Ratings
Financials
Revenue: $15,238,994
Budget: $0
Profit: + $15,238,994
Movie Details
Tag Line: His Majesty was all powerful and all knowing. But he wasn't quite all there.
Status: Released
Average Rating: 7
Release Date: Dec 28, 1994
Rating: 1994-12-28
Run Time: 1h 47m
Original Language: English
Website: -
Production Countries: United Kingdom
Production Companies: Samuel Goldwyn Company , Close Call Films , Film4 Productions
Genres
Keywords
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Synopsis
Aging King George III of England is exhibiting signs of madness, a problem little understood in 1788. As the monarch alternates between bouts of confusion and near-violent outbursts of temper, his hapless doctors attempt the ineffectual cures of the day. Meanwhile, Queen Charlotte and Prime Minister William Pitt the Younger attempt to prevent the king's political enemies, led by the Prince of Wales, from usurping the throne.
Crew
Department | Role | Name |
---|---|---|
Production | Producer |
David Parfitt
Stephen Evans
|
Line Producer |
Mark Cooper
|
|
Casting |
Celestia Fox
|
|
Controller |
Liz Barron
|
|
Location Manager |
Rachel Neale
|
|
Production Coordinator |
Vivien Jordan
|
|
Researcher |
Miles Barton
|
|
Camera | Director of Photography |
Andrew Dunn
|
Still Photographer |
Keith Hamshere
Alex Bailey
|
|
First Assistant Camera |
Patricia Vanover
|
|
Second Assistant Camera |
Nick Penn
|
|
Camera Trainee |
Philip Hill
|
|
Grip |
Mike House
|
|
Steadicam Operator |
Nigel Kirton
|
|
Directing | Director |
Nicholas Hytner
|
Second Assistant Director |
Finn McGrath
|
|
First Assistant Director |
Mary Soan
|
|
Script Supervisor |
Jean Bourne
|
|
Third Assistant Director |
Stuart Renfrew
|
|
Sound | Original Music Composer |
George Fenton
|
Production Sound Mixer |
David Crozier
|
|
Foley Artist |
Roy Baker
Jean Sheffield
|
|
Sound Re-Recording Mixer |
Dominic Lester
Robin O'Donoghue
|
|
Supervising Sound Editor |
Christopher Ackland
|
|
Assistant Sound Editor |
Elaine 'Chucks' Thomas
|
|
Assistant Dialogue Editor |
Pat Gilbert
|
|
Sound Recordist |
John Casali
|
|
Sound Engineer |
Clive Copland
|
|
Music |
Keith Grant
|
|
Foley Editor |
Stan Fiferman
|
|
Conductor |
Nicholas Kraemer
|
|
Music Supervisor |
Eliza Thompson
|
|
Assistant Foley Artist |
Graham Parrow
|
|
Dialogue Editor |
Jim Shields
|
|
Editing | Editor |
Tariq Anwar
|
Assistant Editor |
Adrian Trent
|
|
First Assistant Editor |
Christopher Lloyd
|
|
Writing | Screenplay |
Alan Bennett
|
Theatre Play |
Alan Bennett
|
|
Art | Standby Art Director |
Mark Raggett
|
Props |
Doug Purdy
|
|
Standby Property Master |
Jim Parker
Malcolm Benstead
|
|
Supervising Art Director |
Martin Childs
|
|
Dressing Prop |
Danny Skundric
|
|
Property Buyer |
Leith Boler
|
|
Set Decoration |
Carolyn Scott
|
|
Draughtsman |
Dennis Bosher
John Siddall
|
|
Art Department Assistant |
Jane Henwood
Sabrina Lamonica
|
|
Storyboard Artist |
Paul Garner
Jane Clark
|
|
Property Master |
Jamie Wilkinson
Maurice Jones
|
|
Art Direction |
John Fenner
|
|
Production Design |
Ken Adam
|
|
Costume & Make-Up | Costume Design |
Mark Thompson
|
Assistant Costume Designer |
Irene Bohan
|
|
Costume Assistant |
Stephen Miles
Steve Pokol
Frank Simon
Victoria Harwood
|
|
Wardrobe Master |
Anthony Brookman
|
|
Makeup Designer |
Lisa Westcott
|
|
Costume Mistress |
Anna Kot
|
|
Makeup Artist |
Helen Barrett
|
|
Assistant Makeup Artist |
Deborah Taylor
|
|
Costume Supervisor |
Sue Honeyborne
|
|
Hair Designer |
Lisa Westcott
|
|
Lighting | Electrician |
Paul Wood
Danny Young
John Turner
George White
|
Best Boy Electrician |
Ronnie Rampton
|
|
Gaffer |
Jim Beeby
|
|
Crew | Video Assist Operator |
David Toft
|
Department | Role | Name |