Ratings
Financials
Revenue: $128,798,265
Budget: $40,000,000
Profit: + $88,798,265
Movie Details
Tag Line: How far would you go to become someone else.
Status: Released
Average Rating: 7
Release Date: Dec 25, 1999
Rating: 1999-12-25
Run Time: 2h 20m
Original Language: English
Website: Link
Production Countries: United States of America
Production Companies: Mirage Enterprises , Timnick Films
Sources:
Genres
Keywords
People Rated This
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Synopsis
Tom Ripley is a calculating young man who believes it's better to be a fake somebody than a real nobody. Opportunity knocks in the form of a wealthy U.S. shipbuilder who hires Tom to travel to Italy to bring back his playboy son, Dickie. Ripley worms his way into the idyllic lives of Dickie and his girlfriend, plunging into a daring scheme of duplicity, lies and murder.
Crew
Department | Role | Name |
---|---|---|
Directing | Director |
Anthony Minghella
|
Script Supervisor |
Dianne Dreyer
|
|
First Assistant Director |
Gianni Arduini
|
|
Second Assistant Director |
Enrico Marrari
|
|
Third Assistant Director |
Maria De Leo
Filippo Fassetta
Federica Ciciarelli
|
|
Crew | Special Effects Coordinator |
Sam Conway
Giancarlo Mancini
|
Stunts |
Claudio Pacifico
Stefano Maria Mioni
Alessandro Ponti
David Ambrosi
|
|
Stunt Coordinator |
Franco Maria Salamon
|
|
Unit Publicist |
Larry Kaplan
|
|
Makeup Effects |
Fabrizio Sforza
|
|
Dialect Coach |
Tim Monich
|
|
Production | Casting |
David Rubin
Shaila Rubin
Sarah Beardsall
|
Producer |
Tom Sternberg
William Horberg
|
|
Line Producer |
Alessandro von Norman
|
|
Associate Producer |
Steve E. Andrews
|
|
Executive Producer |
Sydney Pollack
|
|
Co-Producer |
Paul Zaentz
Lydia Dean Pilcher
|
|
Location Manager |
Antonio Gabrielli
|
|
Unit Production Manager |
Lynn Kamern
|
|
Casting Associate |
Ronna Kress
|
|
Camera | Director of Photography |
John Seale
|
Still Photographer |
Phil Bray
|
|
"A" Camera Operator |
John Seale
|
|
Steadicam Operator |
Daniele Massaccesi
|
|
"B" Camera Operator |
Daniele Massaccesi
|
|
Editing | Editor |
Walter Murch
|
Writing | Screenplay |
Anthony Minghella
|
Novel |
Patricia Highsmith
|
|
Sound | Original Music Composer |
Gabriel Yared
|
Supervising Sound Editor |
Pat Jackson
|
|
Sound Effects Editor |
Kyrsten Mate
Jennifer L. Ware
|
|
Music Supervisor |
Graham Walker
|
|
Sound Mixer |
Ivan Sharrock
|
|
Sound Re-Recording Mixer |
Walter Murch
Mark Berger
David Parker
|
|
Music Editor |
Robert Randles
|
|
ADR Editor |
Richard Quinn
|
|
ADR Supervisor |
Mark Levinson
|
|
Dialogue Editor |
Dianna Stirpe
Barbara McBane
|
|
Boom Operator |
Donald Banks
|
|
Art | Art Direction |
Stefano Maria Ortolani
|
Production Design |
Roy Walker
|
|
Set Decoration |
Bruno Cesari
|
|
Assistant Art Director |
Alessandro Alberti
|
|
Supervising Art Director |
John Fenner
|
|
Art Department Assistant |
Sabina Lepri
|
|
Property Master |
Bernie Hearn
|
|
Storyboard Artist |
Tony Wright
|
|
Set Dresser |
Jeffrey Rollins
|
|
Title Designer |
Deborah Ross
|
|
Assistant Set Decoration |
Raffaella Giovannetti
Francesco Postiglione
|
|
Graphic Designer |
Miraphora Mina
|
|
Costume & Make-Up | Makeup Artist |
Alessandra Sampaolo
|
Hairstylist |
Elisabetta De Leonardis
Giorgio Gregorini
|
|
Costume Design |
Ann Roth
Gary Jones
|
|
Hair Department Head |
Kay Georgiou
|
|
Hair Designer |
Paolo Mantini
|
|
Makeup Department Head |
Tina Earnshaw
|
|
Visual Effects | Visual Effects Supervisor |
Dennis Lowe
|
Special Effects Supervisor |
Richard Conway
|
|
Lighting | Gaffer |
Morris Flam
|
Department | Role | Name |