The 60s
(1999) | Released
Ratings
6
Financials
Revenue: $0
Budget: $0
Profit: - $0
Movie Details
Tag Line:
Status: Released
Average Rating: 6
Release Date: Feb 7, 1999
Rating: PG-13
Run Time: 2h 52m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: NBC Studios , Lynda Obst Productions
Genres
Keywords
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Synopsis
The Herlihys are a working class family from Chicago whose three children take wildly divergent paths: Brian joins the Marines right out of High School and goes to Vietnam, Michael becomes involved in the civil rights movement and after campaigning for Bobby Kennedy and Eugene McCarthy becomes involved in radical politics, and Katie gets pregnant, moves to San Francisco and joins a hippie commune. Meanwhile, the Taylors are an African-American family living in the deep South. When Willie Taylor, a minister and civil rights organizer, is shot to death, his son Emmet moves to the city and eventually joins the Black Panthers, serving as a bodyguard for Fred Hampton.
Crew
| Department | Role | Name |
|---|---|---|
| Production | Executive Producer |
Lynda Obst
|
| Casting |
Molly Lopata
|
|
| Producer |
Jim Chory
|
|
| Location Manager |
George Herthel
Lee J. Bognar
Candace Suerstedt
|
|
| Production Coordinator |
Judith Pritchard
|
|
| Production Accountant |
Mindy Sheldon
|
|
| Unit Production Manager |
Jake Jacobson
|
|
| Crew | Stunts |
Charlie Brewer
Jennifer Caputo
Jimmy N. Roberts
Mitch Toles
Stanton Barrett
Minerva Adams
Melissa Allen-Weiser
|
| Utility Stunts |
Will Leong
|
|
| Post Production Supervisor |
Kenneth Raich
|
|
| Visual Effects Editor |
Fred Toye
|
|
| Stunt Coordinator |
Shane Dixon
|
|
| Driver |
Robert Aaron Brown
|
|
| Prop Maker |
Fred Apolito
|
|
| Stand In |
Mindy Miller
|
|
| Set Medic |
Lance Mancuso
|
|
| Special Effects |
Ron Petruccione
|
|
| Art | Set Decoration |
Denise Pizzini
Ellen Totleben
|
| Art Direction |
Dawn Snyder
|
|
| Set Designer |
Eric Sundahl
|
|
| Production Design |
Vincent Jefferds
|
|
| Property Master |
Peter C. Clarke
|
|
| Construction Coordinator |
Robert 'Cass' McEntee
|
|
| Art Department Assistant |
Amy Reiner
|
|
| Art Department Coordinator |
Laura Christy
|
|
| Camera | Director of Photography |
Michael D. O'Shea
|
| Camera Operator |
Michael A. Chavez
Clinton Dougherty
|
|
| First Assistant Camera |
Michael Cassidy
Sean J. O'Shea
Wally Sweeterman
|
|
| Grip |
Jeff Case
|
|
| Editing | Editor |
Robert Frazen
|
| Assistant Editor |
Gordon Antell
Clay Rawlins
|
|
| Writing | Writer |
Bill Couturié
Robert Greenfield
|
| Teleplay |
Jeffrey Alan Fiskin
|
|
| Sound | Sound Editor |
Bob Costanza
|
| Original Music Composer |
Brian Adler
Jed Feuer
|
|
| Sound Re-Recording Mixer |
Gary Coppola
Craig M. Otte
|
|
| Foley |
Tim Chilton
|
|
| Sound Effects Editor |
Mark Allen
|
|
| Music Editor |
Jim Henrikson
|
|
| Music Supervisor |
Dana Millman
|
|
| Boom Operator |
Ken Beauchene
Dennis Fuller
|
|
| Sound |
Kenn Fuller
|
|
| Costume & Make-Up | Makeup Artist |
Michele Teleis-Fickle
June Brickman
|
| Set Costumer |
Kanani Wolf
|
|
| Costume Design |
Florence-Isabelle Megginson
|
|
| Costume Supervisor |
Mary-Anne Aston
|
|
| Hair Department Head |
Steven Mack
|
|
| Directing | Assistant Director |
Tony Adler
Catherine Bond
Melanie Grefé
|
| Script Supervisor |
Adell Aldrich
|
|
| Director |
Mark Piznarski
|
|
| Lighting | Lighting Technician |
Glen Magers
Mike Weathers
|
| Visual Effects | Special Effects Supervisor |
Dennis Petersen
|
| Department | Role | Name |