Ratings
6.2
6
89%
Financials
Revenue: $32,140,970
Budget: $59,000,000
Profit: - $-26,859,030
Movie Details
Tag Line: An army to fight. A demon to slay. A world to save. No pressure.
Status: Released
Average Rating: 6
Release Date: Jan 16, 2019
Rating: PG
Run Time: 2h 00m
Original Language: English
Website: Link
Production Countries: United Kingdom
Production Companies: Working Title Films , Big Talk Studios , TSG Entertainment , 20th Century Fox
Genres
Keywords
People Rated This
Main Cast
Crew
| Department | Role | Name |
|---|---|---|
| Production | Producer |
Tim Bevan
Eric Fellner
Nira Park
|
| Casting |
Nina Gold
Jessica Ronane
|
|
| Executive Producer |
James Biddle
Rachael Prior
|
|
| Assistant Production Coordinator |
Chloe Warren
|
|
| Production Accountant |
Betty Ainslie
|
|
| Production Coordinator |
Hephzibah Craen
|
|
| Assistant Accountant |
David Blank
Debbie Moseley
|
|
| Production Secretary |
Robbie Torbuck
|
|
| Associate Producer |
Laura Richardson
|
|
| Post Production Coordinator |
Rachael Havercroft
|
|
| Payroll Accountant |
Rachel Limb
|
|
| Camera | Director of Photography |
Bill Pope
|
| Grip |
Emmet Cahill
Ricky Hall
Alex Fraser
|
|
| Still Photographer |
Kerry Brown
|
|
| Second Unit Director of Photography |
Shaun O'Dell
|
|
| Steadicam Operator |
Jonathan 'Chunky' Richmond
|
|
| "A" Camera Operator |
Jonathan 'Chunky' Richmond
|
|
| First Assistant "B" Camera |
Russell Kennedy
|
|
| First Assistant "A" Camera |
Matt Windon
|
|
| Key Grip |
Malcolm Huse
|
|
| "B" Camera Operator |
Chris Bain
|
|
| Second Assistant "B" Camera |
Harry Gamble
|
|
| Camera Trainee |
Ewan Sadler
|
|
| Second Assistant "A" Camera |
Ian Jackson
|
|
| Best Boy Grip |
Eugene McDonagh
Keith Mead
|
|
| Camera Loader |
Lisa MacGregor
|
|
| Digital Imaging Technician |
Jay Patel
|
|
| Costume & Make-Up | Costume Design |
Jany Temime
|
| Hair Designer |
Sharon Martin
|
|
| Makeup Designer |
Sharon Martin
|
|
| Key Makeup Artist |
Niamh O'Loan
|
|
| Assistant Costume Designer |
Richard Davies
|
|
| Costume Supervisor |
Martin Mandeville
|
|
| Key Hair Stylist |
Claire Burgess
|
|
| Costume Coordinator |
Stephanie Hamilton-Jordan
|
|
| Sound | Foley Editor |
Hugo Adams
Sophia Hardman
|
| Orchestrator |
Richard Bronskill
Matt Dunkley
Mark Baechle
Tony Blondal
|
|
| Music Supervisor |
Nick Angel
|
|
| Conductor |
Matt Dunkley
|
|
| Sound Effects Editor |
Jed Loughran
|
|
| Sound Designer |
Jeremy Price
|
|
| Sound Editor |
Luke O'Connell
|
|
| Dialogue Editor |
Matthew Skelding
|
|
| ADR Mixer |
Mark Appleby
|
|
| Foley Mixer |
Adam Mendez
|
|
| Production Sound Mixer |
Colin Nicolson
|
|
| Music |
Electric Wave Bureau
|
|
| ADR Recordist |
Lottie Wade
|
|
| Assistant Sound Editor |
Nina Norek
|
|
| Crew | Stunt Coordinator |
Paul Jennings
Peter White
|
| Dialect Coach |
Jill McCullough
|
|
| Unit Publicist |
Claudia Kalindjian
|
|
| Stunts |
Tolga Kenan
|
|
| Visual Effects Editor |
Henry Kemplen
|
|
| Stunt Double |
Elizabeth Donker Curtius
|
|
| Directing | Second Unit Director |
Paul Jennings
|
| Director |
Joe Cornish
|
|
| Third Assistant Director |
Emily Thomas
|
|
| Script Supervisor |
Paula Casarin
|
|
| First Assistant Director |
Richard Graysmark
|
|
| Second Assistant Director |
Tom Rye
Fraser Fennell-Ball
|
|
| Second Unit First Assistant Director |
Stewart Hamilton
|
|
| Art | Production Design |
Marcus Rowland
|
| Set Decoration |
Sara Wan
|
|
| Supervising Art Director |
Nigel Evans
|
|
| Art Direction |
Katrina Mackay
Simon Elsley
Jonathan Houlding
|
|
| Construction Coordinator |
Stephanie Gibbins
|
|
| Concept Artist |
Oscar Wright
|
|
| Construction Manager |
Stuart Watson
|
|
| Writing | Writer |
Joe Cornish
|
| Editing | Editor |
Jonathan Amos
Paul Machliss
|
| First Assistant Editor |
Jerry Ramsbottom
|
|
| Visual Effects | Visual Effects Supervisor |
Frazer Churchill
|
| VFX Artist |
Frédéric Gaudin
|
|
| Lighting | Gaffer |
Eddie Knight
|
| Best Boy Electric |
Lee Knight
|
|
| Department | Role | Name |
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