The Gift
(2000) The only witness to the crime was not even there. | Released
Ratings
62%
6.4
6.7
57%
Financials
Revenue: $12,008,642
Budget: $10,000,000
Profit: + $2,008,642
Movie Details
Tag Line: The only witness to the crime was not even there.
Status: Released
Average Rating: 6
Release Date: Mar 16, 2000
Rating: R
Run Time: 1h 52m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: Lakeshore Entertainment , Alphaville , Paramount Classics
Genres
Keywords
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Synopsis
Annie Wilson, young widow and mother of three, makes her living foretelling others' futures—though her own has become cloudier than even she can see. Threatened by a client's violent husband and plagued by visions of a missing local woman, Annie finds herself pulled into a thicket of lies and deception in which her extraordinary gift may ultimately get her killed.
Crew
| Department | Role | Name |
|---|---|---|
| Costume & Make-Up | Costume Design |
Julie Weiss
|
| Makeup Artist |
Morag Ross
|
|
| Costume Supervisor |
Hope Slepak
|
|
| Hair Designer |
Emanuel Millar
|
|
| Production | Producer |
Tom Rosenberg
Gary Lucchesi
Richard S. Wright
Grant Curtis
James Jacks
|
| Casting |
Deborah Aquila
|
|
| Associate Producer |
Grant Curtis
|
|
| Executive Producer |
Sean Daniel
Robert Tapert
Ted Tannebaum
Gregory Goodman
|
|
| Unit Production Manager |
Gregory Goodman
|
|
| Location Manager |
Gina Cascino
|
|
| Production Supervisor |
Mary Courtney
|
|
| Post Production Coordinator |
Winnie Cheng
|
|
| Editing | Editor |
Arthur Coburn
Bob Murawski
|
| First Assistant Editor |
Michael Rafferty
Paul Hart
|
|
| Writing | Screenplay |
Billy Bob Thornton
Tom Epperson
|
| Crew | Post Production Supervisor |
James McQuaide
|
| Special Effects Coordinator |
Vern Hyde
|
|
| Stunts |
Chad Stahelski
Steven Ritzi
James M. Churchman
Brandon Sebek
Christina Ritzi
|
|
| Dialect Coach |
Carla Meyer
|
|
| Stunt Coordinator |
Mark Stefanich
|
|
| Transportation Coordinator |
Cindy Parker
|
|
| Unit Publicist |
Leigh Oblinger
|
|
| Directing | Director |
Sam Raimi
|
| First Assistant Director |
Eric Heffron
|
|
| Script Supervisor |
Karen Golden
|
|
| Second Assistant Director |
Bac DeLorme
|
|
| Art | Production Design |
Neil Spisak
|
| Property Master |
Martin Lasowitz
|
|
| Set Decoration |
Marthe Pineau
|
|
| Assistant Art Director |
C. Scott Baker
|
|
| Construction Coordinator |
Jeffrey Schlatter
|
|
| Art Department Coordinator |
Erin Fite
|
|
| Greensman |
Gloria Ann 'Twinkle' Groover
David Becton
|
|
| Leadman |
Andy Krish
|
|
| Sound | Original Music Composer |
Christopher Young
|
| Assistant Sound Editor |
Paul Flinchbaugh
|
|
| Dolby Consultant |
Andy Potvin
|
|
| Foley Mixer |
Nerses Gezalyan
|
|
| Dialogue Editor |
Kimaree Long
Lauren Stephens
|
|
| Foley |
James Moriana
Jeffrey Wilhoit
|
|
| Foley Recordist |
Greg Zimmerman
|
|
| Sound Effects Editor |
Kerry Ann Carmean
Mark Allen
|
|
| Music Editor |
Chris Innis
Tanya Noel Hill
|
|
| Sound Re-Recording Mixer |
Melissa Sherwood Hofmann
Brad Sherman
|
|
| ADR Editor |
Mark Choi
Kelly Oxford
|
|
| Supervising Sound Editor |
Kelly Cabral
|
|
| First Assistant Sound Editor |
Robert Batha
|
|
| Production Sound Mixer |
Ed Novick
|
|
| Foley Editor |
Valerie Davidson
|
|
| Boom Operator |
C. Douglas Cameron
|
|
| Camera | Director of Photography |
Jamie Anderson
|
| Still Photographer |
Melissa Moseley
|
|
| Camera Operator |
Billy Clevenger
|
|
| Second Unit Director of Photography |
Monty Rowan
|
|
| Dolly Grip |
William D. Wynn
|
|
| First Company Grip |
David L. Merrill
|
|
| Visual Effects | Visual Effects Supervisor |
Syd Dutton
Peter Donen
|
| Animation |
Fumi Mashimo
|
|
| Lighting | Chief Lighting Technician |
David Morton
|
| Department | Role | Name |