Ratings
Financials
Revenue: $6,482,195
Budget: $37,000,000
Profit: - $-30,517,805
Movie Details
Tag Line: The hunter becomes the hunted.
Status: Released
Average Rating: 6
Release Date: Oct 31, 1997
Rating: 1997-10-31
Run Time: 1h 58m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: Rysher Entertainment , Pacific Western , Paramount
Genres
Keywords
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Synopsis
After FBI agent Frank Lacrosse believes his son was kidnapped by a notorious serial killer, he travels to Amarillo, Texas, where he believes the murderer is in hiding. Although officially taken off the case because of its personal significance to him, Frank continues to pursue the killer, causing concern for local sheriff Buck Olmstead. When another victim pops up at a nearby car garage, Frank knows that he is as close as he'll ever be to tracking down the elusive killer.
Crew
Department | Role | Name |
---|---|---|
Camera | Director of Photography |
Oliver Wood
|
Camera Operator |
William D. Barber
|
|
First Assistant Camera |
Rob Morey
|
|
Second Assistant Camera |
Michael Raspa
|
|
"B" Camera Operator |
David Luckenbach
Peter Jensen
David E. Diano
|
|
Steadicam Operator |
David Luckenbach
Peter Jensen
|
|
First Assistant "B" Camera |
Joseph Antczak
|
|
Second Assistant "B" Camera |
Stephen Sfetku
|
|
Camera Loader |
Craig Kohlhoff
|
|
Still Photographer |
Melissa Moseley
|
|
Editing | Editor |
Conrad Buff IV
|
Color Timer |
Stephen R. Sheridan
|
|
Directing | Director |
Jeb Stuart
|
Second Unit Director |
Gary Hymes
|
|
First Assistant Director |
Vincent Lascoumes
|
|
Second Assistant Director |
Phil Dupont
|
|
Script Supervisor |
Judi Townsend
|
|
Second Second Assistant Director |
Peggy Hughes
|
|
Production | Producer |
Gale Anne Hurd
|
Casting |
Pam Dixon
|
|
Executive Producer |
Keith Samples
Mel Efros
Jeb Stuart
|
|
Unit Production Manager |
Marty P. Ewing
|
|
Sound | Music Supervisor |
Ralph Sall
|
Sound Mixer |
David Kelson
|
|
Boom Operator |
Jeffrey A. Humphreys
|
|
Supervising Sound Editor |
Gregory M. Gerlich
|
|
Supervising Dialogue Editor |
David Grant
|
|
Dialogue Editor |
Louis Creveling
Walter Spencer
|
|
ADR Supervisor |
Thomas Jones
|
|
Sound Designer |
Cormac Funge
|
|
Sound Effects Editor |
Javier Bennassar
Benjamin L. Cook
Frank Gaeta
Dean Hovey
Frederick Howard
David Melhase
|
|
Foley Editor |
Danielle Ghent
Laura Laird
David Mann
Lucy Sustar
|
|
Assistant Sound Editor |
Sean Fahimian
Jason George
|
|
ADR Mixer |
Derek Marcil
|
|
Foley Mixer |
Mary Erstad
|
|
Foley Artist |
Catherine Harper
Ellen Heuer
James Moriana
|
|
Sound Re-Recording Mixer |
John Ross
Mathew Waters
Derek Marcil
|
|
Music Editor |
Curtis Roush
|
|
Dolby Consultant |
James Wright
|
|
Original Music Composer |
Basil Poledouris
|
|
Art | Production Design |
Jeffrey Howard
|
Art Direction |
Carl J. Stensel
|
|
Set Decoration |
Dena Roth
|
|
Property Master |
Erik L. Nelson
|
|
Construction Coordinator |
Ken Scaife
|
|
Writing | Screenplay |
Jeb Stuart
|
Crew | Stunt Coordinator |
Jeff Habberstad
|
Stunts |
Seth Arnett
Les Larson
Jophery C. Brown
Jake Lombard
Tony Brubaker
Jan Michael Shultz
Myke Schwartz
Keii Johnston
Jim Stephan
|
|
Special Effects Coordinator |
Stan Parks
|
|
Unit Publicist |
Susan Steinlauf-Pascal
|
|
Transportation Coordinator |
John M. Woodward
|
|
Transportation Captain |
Douglas Miller
|
|
Video Assist Operator |
Bradford Ralston
|
|
Craft Service |
Chris Winn
|
|
Lighting | Chief Lighting Technician |
James B. Crawford
|
Costume & Make-Up | Makeup Supervisor |
Gerald Quist
|
Makeup Artist |
Michael Mills
Diane Hammond
|
|
Hair Supervisor |
Vivian McAteer
|
|
Hairstylist |
Carl Bailey
Kashka Banjoko
|
|
Wardrobe Supervisor |
Joan Thomas
|
|
Set Costumer |
Corey Bronson
|
|
Costume Designer |
Betsy Heimann
|
|
Visual Effects | Special Effects Supervisor |
Daniel Sudick
|
Department | Role | Name |