The Minus Man
(1999) Keep your eyes open for anything too ordinary. | Released
Ratings
56%
5.4
6.2
60%
Financials
Revenue: $370,668
Budget: $0
Profit: + $370,668
Movie Details
Tag Line: Keep your eyes open for anything too ordinary.
Status: Released
Average Rating: 5
Release Date: Feb 25, 1999
Rating: 1999-02-25
Run Time: 1h 51m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: Fida Attieh Productions , The Shooting Gallery , Lionsgate , TSG Entertainment
Genres
Keywords
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Synopsis
When the quiet and amiable Vann Siegert drifts into town, no one suspects the evil that lies beneath the surface. Despite his easy charm, Vann is merely a reflection of what those he encounters want him to be. Soon, as locals start to disappear, it becomes clear that an eerie subtraction is at work in the sleepy hamlet.
Crew
| Department | Role | Name |
|---|---|---|
| Directing | Director |
Hampton Fancher
|
| Script Supervisor |
Scott Peterson
|
|
| First Assistant Director |
William Paul Clark
|
|
| Second Assistant Director |
Pilar Savone
|
|
| Second Second Assistant Director |
Carolyn Sara Fine
|
|
| Writing | Novel |
Lew McCreary
|
| Screenplay |
Hampton Fancher
|
|
| Sound | Original Music Composer |
Marco Beltrami
|
| Music Supervisor |
Christopher Covert
Barry Cole
|
|
| Sound Mixer |
Thomas Brandau
|
|
| Boom Operator |
James Eric
|
|
| Supervising Sound Editor |
Stuart Stanley
|
|
| Dialogue Editor |
Michael Shore
Jacob Ribicoff
|
|
| Foley Editor |
Brian Langman
|
|
| Music Editor |
James Flatto
|
|
| Foley Recordist |
Patrick Dundas
|
|
| Dolby Consultant |
Tony V. Stevens
|
|
| Production | Casting |
Mary Vernieu
Anne McCarthy
|
| Producer |
David L. Bushell
Fida Attieh
|
|
| Executive Producer |
Keith Abell
Steve Carlis
Joseph J. DiMartino
Larry Meistrich
|
|
| Associate Producer |
Mary Vernieu
|
|
| Unit Production Manager |
Kevin Halloran
|
|
| Casting Assistant |
Carrie Campbell
Freddy Luis
Alan Joseph Ortanez
|
|
| Location Manager |
Mac Gordon
|
|
| Production Coordinator |
Robert Ortiz
|
|
| Camera | Still Photographer |
Sam Emerson
|
| Director of Photography |
Bobby Bukowski
|
|
| Steadicam Operator |
Kirk R. Gardner
|
|
| First Assistant Camera |
Helen Cho Anthos
|
|
| Editing | Editor |
Todd C. Ramsay
|
| Negative Cutter |
Vivian Hengsteler
|
|
| Color Timer |
Dan Muscarella
|
|
| Costume & Make-Up | Costume Design |
Kimberly Adams
|
| Key Hair Stylist |
Stacey K. Black
|
|
| Key Makeup Artist |
Ann Pala
|
|
| Makeup Artist |
Nina Kraft
Cheryl Markowitz
|
|
| Art | Production Design |
Andrew Laws
|
| Set Decoration |
Laser Rosenberg
|
|
| Art Direction |
Austin Gorg
|
|
| Location Scout |
Jacqueline Butryn
Terrell Doolen
Ilt Jones
Wes Ward
|
|
| Title Designer |
Christopher Hall
|
|
| Construction Coordinator |
Patrick Parkhurst
|
|
| Crew | Post Production Supervisor |
Jamey Pryde
|
| Transportation Coordinator |
Ken Kaplan
|
|
| Lighting | Gaffer |
David Burroughs
|
| Best Boy Electric |
Graham Futerfas
|
|
| Department | Role | Name |