Ratings
Financials
Revenue: $115,103,979
Budget: $13,000,000
Profit: + $102,103,979
Movie Details
Tag Line: This time, the combat is real.
Status: Released
Average Rating: 6
Release Date: Jun 18, 1986
Rating: PG
Run Time: 1h 53m
Original Language: English
Website: -
Production Countries: United States of America , China
Production Companies: Columbia Pictures , Delphi II Productions
Genres
Keywords
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Synopsis
After discovering that his father is at death's door, Mr. Miyagi sets out to Japan, to see him with Daniel. Upon arriving, Miyagi must confront an old rival. Meanwhile, Daniel encounters a new love, and some new enemies.
Crew
Department | Role | Name |
---|---|---|
Writing | Writer |
Robert Mark Kamen
|
Production | Producer |
Jerry Weintraub
|
Casting |
Caro Jones
|
|
Associate Producer |
William J. Cassidy
Susan Ekins
Karen Trudy Rosenfelt
|
|
Executive Producer |
R.J. Louis
|
|
Unit Production Manager |
Howard Pine
|
|
Location Manager |
Pete Corral
|
|
Production Coordinator |
Jeannie Jeha
|
|
Production Accountant |
Diane Bandolas
|
|
Assistant Accountant |
Jan Foreman
|
|
Extras Casting |
Marge Spencer
|
|
Crew | Stunts |
Bill M. Ryusaki
Lori Lynn Ross
Roger Ito
Erik Felix
Linda Arvidson
Mike Hassett
|
Special Effects |
Paul H. Haines Jr.
Gary Dion
Al Wininger
|
|
Choreographer |
Nobuko Miyamoto
Paul De Rolf
Jose De Vega
Randy Sabusawa
|
|
Martial Arts Choreographer |
Pat E. Johnson
|
|
Technical Advisor |
Louis Schwartzberg
Zenko Heshiki
|
|
Transportation Coordinator |
Alan Falco
Harry Ueshiro
|
|
Transportation Captain |
Tino Caira
|
|
Unit Publicist |
Peter Benoit
|
|
Cableman |
William M. Randall Jr.
|
|
Editing | Editor |
Jane Kurson
John G. Avildsen
David Garfield
|
Assistant Editor |
Penelope Shaw
Karen Kory
Douglas Brumer
|
|
Color Timer |
Reid Burns
|
|
Sound | Music Editor |
Stephen A. Hope
|
Original Music Composer |
Bill Conti
|
|
Sound Editor |
Bob Cornett
Joseph Holsen
Michael P. Redbourn
Neil Burrow
|
|
Sound Mixer |
William Randall
|
|
ADR Editor |
Jay Kamen
Richard Friedman
|
|
Supervising ADR Editor |
Doreen A. Dixon
|
|
Sound Re-Recording Mixer |
Robert Knudson
Robert Glass
Don Digirolamo
|
|
Assistant Sound Editor |
Blake R. Cornett
Martha Burns Holsen
|
|
Music Supervisor |
Brooks Arthur
|
|
Orchestrator |
Jack Eskew
|
|
Boom Operator |
David Stafford
|
|
Supervising Sound Editor |
Tom C. McCarthy
|
|
Foley Editor |
Jim Bullock
|
|
Art | Set Designer |
James Teegarden
|
Production Design |
William J. Cassidy
|
|
Property Master |
Sam Gordon
|
|
Art Direction |
William F. Matthews
|
|
Construction Coordinator |
Hendrik Wynands
|
|
Set Decoration |
Lee Poll
|
|
Construction Foreman |
Danny Wynands
Michael Van Dyke
Mike Wynands
|
|
Leadman |
Mark Hite
|
|
Props |
Richard Leon
|
|
Standby Painter |
Glen Cooper
|
|
Swing |
Ronnie Wexler
|
|
Costume & Make-Up | Key Hair Stylist |
Cheri Ruff
|
Costume Designer |
Mary Malin
|
|
Key Makeup Artist |
John M. Elliott Jr.
|
|
Makeup Artist |
Jim Kail
|
|
Hairstylist |
Steve Elsbree
|
|
Camera | Director of Photography |
James Crabe
|
Steadicam Operator |
Stephen St. John
|
|
Still Photographer |
Ralph Nelson Jr.
|
|
First Assistant Camera |
Brad Edmiston
Alan R. Disler
|
|
Camera Operator |
Craig Denault
|
|
Second Assistant Camera |
Mario Zavala
|
|
Dolly Grip |
O.T. Henderson
|
|
Key Grip |
James M. Sheppherd
|
|
Best Boy Grip |
John Lubin
|
|
Directing | Director |
John G. Avildsen
|
First Assistant Director |
Clifford C. Coleman
|
|
Script Supervisor |
Marshall Schlom
|
|
Second Assistant Director |
Dennis Maguire
|
|
Second Second Assistant Director |
Christine Larson
|
|
Lighting | Chief Lighting Technician |
Ross A. Maehl
|
Visual Effects | Special Effects Supervisor |
Dennis Dion
|
Department | Role | Name |
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