassettari
Lawrence Hammer
|
|
| Set Designer |
Terry Baughman
Hugo Santiago
Gary Speckman
|
|
| Storyboard Artist |
John Coven
|
|
| Art Department Coordinator |
Brian Cho
|
|
| Art Department Assistant |
Katherine Morgan
|
|
| Construction Foreman |
James Hartnett
Graham Walker
Warren Stern
|
|
| Construction Coordinator |
John Kenny, III
|
|
| Paint Coordinator |
Mike Monckton
James Cimbalista
|
|
| Painter |
Lester Johnson
Wendy Bonn
David Best
Ronald Coy
David Hansen
Elaine Miller
Michael Murtaugh
Gerry Navarrete
Patricia Pawlicki
Chris Peterson
John Ridgen
John Simpson
Wilmer Snow
Ken Sowinski
Larry Szymanowski
Devin Tuuri-Derby
Gregory Weber
James Weber
Jinna Welday
|
|
| Costume & Make-Up | Costume Design |
Leesa Evans
|
| Costume Supervisor |
Stella Cottini
|
|
| Costumer |
Mardie Anderson
|
|
| Set Costumer |
Gina Marie Ome
|
|
| Key Makeup Artist |
Linda Melazzo
|
|
| Assistant Makeup Artist |
Chip Williams
|
|
| Makeup Artist |
Suzi Ostos
|
|
| Key Hair Stylist |
LunYé Marsh
|
|
| Assistant Hairstylist |
Laine Trzinski
|
|
| Additional Hairstylist |
Tara Ann McCarthy
|
|
| Special Effects Makeup Artist |
Tony Gardner
Jim Beinke
|
|
| Crew | Thanks |
Brian De Palma
Steven Soderbergh
|
| Set Production Assistant |
Heather White
Teresa Phelps
Mary Nars
David Leonard
Renee Kitterman
C. David Jones
Amy James
Russell Green
|
|
| Stand In |
Doug Wax
Scott A. Martin
Carol Bair
|
|
| Assistant Chef |
Colette Van Loon
|
|
| Unit Publicist |
Cid Swank
|
|
| Set Medic |
Kathryn Madden
|
|
| Stunts |
Linda Perlin
Stacy Logan
James Fierro
Carl Paoli
Randy Popplewell
Bobby Stuart
Mark Harper
Tom Lowell
Ken Remer
Larry C. Tankson
|
|
| Stunt Coordinator |
Rick LeFevour
|
|
| Post Production Supervisor |
Robert Hoffman
|
|
| Video Assist Operator |
Andy Walzer
|
|
| Makeup Effects |
Chip Williams
Chet Zar
Paul Palos
Lilo Tauvao
Jeanne Vosloo
Villamor Cruz
Scott Malchus
|
|
| Special Effects |
John D. Milinac
Rodman Kiser
Roger Barski
Joe Evreniadis
David Simone
Mark Weidling
|
|
| Scenic Artist |
Tim Wilp
|
|
| Cableman |
John Winch
Jim Gaudio
Robert Oddo
Scott Landreth
|
|
| Lighting | Gaffer |
Alphonse Blumenthal
|
| Best Boy Electric |
John P. Friday
|
|
| Electrician |
Sam Bertone
Ray Pope
Rory Herbster
Gregory Van Horn
Paul Bianco
Luis Cato
Christopher Glasgow
Dave Murphy
Richard Rios, Jr.
H. David Stephenson
Al Suildebhain
Kevin Wisor
Andrew Yuncza
Fernando M. Briones
Theodore A. Corso
Brian McKinley
Bill Reilly
Mike A. Scheitler
Chris Stloukal
Matthew Tufano
Daniel Yates
Don Parsons
William Sears
|
|
| Rigging Gaffer |
James Ritchie
Steve Meyers
|
|
| Rigging Grip |
Charles 'Chip' Orr
Richard Beck
Charles DelGreco
Thomas Mullaney
Rolland Pudil
|
|
| Department | Role | Name |
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