The Children Act
(2018) We all make choices. Hers make history. | Released
Ratings
6.6
6.7
83%
Financials
Revenue: $17,696,794
Budget: $0
Profit: + $17,696,794
Movie Details
Tag Line: We all make choices. Hers make history.
Status: Released
Average Rating: 7
Release Date: Aug 1, 2018
Rating:
Run Time: 1h 45m
Original Language: English
Website: -
Production Countries: United Kingdom , United States of America
Production Companies: FilmNation Entertainment , BBC Film , Toledo Productions
Genres
Keywords
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Synopsis
In the midst of a marital crisis, a High Court judge must decide if she should order a life-saving blood transfusion for a teen with cancer despite his family's refusal to accept medical treatment for religious reasons.
Crew
| Department | Role | Name |
|---|---|---|
| Sound | Original Music Composer |
Stephen Warbeck
|
| Orchestrator |
Stephen Warbeck
|
|
| Dialogue Editor |
Gillian Dodders
|
|
| Foley Artist |
Peter Burgis
|
|
| Sound Re-Recording Mixer |
Andrew Caller
Brendan Nicholson
|
|
| Conductor |
Terry Davies
|
|
| Foley Mixer |
Glen Gathard
|
|
| ADR & Dubbing |
Emilie O'Connor
|
|
| Music Editor |
Andrew Glen
|
|
| Sound Effects Editor |
Mark Heslop
Nick Freemantle
|
|
| Foley Editor |
Jemma Riley-Tolch
Adam Bourne
|
|
| Production | Producer |
Duncan Kenworthy
|
| Casting |
Nina Gold
|
|
| Executive Producer |
Charles Moore
Joe Oppenheimer
Ben Browning
Glen Basner
Beth Pattinson
|
|
| Co-Producer |
Celia Duval
|
|
| Casting Associate |
Martin Ware
|
|
| Location Manager |
Paul Tomlinson
|
|
| Extras Casting |
Arron Cuthbertson
|
|
| Production Manager |
Monique Mussell
|
|
| Production Coordinator |
Jannika Öberg
|
|
| Unit Manager |
Chris Brewer
|
|
| Camera | Director of Photography |
Andrew Dunn
|
| Camera Operator |
Andrew Dunn
|
|
| Still Photographer |
Nick Wall
|
|
| Steadicam Operator |
Ossie McLean
|
|
| First Assistant "B" Camera |
Sebastian Barraclough
|
|
| Drone Pilot |
Peter Ayriss
|
|
| Second Assistant "A" Camera |
Elliot Purvis
|
|
| Second Assistant Camera |
Helen Fraser
|
|
| Art | Production Design |
Peter Francis
|
| Set Decoration |
Sara Wan
|
|
| Supervising Art Director |
Astrid Sieben
|
|
| Assistant Set Decoration |
Roya Fraser
|
|
| Art Direction |
Sue Whitaker
Darren Tubby
|
|
| Property Master |
Noel Cowell
|
|
| Construction Coordinator |
Lucy Moles
|
|
| Title Designer |
Matt Curtis
|
|
| Construction Manager |
Jono Moles
|
|
| Graphic Designer |
Frances Bennett
|
|
| Directing | Director |
Richard Eyre
|
| Script Supervisor |
Susanna Lenton
|
|
| First Assistant Director |
Neil Wallace
|
|
| Third Assistant Director |
George Batchelor
Nic Pringle
|
|
| Writing | Writer |
Ian McEwan
|
| Lighting | Gaffer |
David Tyler
|
| Visual Effects | Visual Effects Supervisor |
Steve Street
|
| Special Effects Supervisor |
Chris Reynolds
|
|
| Costume & Make-Up | Makeup & Hair |
Naomi Donne
Rebecca Cole
Doone Forsyth
|
| Costume Supervisor |
Tessa Phillips
|
|
| Costume Design |
Fotini Dimou
|
|
| Assistant Costume Designer |
Ann Taylor
|
|
| Crew | Unit Publicist |
Emma Davie
|
| Post Production Supervisor |
Gisela Evert
|
|
| Editing | Editor |
Dan Farrell
|
| First Assistant Editor |
Helena Evans
|
|
| Department | Role | Name |
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