The Arrival
(1996) The greatest danger facing our world has been the planet's best kept secret... until now. | Released
Ratings
56%
6
6.3
64%
Financials
Revenue: $14,063,331
Budget: $25,000,000
Profit: - $-10,936,669
Movie Details
Tag Line: The greatest danger facing our world has been the planet's best kept secret... until now.
Status: Released
Average Rating: 6
Release Date: May 31, 1996
Rating: 1996-03-05
Run Time: 1h 55m
Original Language: English
Website: -
Production Countries: Mexico , United States of America
Production Companies: Live Entertainment , Steelwork Films , Mediaworks
Sources:
Genres
Keywords
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Where to watch The Arrival
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Synopsis
Zane Ziminski is an astrophysicist who receives a message that seems to have extraterrestrial origins. Eerily soon after his discovery, Zane is fired. He then embarks on a search to determine the origins of the transmission that leads him into a Hitchcockian labyrinth of paranoia and intrigue.
Crew
| Department | Role | Name |
|---|---|---|
| Editing | Editor |
Martin Hunter
|
| Color Timer |
Linda DeMarco
|
|
| First Assistant Editor |
Elaine C. Andrianos
|
|
| Assistant Editor |
Harrison Gibbs
Arleen Beaty
Sam Citron
Carroll Timothy O'Meara
Gary Simon
|
|
| Directing | Director |
David Twohy
|
| Script Supervisor |
Dea Cantu
Dee Whitehurst
|
|
| First Assistant Director |
René Villarreal
|
|
| Production | Executive Producer |
Robert W. Cort
Ted Field
|
| Producer |
Jim Steele
Thomas G. Smith
|
|
| Casting |
Steve Brooksbank
Mary Jo Slater
Laura Seidel
Rogelio Rojas
|
|
| Publicist |
Cirina Catania
|
|
| Location Manager |
John A. Johnston
|
|
| Associate Producer |
David Tripet
Lorenzo O'Brien
|
|
| Extras Casting |
Ray Schaaf
Jorge Guerrero
|
|
| ADR Voice Casting |
Mitch Carter
|
|
| Casting Director |
Claudia Becker
|
|
| Writing | Screenplay |
David Twohy
|
| Camera | Director of Photography |
Hiro Narita
|
| Camera Operator |
Eric Anderson
Guillermo Rosas
|
|
| Steadicam Operator |
Checco Varese
|
|
| Still Photographer |
Bob Marshak
|
|
| First Assistant Camera |
Roberto 'Tito' Blasini
Heriberto Gutiérrez
Pat Swovelin
|
|
| Second Assistant Camera |
Forrest Thurman
Juan Ayala
|
|
| Camera Loader |
Luis David Sansans
Tamara Goldsworthy
Enrique Cervera
|
|
| Key Grip |
Steve Iriguchi
Gustavo Covarrubias
John T. Martin
|
|
| Dolly Grip |
Ricardo Covarrubias
Leo Behar
|
|
| Second Unit Director of Photography |
Isidore Mankofsky
|
|
| Aerial Camera |
John M. Stephens
|
|
| Aerial Camera Technician |
Scott Whitman
|
|
| Best Boy Grip |
Shawn Whelan
|
|
| Costume & Make-Up | Costume Design |
Mayes C. Rubeo
|
| Costume Supervisor |
Wendy Range
|
|
| Tailor |
David Jardon
|
|
| Makeup Artist |
David LeRoy Anderson
Felicity Bowring
|
|
| Assistant Hairstylist |
Maxine Morris
Regina Reyes
|
|
| Assistant Makeup Artist |
Greg T. Moon
|
|
| Costume Assistant |
Thomas Flynn
Carlos Munguía
|
|
| Key Costumer |
Jaime Ortiz
|
|
| Key Makeup Artist |
Gabriel Solana
|
|
| Key Hair Stylist |
Marsha Lewis
|
|
| Assistant Costume Designer |
Jeannie Johnson
|
|
| Hairstylist |
Kim Urgel
|
|
| Sound | Original Music Composer |
Arthur Kempel
|
| Sound Re-Recording Mixer |
Lora Hirschberg
|
|
| Dolby Consultant |
Daniel Sperry
|
|
| Music Editor |
Stephen A. Hope
Javier Gunther
|
|
| Supervising Sound Editor |
Hugh Waddell
|
|
| Sound Effects Editor |
Ethan Van der Ryn
|
|
| Sound Designer |
David Farmer
|
|
| Foley |
Dennie Thorpe
|
|
| Dialogue Editor |
Dianna Stirpe
|
|
| Art | Art Direction |
Héctor Romero
Anthony R. Stabley
|
| Production Design |
Michael Novotny
|
|
| Set Decoration |
Melo Hinojosa
Enrique Estévez Hermelindo
|
|
| Art Department Coordinator |
Marco Niro
|
|
| Construction Coordinator |
Fernando Lau
|
|
| Set Designer |
Jaime Rivas Ruiz
|
|
| Property Master |
Steven Schalk
Gilberto Cortes
|
|
| Draughtsman |
Francisco García
Carlos Benassini
Daniel Novotny
Luis Amézquita
|
|
| Storyboard Artist |
P.K. MacCarthy
|
|
| Assistant Property Master |
Campos Memo Granados
|
|
| Set Dresser |
Carlos Gutiérrez
Patrice Laure
|
|
| Swing |
Manuel Ordaz López
Randolph W. Day
Frederico Tellez
Brendan C. Fenton
|
|
| Leadman |
Francisco López
|
|
| Construction Foreman |
Lawrence Lawson
|
|
| Crew | Visual Effects Editor |
Daniel Arkin
Amy Pawlowski
|
| Special Effects Coordinator |
Laurencio Cordero
|
|
| Studio Teachers |
Helen Meidel
|
|
| Stunt Coordinator |
Buddy Joe Hooker
|
|
| Transportation Coordinator |
Geno Hart
|
|
| Post Production Supervisor |
Brad Arensman
|
|
| Stunts |
Eddy Donno
Bennie Moore
Rita Morena
Jeff Jensen
Alisa Christensen
Billy Hank Hooker
|
|
| Stunt Double |
Eddie Braun
|
|
| Visual Effects | Visual Effects Supervisor |
John T. Van Vliet
Robert Skotak
Jeff Burks
Brian Jennings
David B. Sharp
Rich Thorne
|
| Visual Effects Producer |
Rodney Montague
Charles L. Finance
Melissa Taylor
|
|
| VFX Director of Photography |
Russell j Lyster
Les Bernstien
Mark A. Shelton
Richard Malzahn
|
|
| Visual Effects Compositor |
Bob White
|
|
| Animation Director |
Raman Hui
|
|
| CG Animator |
David Lauer
|
|
| 3D Animator |
Jongwoo Heo
|
|
| Digital Compositor |
Marlo Pabon
|
|
| Visual Effects Coordinator |
Sharon Hollis
|
|
| Lighting | Gaffer |
Raman Rao
David Jarrell
|
| Lighting Supervisor |
Jean M. Cunningham
|
|
| Electrician |
Enrique Lara
Eduardo Jesús Oviedo Vargas
Carlos Sánchez
Juan J. Valencia
|
|
| Best Boy Electric |
Fred White
|
|
| Rigging Gaffer |
John Matthews
|
|
| Department | Role | Name |