The Talented Mr. Ripley
(1999) How far would you go to become someone else? | Released
Ratings
76%
7.2
7.4
83%
Financials
Revenue: $128,798,265
Budget: $40,000,000
Profit: + $88,798,265
Movie Details
Tag Line: How far would you go to become someone else?
Status: Released
Average Rating: 7
Release Date: Dec 25, 1999
Rating: R
Run Time: 2h 19m
Original Language: English
Website: Link
Production Countries: United States of America
Production Companies: Miramax , Paramount , Mirage Enterprises , Timnick Films
Genres
Keywords
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Synopsis
Tom Ripley is a calculating young man who believes it's better to be a fake somebody than a real nobody. Opportunity knocks in the form of a wealthy U.S. shipbuilder who hires Tom to travel to Italy to bring back his playboy son, Dickie. Ripley worms his way into the idyllic lives of Dickie and his girlfriend, plunging into a daring scheme of duplicity, lies and murder.
Crew
| Department | Role | Name |
|---|---|---|
| Production | Casting Associate |
Ronna Kress
|
| Producer |
Tom Sternberg
William Horberg
|
|
| Executive Producer |
Sydney Pollack
|
|
| Co-Producer |
Paul Zaentz
Lydia Dean Pilcher
|
|
| Associate Producer |
Steve E. Andrews
|
|
| Line Producer |
Alessandro von Norman
|
|
| Casting |
David Rubin
Shaila Rubin
Sarah Beardsall
|
|
| Location Manager |
Antonio Gabrielli
|
|
| Unit Production Manager |
Lynn Kamern
|
|
| Editing | Editor |
Walter Murch
|
| Sound | Sound Re-Recording Mixer |
Walter Murch
Mark Berger
David Parker
|
| Sound Effects Editor |
Kyrsten Mate
Jennifer L. Ware
|
|
| Original Music Composer |
Gabriel Yared
|
|
| Supervising Sound Editor |
Pat Jackson
|
|
| Sound Mixer |
Ivan Sharrock
|
|
| ADR Supervisor |
Mark Levinson
|
|
| ADR Editor |
Richard Quinn
|
|
| Dialogue Editor |
Dianna Stirpe
Barbara McBane
|
|
| Music Editor |
Robert Randles
|
|
| Music Supervisor |
Graham Walker
|
|
| Boom Operator |
Donald Banks
|
|
| Writing | Screenplay |
Anthony Minghella
|
| Novel |
Patricia Highsmith
|
|
| Storyboard |
Tony Wright
|
|
| Directing | Director |
Anthony Minghella
|
| Script Supervisor |
Dianne Dreyer
|
|
| Camera | Director of Photography |
John Seale
|
| Still Photographer |
Phil Bray
|
|
| Art | Production Design |
Roy Walker
|
| Art Direction |
Stefano Maria Ortolani
|
|
| Supervising Art Director |
John Fenner
|
|
| Set Decoration |
Bruno Cesari
|
|
| Art Department Assistant |
Sabina Lepri
|
|
| Assistant Art Director |
Alessandro Alberti
|
|
| Property Master |
Bernie Hearn
|
|
| Costume & Make-Up | Costume Design |
Ann Roth
Gary Jones
|
| Makeup Artist |
Alessandra Sampaolo
|
|
| Hairstylist |
Elisabetta De Leonardis
Giorgio Gregorini
|
|
| Hair Department Head |
Kay Georgiou
|
|
| Makeup Department Head |
Tina Earnshaw
|
|
| Hair Designer |
Paolo Mantini
|
|
| Visual Effects | Special Effects Supervisor |
Richard Conway
|
| Visual Effects Supervisor |
Dennis Lowe
|
|
| Crew | Dialect Coach |
Tim Monich
|
| Special Effects Coordinator |
Sam Conway
Giancarlo Mancini
|
|
| Stunt Coordinator |
Franco Maria Salamon
|
|
| Stunts |
Claudio Pacifico
|
|
| Unit Publicist |
Larry Kaplan
|
|
| Makeup Effects |
Fabrizio Sforza
|
|
| Lighting | Gaffer |
Morris Flam
|
| Department | Role | Name |