The Lost Boys
(1987) Sleep all day. Party all night. Never grow old. Never die. It's fun to be a vampire. | Released
Ratings
63%
7.1
7.3
74%
Financials
Revenue: $32,222,567
Budget: $8,500,000
Profit: + $23,722,567
Movie Details
Tag Line: Sleep all day. Party all night. Never grow old. Never die. It's fun to be a vampire.
Status: Released
Average Rating: 7
Release Date: Jul 31, 1987
Rating: 1988-10-18
Run Time: 1h 37m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: Warner Bros. Pictures
Sources:
Genres
Keywords
People Rated This
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Compatibility : N/AShared : N/Afrancois.declercq
Compatibility : N/AShared : N/Ajackie.smulan
Compatibility : N/AShared : N/Agsh1332
Compatibility : N/AShared : N/Aalexander.trepverter
Compatibility : N/AShared : N/Abrittany.scott
Compatibility : N/AShared : N/Adrew.kimzey
Compatibility : N/AShared : N/Akbroshous
Compatibility : N/AShared : N/A
Where to watch The Lost Boys
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Synopsis
When an unsuspecting town newcomer is drawn to local blood fiends, the Frog brothers and other unlikely heroes gear up to rescue him.
Crew
| Department | Role | Name |
|---|---|---|
| Directing | Director |
Joel Schumacher
|
| Second Unit Director |
M. James Arnett
|
|
| First Assistant Director |
William S. Beasley
|
|
| Second Unit First Assistant Director |
Patrick A. Duffy
|
|
| Second Assistant Director |
Eric Jewett
|
|
| Second Second Assistant Director |
Jennifer Kingry
|
|
| Script Supervisor |
Jan Kemper
|
|
| Writing | Screenplay |
Janice Fischer
James Jeremias
Jeffrey Boam
|
| Costume & Make-Up | Makeup Artist |
Ve Neill
Steve LaPorte
|
| Costume Design |
Susan Becker
|
|
| Prosthetics |
Greg Cannom
|
|
| Hairstylist |
Dino Ganziano
KG Ramsey
|
|
| Costume Supervisor |
Robert Chase
Rosemarie Fall
Jerry Herrin
|
|
| Production | Producer |
Harvey Bernhard
|
| Co-Executive Producer |
Mark Damon
John W. Hyde
|
|
| Executive Producer |
Richard Donner
|
|
| Casting |
Marion Dougherty
|
|
| Production Manager |
William L. Young
|
|
| Production Accountant |
Gail Martin-Sheridan
|
|
| Production Secretary |
Ilyse Selwyn
Sheila A. Warner
|
|
| Editing | Editor |
Robert Brown
|
| Assistant Editor |
Tracy Granger
Tracey McCampbell
Jim Prior
|
|
| Art | Production Design |
Bo Welch
|
| Art Direction |
Tom Duffield
|
|
| Set Decoration |
R. Chris Westlund
|
|
| Leadman |
Cheryl Carasik
|
|
| Construction Foreman |
Ray Chambers
|
|
| Property Master |
William A. Petrotta
|
|
| Assistant Property Master |
Anne Sidaris-Reeves
|
|
| Construction Coordinator |
Michael J. Smith
|
|
| Set Designer |
John Warnke
|
|
| Title Designer |
Anthony Goldschmidt
|
|
| Crew | Special Effects |
Donald Elliott
Sam Marquez
Tim Moran
Doyle Smiley
Bob Stoker
Lucinda Strub
Richard Stutsman
Fred Tassaro
Mike Wever
D. Kerry Prior
Tony Gardner
|
| Special Effects Coordinator |
Matt Sweeney
|
|
| Stunts |
Vicky Benson
Sandy Berumen
May Boss
Christopher Bowman
Janet Brady
David Burton
Jodie Mae Caldwell
Doc D. Charbonneau
Monty Cox
Scott Dockstader
Bill Erickson
Bruce Gattenbein
Sandra Lee Gimpel
Jeff Habberstad
Randy Hall
Steve Holladay
Madonna Joy
Kim Robert Koscki
David LeBell
Gene LeBell
John C. Meier
Larry Nicholas
William R. Perry
Chuck Picerni Jr.
Dan Plum
Bernie Pock
Pat Romano
Dennis Scott
Ceci Vendrell
Jack West
Scott Wilder
Spice Williams-Crosby
|
|
| Stunt Coordinator |
Gary Davis
|
|
| Pilot |
Ross Reynolds
|
|
| Unit Publicist |
Phyllis Gardner Hirsen
|
|
| Camera | Director of Photography |
Michael Chapman
|
| Camera Operator |
Eric D. Andersen
Michael Genne
Michael D. O'Shea
Peter Salim
|
|
| Second Unit Director of Photography |
Paul Goldsmith
|
|
| First Assistant Camera |
Kim Guthrie
Bill Roe
|
|
| Second Assistant Camera |
Larry Hezzelwood
|
|
| Key Grip |
Gene Kearney
|
|
| Still Photographer |
Jane O'Neal
|
|
| Dolly Grip |
Sandy Williams
|
|
| Sound | Sound Re-Recording Mixer |
Rick Alexander
Les Fresholtz
Vern Poore
|
| Sound Editor |
Jeff Bushelman
Larry Carow
Richard C. Franklin
Chuck Neely
|
|
| Supervising Sound Editor |
Charles L. Campbell
Louis L. Edemann
|
|
| Boom Operator |
Robert Crosby
|
|
| ADR Editor |
Alan L. Nineberg
|
|
| Sound Mixer |
David M. Ronne
|
|
| Supervising ADR Editor |
Larry Singer
|
|
| Music Editor |
Kenneth Karman
|
|
| Theme Song Performance |
Lou Gramm
|
|
| Original Music Composer |
Thomas Newman
|
|
| Visual Effects | Visual Effects Designer |
Eric Brevig
|
| Lighting | Rigging Gaffer |
Michael W. Blymyer
|
| Gaffer |
Leslie J. Kovacs
|
|
| Best Boy Electrician |
Benny McNulty
|
|
| Department | Role | Name |