The Terminal Man
(1974) Harry Benson is a brilliant computer scientist. For three minutes a day, he is violently homicidal. | Released
Ratings
5.4
5.8
58%
Financials
Revenue: $0
Budget: $0
Profit: - $0
Movie Details
Tag Line: Harry Benson is a brilliant computer scientist. For three minutes a day, he is violently homicidal.
Status: Released
Average Rating: 5
Release Date: Jun 19, 1974
Rating: 1974-06-19
Run Time: 1h 47m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: Warner Bros. Pictures
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Synopsis
As the result of a head injury, brilliant computer scientist Harry Benson begins to experience violent seizures. In an attempt to control the seizures, Benson undergoes a new surgical procedure in which a microcomputer is inserted into his brain. The procedure is not entirely successful.
Crew
| Department | Role | Name |
|---|---|---|
| Directing | Director |
Mike Hodges
|
| Script Supervisor |
Margaret Tary
|
|
| Second Assistant Director |
Robert Dijoux
Leonard S. Smith Jr.
|
|
| First Assistant Director |
Dick Moder
|
|
| Writing | Novel |
Michael Crichton
|
| Screenplay |
Mike Hodges
|
|
| Production | Associate Producer |
Michael Dryhurst
|
| Producer |
Mike Hodges
|
|
| Casting |
Nessa Hyams
|
|
| Production Manager |
Bruce Fowler Jr.
|
|
| Extras Casting |
Jim Martell
|
|
| Location Manager |
R. Anthony Brown
|
|
| Production Secretary |
Kay Hoff
Dorothy Naja
|
|
| Publicist |
Vernon White
|
|
| Editing | Editor |
Robert L. Wolfe
|
| Assistant Editor |
Joel Cox
Jeremy Hume
|
|
| Art | Art Direction |
Fred Harpman
|
| Set Decoration |
Marvin March
|
|
| Construction Coordinator |
Harold Broner
|
|
| Leadman |
Herb Rindenow
|
|
| Assistant Property Master |
Willie Wiles
|
|
| Property Master |
Marty Wunderlich
|
|
| Costume & Make-Up | Costume Design |
Donald Brooks
Vittorio Nino Novarese
|
| Makeup Artist |
Leo Lotito Jr.
Fred Williams
|
|
| Hairstylist |
Sherry Wilson
|
|
| Wardrobe Master |
Charles E. James
Tye Osward
Edna Taylor
|
|
| Camera | Director of Photography |
Richard H. Kline
|
| Camera Operator |
Albert Bettcher
|
|
| Key Grip |
Kenneth Adams
|
|
| Assistant Camera |
Al Baerthlin
|
|
| Second Assistant Camera |
Edward Morey III
|
|
| Still Photographer |
Mel Traxel
|
|
| First Assistant Camera |
Ronald Vidor
|
|
| Sound | Sound |
William Randall
|
| Sound Editor |
Nicholas Stevenson
|
|
| Sound Mixer |
Hugh Strain
|
|
| Boom Operator |
Raul A. Bruce
Charles Randall
|
|
| Scoring Mixer |
Dan Wallin
|
|
| Musician |
Glenn Gould
|
|
| Crew | Special Effects |
Douglas Pettibone
|
| Stunts |
Loren Janes
|
|
| Driver |
Ron Riner
|
|
| Craft Service |
Glenn Dunn
|
|
| Technical Advisor |
William Koselka
|
|
| Lighting | Gaffer |
Wilbur Kinnett
|
| Department | Role | Name |