Ratings
Financials
Revenue: $29,359,216
Budget: $30,000,000
Profit: - $-640,784
Movie Details
Tag Line: No rest for the wicked.
Status: Released
Average Rating: 7
Release Date: Jul 18, 1996
Rating: 1996-07-18
Run Time: 1h 50m
Original Language: English
Website: -
Production Countries: New Zealand , United States of America
Production Companies: WingNut Films , Universal Pictures
Sources:
Genres
Keywords
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Synopsis
Once an architect, Frank Bannister now passes himself off as an exorcist of evil spirits. To bolster his facade, he claims his "special" gift is the result of a car accident that killed his wife. But what he does not count on is more people dying in the small town where he lives. As he tries to piece together the supernatural mystery of these killings, he falls in love with the wife of one of the victims and deals with a crazy FBI agent.
Crew
Department | Role | Name |
---|---|---|
Directing | Director |
Peter Jackson
|
Script Supervisor |
Merrin Ruck
|
|
First Assistant Director |
Carey Carter
|
|
Second Assistant Director |
Michele Priest
|
|
Writing | Screenplay |
Peter Jackson
Fran Walsh
|
Sound | Original Music Composer |
Danny Elfman
|
Music Editor |
Ellen Segal
|
|
Orchestrator |
Steve Bartek
|
|
Supervising Sound Editor |
Phil Benson
Mike Hopkins
|
|
Sound Effects Editor |
Steve Boeddeker
Brent Burge
Tim Prebble
Craig Tomlinson
|
|
ADR Mixer |
David Boulton
Chris Burt
Charleen Richards-Steeves
|
|
Dialogue Editor |
Ross A. Chambers
|
|
Sound Re-Recording Mixer |
Gethin Creagh
Michael Hedges
|
|
Boom Operator |
Corrin Ellingford
Kim Shaw-Williams
|
|
Assistant Sound Designer |
Scott Guitteau
|
|
ADR Supervisor |
Richard Hymns
|
|
Sound Recordist |
Hammond Peek
|
|
Sound Designer |
Randy Thom
|
|
Foley Artist |
Beth Tredray
|
|
Foley Editor |
Chris Ward
|
|
Camera | Director of Photography |
John Blick
Alun Bollinger
|
Still Photographer |
Pierre Vinet
|
|
Steadicam Operator |
Rick Allender
|
|
Camera Operator |
Richard Bluck
|
|
Key Grip |
Harry Harrison
|
|
Assistant Camera |
Ian McCarroll
|
|
Dolly Grip |
Andy Reid
|
|
Editing | Editor |
Jamie Selkirk
|
Assistant Editor |
Eric De Beus
Josie McClutchie
Jo Priest
Hamiora Williams
|
|
First Assistant Editor |
Emma Haughton
|
|
Production | Casting |
Victoria Burrows
Vivienne Kaplan
|
Producer |
Peter Jackson
Jamie Selkirk
|
|
Casting Associate |
Liz Mullane
|
|
Associate Producer |
Fran Walsh
|
|
Executive Producer |
Robert Zemeckis
|
|
Production Manager |
Bridget Bourke
|
|
Production Coordinator |
Karyn Childs
Jacqui Wood
|
|
Art | Production Design |
Grant Major
|
Art Direction |
Dan Hennah
|
|
Art Department Coordinator |
Chris Hennah
|
|
Construction Manager |
Ed Mulholand
|
|
Construction Foreman |
Norman Willerton
|
|
Title Designer |
Nina Saxon
|
|
Costume & Make-Up | Costume Design |
Barbara Darragh
|
Assistant Costume Designer |
Jane Holland
|
|
Hairstylist |
Jane O'Kane
Gail Wilson
|
|
Makeup Department Head |
Marjory Hamlin
|
|
Makeup Artist |
Bron Roylance
Rick Baker
|
|
Wigmaker |
Cheryl Newton
|
|
Crew | CG Supervisor |
Matt Aitken
John Sheils
|
Special Effects Coordinator |
Steve Ingram
|
|
Makeup Effects |
Vance Hartwell
Jurgen Heimann
|
|
Post Production Supervisor |
Rick Porras
|
|
Scenic Artist |
Troy Stephens
|
|
Stunt Coordinator |
Bruce brown
|
|
Stunt Double |
Charles Croughwell
|
|
Stunts |
Steve Doherty
Aaron Lupton
Mark Prowse
Joanne Strong
|
|
Visual Effects | Visual Effects Coordinator |
Matt Holmes
|
Visual Effects Supervisor |
Wes Takahashi
|
|
Visual Effects |
Brian Scadden
|
|
Special Effects Supervisor |
Steve Ingram
|
|
Lighting | Electrician |
Aaron Cowan
Ants Farrell
Mark Newnham
Ian Nicholls
Hansel Verkerk
|
Best Boy Electric |
Simon Higgins
|
|
Gaffer |
Brett Jarman
|
|
Department | Role | Name |