Striptease
(1996) Some people get into trouble no matter what they wear. | Released
Ratings
5.5
4.3
12%
Financials
Revenue: $113,309,743
Budget: $50,000,000
Profit: + $63,309,743
Movie Details
Tag Line: Some people get into trouble no matter what they wear.
Status: Released
Average Rating: 6
Release Date: Jun 28, 1996
Rating: 1996-06-28
Run Time: 1h 55m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: Castle Rock Entertainment , Columbia Pictures , Lobell/Bergman Productions
Sources:
Genres
Keywords
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Where to watch Striptease
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Synopsis
Bounced from her job, Erin Grant needs money if she's to have any chance of winning back custody of her child. But, eventually, she must confront the naked truth: to take on the system, she'll have to take it all off. Erin strips to conquer, but she faces unintended circumstances when a hound dog of a Congressman zeroes in on her and sharpens the shady tools at his fingertips, including blackmail and murder.
Crew
| Department | Role | Name |
|---|---|---|
| Writing | Screenplay |
Andrew Bergman
|
| Novel |
Carl Hiaasen
|
|
| Directing | Director |
Andrew Bergman
|
| Script Supervisor |
Robin Squibb
|
|
| Second Assistant Director |
Michael DeCasper
|
|
| First Assistant Director |
Henry J. Bronchtein
|
|
| Second Second Assistant Director |
Amy Lauritsen
Kenneth G. Brown
|
|
| Camera | Director of Photography |
Stephen Goldblatt
|
| Still Photographer |
Kerry Hayes
|
|
| Second Unit Director of Photography |
Richard Quinlan
|
|
| Camera Operator |
Ray De La Motte
|
|
| "B" Camera Operator |
Mark Van Loon
|
|
| Editing | Editor |
Anne V. Coates
|
| First Assistant Editor |
Robb Sullivan
|
|
| Production | Producer |
Mike Lobell
Andrew Bergman
|
| Executive Producer |
Joseph Hartwick
|
|
| Casting |
John S. Lyons
|
|
| Production Supervisor |
Alexis Alexanian
|
|
| Production Coordinator |
Sandy Watterson
|
|
| Associate Producer |
Daneen Conroy
|
|
| Extras Casting |
Lori Wyman
|
|
| Sound | Original Music Composer |
Howard Shore
|
| Music Supervisor |
Arlene Fishbach
|
|
| Sound Mixer |
James Sabat
|
|
| Boom Operator |
Louis Sabat
|
|
| Sound Re-Recording Mixer |
Lee Dichter
Michael Barry
|
|
| Supervising Sound Editor |
Michael Kirchberger
|
|
| Dialogue Editor |
Laura Civiello
Richard P. Cirincione
Louis Cerborino
|
|
| Supervising ADR Editor |
Jane McCulley
|
|
| ADR Editor |
James H. Nau
Bruce Kitzmeyer
|
|
| Sound Editor |
Anthony J. Ciccolini III
Dan Korintus
Harry Peck Bolles
Warren Shaw
|
|
| Art | Production Design |
Mel Bourne
|
| Set Decoration |
Leslie Bloom
|
|
| Art Direction |
Elizabeth Lapp
|
|
| Title Designer |
Nina Saxon
|
|
| Property Master |
James Mazzola
|
|
| Costume & Make-Up | Costume Design |
Albert Wolsky
|
| Makeup Artist |
Brian McManus
Joanne Gair
Diana Thomas-Madison
|
|
| Key Makeup Artist |
Sharon Ilson
|
|
| Makeup Supervisor |
Jene Fielder
|
|
| Hairstylist |
Enzo Angileri
Colleen Callaghan
Nancy Keslar
|
|
| Crew | Special Effects Coordinator |
Bruno Van Zeebroeck
|
| Stunt Coordinator |
Keith Woulard
Phil Neilson
Gary Tacon
|
|
| Utility Stunts |
Janet Paparazzo
Tom Bahr
|
|
| Stunts |
Sean Kelly
Cort Hessler
Dennis Deveaugh
Steven Ritzi
Jay Amor
|
|
| Stunt Double |
Kevin Ball
|
|
| Choreographer |
Marguerite Pomerhn Derricks
|
|
| Lighting | Gaffer |
Colin J. Campbell
|
| Department | Role | Name |