The Blackcoat's Daughter
(2017) Abandoned as a child. Raised by the dark. | Released
Ratings
68%
5.8
5.8
72%
Financials
Revenue: $19,980
Budget: $0
Profit: + $19,980
Movie Details
Tag Line: Abandoned as a child. Raised by the dark.
Status: Released
Average Rating: 6
Release Date: Mar 31, 2017
Rating:
Run Time: 1h 33m
Original Language: English
Website: Link
Production Countries: Canada , France , United States of America
Production Companies: Zed Filmworks , Paris Film Production , Unbroken Pictures , Go Insane Films , Traveling Picture Show Company , 120dB Films , Highland Film Group
Genres
Keywords
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Synopsis
Two young students at a prestigious prep school for girls are assailed by an evil, invisible power when they are stranded at the school over winter break.
Crew
| Department | Role | Name |
|---|---|---|
| Production | Casting |
Eyde Belasco
Ilona Smyth
|
| Producer |
Bryan Bertino
Robert Menzies
Rob Paris
Adrienne Biddle
Alphonse Ghossein
|
|
| Executive Producer |
Arianne Fraser
Kevin Matusow
Carissa Buffel
|
|
| Associate Producer |
Chris Armogida
Sarah Deline
|
|
| Production Manager |
Sarah Deline
|
|
| Production Supervisor |
Steve Boisvert
|
|
| Location Manager |
Michel Poirier
|
|
| Publicist |
Ryan Bender
|
|
| Production Coordinator |
Veronica Davidson
Sarah Kryszak
|
|
| Directing | Director |
Oz Perkins
|
| First Assistant Director |
Anthony Lefresne
|
|
| Third Assistant Director |
Taralee Gerhard
|
|
| Second Assistant Director |
Joseph J. Gillanders
|
|
| Script Supervisor |
Forbes Campbell
|
|
| Writing | Writer |
Oz Perkins
|
| Sound | Music Editor |
Zed Starkovich
|
| Sound Designer |
Allan Fung
|
|
| Sound Mixer |
Trevor Goulet
|
|
| Music |
Elvis Perkins
|
|
| Boom Operator |
Julien Desormeaux
|
|
| Dialogue Editor |
Jesse Gillingham
|
|
| Sound Editor |
Richard Harkness
|
|
| Assistant Sound Editor |
Melissa Hinton
|
|
| Sound Re-Recording Mixer |
Bruce Fleming
Matthew McKenzie
|
|
| Camera | First Assistant "B" Camera |
brooks hunter
Jessie Turner
|
| Director of Photography |
Julie Kirkwood
|
|
| Still Photographer |
Petr Maur
|
|
| Dolly Grip |
Robert Courtemanche
|
|
| Key Grip |
Anthony Police
|
|
| Camera Operator |
Nick Lacelle
|
|
| First Assistant "A" Camera |
Diego Dias
|
|
| Crew | Stunt Coordinator |
Layton Morrison
Alain Moussi
|
| Post Production Supervisor |
Andre Coutu
W. Michael Beard
|
|
| Makeup Effects |
Emily Skoggard
Alexandra Smith
|
|
| Carpenter |
William Mood
Dan Gallant
|
|
| Stunts |
Susana Baker
|
|
| Compositors |
Helen Thach
|
|
| Art | Production Design |
Lisa Soper
Shane Boucher
|
| Set Decoration |
Garren Dunbar
Francis Lapierre
|
|
| Property Master |
Tim Winchester
|
|
| Storyboard Designer |
Tim Longo
|
|
| Set Dresser |
Kat Baldassari
Ben Belanger
Paul Pellerin
|
|
| Painter |
Kendrick de Lepper
Stephanie Essig
Rachel Hauraney
Geoff Sangster
|
|
| Art Department Coordinator |
Roxanne Landry
|
|
| Location Scout |
John Petti
|
|
| Costume & Make-Up | Makeup & Hair |
Maria José Moreira
|
| Costume Design |
Jennifer Stroud
|
|
| Special Effects Makeup Artist |
Tabitha Burtch
|
|
| Hairstylist |
Tara Brawley
|
|
| Key Makeup Artist |
Marissa Clemence
|
|
| Assistant Costume Designer |
Jasmine Murray-Bergquist
|
|
| Editing | Editor |
Brian Ufberg
|
| Assistant Editor |
Breannah Gibson
|
|
| Colorist |
Mark Driver
|
|
| Lighting | Gaffer |
John Olts
|
| Best Boy Electric |
Sheena Johnson
Wesley Van Hoof
|
|
| Visual Effects | Visual Effects Supervisor |
Sam Javanrouh
|
| Visual Effects Producer |
Candice McHugh
|
|
| Department | Role | Name |
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