The Devil's Advocate
(1997) Evil has its winning ways. | Released
Ratings
60%
7.4
7.5
66%
Financials
Revenue: $152,944,660
Budget: $57,000,000
Profit: + $95,944,660
Movie Details
Tag Line: Evil has its winning ways.
Status: Released
Average Rating: 7
Release Date: Oct 17, 1997
Rating: R
Run Time: 2h 24m
Original Language: English
Website: -
Production Countries: Germany , United States of America
Production Companies: Monarchy Enterprises B.V. , Regency Enterprises , Kopelson Entertainment , New Regency Pictures , Taurus Film , Warner Bros. Pictures
Genres
Keywords
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Watch The Devil's Advocate
Synopsis
Aspiring Florida defense lawyer Kevin Lomax accepts a job at a New York law firm. With the stakes getting higher every case, Kevin quickly learns that his boss has something far more evil planned.
Crew
| Department | Role | Name |
|---|---|---|
| Production | Producer |
Arnon Milchan
Arnold Kopelson
Anne Kopelson
|
| Executive Producer |
Erwin Stoff
Barry Bernardi
Michael Tadross
Taylor Hackford
Steve White
|
|
| Casting |
Nancy Klopper
Mary Colquhoun
|
|
| Unit Production Manager |
Michael Tadross
|
|
| Casting Assistant |
Gayle Keller
|
|
| Production Executive |
Matthew Gross
|
|
| Additional Casting |
Kate Dowd
|
|
| Co-Producer |
Stephen Joel Brown
|
|
| Casting Associate |
Elizabeth Marx
|
|
| Executive In Charge Of Production |
Christopher DeFaria
|
|
| Location Manager |
Jan Foster
|
|
| Assistant Location Manager |
Deborah Parker
|
|
| Production Assistant |
Sheryl Benko
|
|
| Production Coordinator |
Betty Chin
|
|
| Production Accountant |
Lynda Van Damm
|
|
| Researcher |
Barbara Michels
|
|
| Extras Casting |
Grant Wilfley
|
|
| Assistant Accountant |
Amy Comstock
|
|
| Location Assistant |
Matt Widman
|
|
| Assistant Production Coordinator |
Nicole Wilder
|
|
| Production Secretary |
Mick Kelly
|
|
| Producer's Assistant |
Maria Norman
|
|
| Sound | Original Music Composer |
James Newton Howard
|
| Assistant Sound Editor |
Bob Bowman
|
|
| Sound Effects Editor |
Christopher Assells
|
|
| Sound Designer |
Per Hallberg
|
|
| Supervising Music Editor |
Jim Weidman
|
|
| Sound Mixer |
Tod A. Maitland
|
|
| Conductor |
Artie Kane
|
|
| Scoring Mixer |
Shawn Murphy
|
|
| Orchestrator |
Jeff Atmajian
|
|
| ADR Editor |
John K. Adams
|
|
| Music Editor |
David Olson
|
|
| Foley Artist |
Kevin Bartnof
|
|
| Dialogue Editor |
Constance A. Kazmer
|
|
| ADR Supervisor |
Chris Jargo
|
|
| Boom Operator |
Kim Maitland
|
|
| Foley Supervisor |
Craig S. Jaeger
|
|
| Foley Mixer |
Eric Gotthelf
|
|
| ADR Mixer |
Thomas J. O'Connell
|
|
| Sound Recordist |
Michael Scott
|
|
| Editing | Editor |
Mark Warner
|
| First Assistant Editor |
Steven Ramirez
|
|
| Color Timer |
Dale E. Grahn
|
|
| Assistant Editor |
Brett Carroll
|
|
| Negative Cutter |
Mo Henry
|
|
| Directing | First Assistant Director |
Burtt Harris
|
| Director |
Taylor Hackford
|
|
| Second Unit Director |
Gary Davis
|
|
| Second Assistant Director |
Carole Dubuc
|
|
| Second Second Assistant Director |
Shawn Griffith
|
|
| Art | Production Design |
Bruno Rubeo
|
| Art Direction |
Dennis Bradford
|
|
| Assistant Art Director |
Gary Kosko
|
|
| Construction Coordinator |
Ken Nelson
|
|
| Leadman |
Dave Weinman
|
|
| Art Department Coordinator |
Julia G. Hickman
|
|
| Storyboard Artist |
Jim Magdaleno
|
|
| Painter |
Rick Broderman
|
|
| Set Decoration |
Roberta J. Holinko
|
|
| Costume & Make-Up | Costume Design |
Judianna Makovsky
|
| Prosthetic Makeup Artist |
Neal Martz
|
|
| Hair Designer |
Aldo Signoretti
|
|
| Makeup Supervisor |
Luigi Rocchetti
|
|
| Makeup Department Head |
Mark Shostrom
|
|
| Makeup Artist |
LuAnn Claps
|
|
| Costume Supervisor |
Kate Edwards
|
|
| Key Hair Stylist |
Angel De Angelis
|
|
| Costumer |
Marcia Patten
|
|
| Hair Supervisor |
Denise Leibee
|
|
| Camera | Director of Photography |
Andrzej Bartkowiak
|
| Dolly Grip |
Sam Taybi
|
|
| Still Photographer |
Brian Hamill
|
|
| Assistant Camera |
Mark Hryma
|
|
| Steadicam Operator |
Gregory Lundsgaard
|
|
| First Assistant Camera |
Vern Nobles
|
|
| Key Grip |
Dennis Gamiello
|
|
| Grip |
Rodney Bauer
|
|
| Second Assistant Camera |
Joe Collins
|
|
| Camera Production Assistant |
William Keys
|
|
| Writing | Novel |
Andrew Neiderman
|
| Screenplay |
Jonathan Lemkin
Tony Gilroy
|
|
| Crew | Stunts |
Bill Anagnos
|
| Visual Effects Design Consultant |
Rob Bottin
|
|
| Stunt Coordinator |
Gary Davis
|
|
| Stunt Double |
Thomas DeWier
|
|
| Technical Advisor |
Rick Bernstein
|
|
| Post Production Supervisor |
Erica L. Hiller
|
|
| Dialect Coach |
Brooks Baldwin
|
|
| Transportation Co-Captain |
Ralph Volpe
|
|
| Video Assist Operator |
Kevin McKenna
|
|
| Visual Effects Editor |
Chris DeAngelis
Christopher DeAngelis
|
|
| Special Effects Coordinator |
Connie Brink
|
|
| Dialogue Coach |
Julie Adams
|
|
| Makeup Effects |
Roland Blancaflor
|
|
| Charge Scenic Artist |
Bruno Robotti
|
|
| Digital Effects Supervisor |
Carlos Arguello
|
|
| Driver |
Robert Jepson
|
|
| Craft Service |
Frank McKenna
|
|
| Set Medic |
Deborah Sullivan
|
|
| Visual Effects | VFX Director of Photography |
Vincent E. Toto
|
| Chief Technician / Stop-Motion Expert |
Russell Engels
|
|
| Senior Visual Effects Supervisor |
John Scheele
|
|
| Visual Effects Supervisor |
Rob Hodgson
|
|
| Visual Effects Compositor |
Fortunato Frattasio
|
|
| Digital Effects Producer |
Ariana Lingenfelser
|
|
| Digital Compositors |
Marie-Josee Auclair
|
|
| Visual Effects Coordinator |
Carla Attanasio
|
|
| Visual Effects Producer |
Aisling O'Brien
|
|
| Visual Effects Designer |
Richard Greenberg
|
|
| Lighting | Rigging Gaffer |
Ken Connors
|
| Assistant Chief Lighting Technician |
Doug Dalisera
|
|
| Gaffer |
Michael Laws
|
|
| Electrician |
James J. Ferris
|
|
| Lighting Technician |
Jay Laws
|
|
| Best Boy Electric |
Brian Fitzsimons
|
|
| Rigging Grip |
Michael Finnerty
|
|
| Department | Role | Name |
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