The Love Letter
(1998) A letter from the past would change their future forever. | Released
Ratings
6.2
Financials
Revenue: $0
Budget: $0
Profit: - $0
Movie Details
Tag Line: A letter from the past would change their future forever.
Status: Released
Average Rating: 6
Release Date: Feb 1, 1998
Rating: 1998-02-01
Run Time: 1h 38m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: Hallmark Entertainment , Hallmark Hall of Fame Productions
Genres
Keywords
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Synopsis
20th century computer games designer Scott, Civil War buff, buys an antique desk from that era and, while polishing it, he discovers a secret compartment in which sits an unmailed letter--a letter written by a young poet named Lizzie over a century earlier. Touched by her yearning for passion, he writes her back, egged on by his mystically inclined mother. Magically, his letter reaches Lizzie and they begin a correspondence that threatens Scott's impending marriage but promises to bring fulfilment to Lizzie. Spanning the Civil War to the present, the perils of Lizzie's war-torn situation threaten her safe passage into the future. Will their love endure the test of time?
Crew
| Department | Role | Name |
|---|---|---|
| Directing | Director |
Dan Curtis
|
| First Assistant Director |
Donald P.H. Eaton
|
|
| Second Assistant Director |
Lynn Wegenka
|
|
| Script Supervisor |
Larry K. Johnson
|
|
| Writing | Short Story |
Jack Finney
|
| Teleplay |
James S. Henerson
|
|
| Story |
James S. Henerson
|
|
| Production | Producer |
Dan Curtis
|
| Co-Producer |
Lynn Raynor
|
|
| Co-Executive Producer |
Brent Shields
|
|
| Executive Producer |
Richard Welsh
|
|
| Casting |
Lynn Kressel
|
|
| Unit Production Manager |
James T. Davis
|
|
| Executive In Charge Of Production |
Kathleen Straub
|
|
| Production Coordinator |
Michael Todd Schlenker
|
|
| Location Manager |
Mark Cottrell
|
|
| Locale Casting Director |
Tracy Kilpatrick
|
|
| Camera | Director of Photography |
Eric Van Haren Noman
|
| Key Grip |
Billy Sherrill
|
|
| Crew | Cinematography |
Paul M. Pollard
|
| Special Effects |
Bob Shelley
|
|
| Transportation Coordinator |
Michael Davis
|
|
| Post Production Supervisor |
Andrea Lapins
|
|
| Editing | Editor |
Bill Blunden
|
| Assistant Editor |
Melissa Gearhart
|
|
| Art | Production Design |
Jan Scott
|
| Art Direction |
Ann Champion
|
|
| Set Decoration |
Erica Rogalla
|
|
| Property Master |
Dick Kyker
|
|
| Construction Coordinator |
Richard Blankenship
|
|
| Costume & Make-Up | Costume Designer |
Dorothy Amos
|
| Key Makeup Artist |
Janeen Schreyer
Patricia Androff
|
|
| Key Hair Stylist |
Sally J. Harper
Robert Harper
|
|
| Sound | Original Music Composer |
Bob Cobert
|
| Music Editor |
Chris Ledesma
|
|
| Production Sound Mixer |
Jim Hawkins
|
|
| Supervising Sound Editor |
Michael O'Corrigan
|
|
| Sound Re-Recording Mixer |
Sherry Klein
|
|
| Lighting | Gaffer |
Robert Driskell
|
| Department | Role | Name |