The Departed
(2006) Cops or criminals. When you’re facing a loaded gun, what’s the difference? | Released
Ratings
85%
8.2
8.5
90%
Financials
Revenue: $291,465,000
Budget: $90,000,000
Profit: + $201,465,000
Movie Details
Tag Line: Cops or criminals. When you’re facing a loaded gun, what’s the difference?
Status: Released
Average Rating: 8
Release Date: Oct 4, 2006
Rating: R
Run Time: 2h 31m
Original Language: English
Website: Link
Production Countries: Hong Kong , United States of America
Production Companies: Warner Bros. Pictures , Plan B Entertainment , Initial Entertainment Group , Vertigo Entertainment , Media Asia Films
Genres
Keywords
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Synopsis
To take down South Boston's Irish Mafia, the police send in one of their own to infiltrate the underworld, not realizing the syndicate has done likewise. While an undercover cop curries favor with the mob kingpin, a career criminal rises through the police ranks. But both sides soon discover there's a mole among them.
Crew
| Department | Role | Name |
|---|---|---|
| Sound | Original Music Composer |
Howard Shore
|
| Sound Effects Editor |
Eugene Gearty
Allan Zaleski
|
|
| Supervising Sound Editor |
Eugene Gearty
Philip Stockton
|
|
| Foley Editor |
Kam Chan
Jamie Baker
|
|
| Foley Artist |
Marko Costanzo
|
|
| ADR Supervisor |
Marissa Littlefield
Jeffrey Stern
|
|
| Dialogue Editor |
Philip Stockton
Jac Rubenstein
|
|
| Sound Re-Recording Mixer |
Tom Fleischman
|
|
| Music Editor |
Jennifer Dunnington
Tass Filipos
|
|
| Production | Producer |
Brad Pitt
Brad Grey
Graham King
|
| Casting |
Ellen Lewis
|
|
| Executive Producer |
Doug Davison
Roy Lee
G. Mac Brown
|
|
| Location Manager |
Carla Raij
|
|
| Directing | Director |
Martin Scorsese
|
| Assistant Director |
Joseph P. Reidy
|
|
| Second Unit Director |
G. A. Aguilar
|
|
| Script Supervisor |
Martha Pinson
|
|
| Editing | Editor |
Thelma Schoonmaker
|
| Digital Intermediate |
Devin Sterling
|
|
| Camera | Director of Photography |
Michael Ballhaus
|
| Camera Operator |
Thomas Lappin
Bruce MacCallum
Andrew Rowlands
|
|
| Still Photographer |
Andrew Cooper
|
|
| Costume & Make-Up | Makeup Artist |
Christine Beveridge
John Caglione Jr.
Donald Mowat
Michael Germain
Sian Grigg
|
| Costume Design |
Sandy Powell
|
|
| Hairstylist |
Kay Georgiou
Joy Zapata
Kathryn Blondell
Johnny Villanueva
|
|
| Costume Supervisor |
David Davenport
Thomas Stokes
|
|
| Art | Set Decoration |
Leslie E. Rollins
Susan Perlman
|
| Production Design |
Kristi Zea
|
|
| Art Direction |
Teresa Carriker-Thayer
|
|
| Assistant Art Director |
Marion Kolsby
Robert Thayer
|
|
| Property Master |
Robert Griffon Jr.
|
|
| Construction Coordinator |
Theodore Suchecki
Joseph S. Alfieri
|
|
| Art Department Coordinator |
Erik Knight
|
|
| Crew | Actor's Assistant |
Eric Weinstein
|
| Dialect Coach |
Tim Monich
|
|
| Special Effects Coordinator |
Steven Kirshoff
|
|
| Post Production Supervisor |
Paul A. Levin
|
|
| Stunts |
Blaise Corrigan
George B. Colucci Jr.
Peewee Piemonte
Chris Cenatiempo
Shawnna Thibodeau
Michael Arthur
Janet Paparazzo
Jodi Pynn
Lauren Hayward
|
|
| Stunt Coordinator |
G. A. Aguilar
|
|
| Unit Publicist |
Larry Kaplan
|
|
| Transportation Coordinator |
Robert Martini
|
|
| Special Effects |
William 'Billy Jack' Jakielaszek
Brian Ricci
|
|
| Scenic Artist |
Lisa Shaftel
|
|
| Stunt Driver |
Joseph Zamparelli
|
|
| Writing | Screenplay |
William Monahan
Alan Mak
Felix Chong Man-keung
|
| Lighting | Electrician |
Timothy Healy
|
| Visual Effects | Visual Effects Producer |
Ron Ames
|
| Visual Effects Supervisor |
David Ebner
Robert Legato
|
|
| Department | Role | Name |