Ratings
Financials
Revenue: $123,726,688
Budget: $15,000,000
Profit: + $108,726,688
Movie Details
Tag Line: His mind changed our world. Her love changed his.
Status: Released
Average Rating: 8
Release Date: Nov 26, 2014
Rating: PG-13
Run Time: 2h 03m
Original Language: English
Website: Link
Production Countries: United Kingdom , United States of America
Production Companies: Working Title Films , Working Title Films
Genres
Keywords
People Rated This
Watch The Theory of Everything
Synopsis
The Theory of Everything is the extraordinary story of one of the world’s greatest living minds, the renowned astrophysicist Stephen Hawking, who falls deeply in love with fellow Cambridge student Jane Wilde.
Crew
Department | Role | Name |
---|---|---|
Production | Producer |
Tim Bevan
Eric Fellner
Lisa Bruce
Anthony McCarten
|
Executive Producer |
Liza Chasin
David Kosse
Amelia Granger
|
|
Casting |
Nina Gold
|
|
Co-Producer |
Richard Hewitt
|
|
Casting Assistant |
Robert Sterne
Theo Park
|
|
Unit Production Manager |
Alison Banks
|
|
Location Manager |
Rebecca Pearson
David Campbell-Bell
|
|
Associate Producer |
Lucas Webb
|
|
Production Accountant |
Craig Barwick
|
|
Casting Associate |
Lauren Evans
|
|
Production Coordinator |
Carrie-Ann Banner
|
|
Sound | Supervising Sound Editor |
Glenn Freemantle
|
Dialogue Editor |
Gillian Dodders
Paul Wrightson
|
|
ADR Editor |
Gillian Dodders
Paul Wrightson
|
|
Sound Designer |
Ben Barker
Danny Freemantle
|
|
Foley Editor |
Derek Trigg
Glen Gathard
|
|
Music |
Jóhann Jóhannsson
|
|
Orchestrator |
Jóhann Jóhannsson
Anthony Weeden
|
|
Music Editor |
John Warhurst
Allan Jenkins
|
|
Sound Effects Editor |
Eilam Hoffman
Dillon Bennett
|
|
Sound Re-Recording Mixer |
Ian Tapp
Adam Scrivener
|
|
Music Supervisor |
Claire Freeman
Sarah Bridge
|
|
Production Sound Mixer |
Colin Nicolson
|
|
Boom Operator |
Colin Gregory
|
|
Assistant Sound Editor |
Nicholas Freemantle
|
|
Camera | Director of Photography |
Benoît Delhomme
|
Steadicam Operator |
Gerry Vasbenter
|
|
Camera Operator |
Mark Milsome
|
|
Still Photographer |
Liam Daniel
|
|
Key Grip |
Jim Philpott
|
|
Costume & Make-Up | Key Makeup Artist |
Lesley Smith
|
Costume Design |
Stephen Noble
|
|
Wigmaker |
Alex Rouse
|
|
Prosthetic Supervisor |
Kristyan Mallett
|
|
Hair Designer |
Jan Sewell
|
|
Makeup Designer |
Jan Sewell
|
|
Prosthetic Designer |
Jan Sewell
|
|
Makeup Artist |
Anita Burger
Agnes Legere
|
|
Hairstylist |
Agnes Legere
|
|
Costume Supervisor |
Natasha Cousins
|
|
Art | Production Design |
John Paul Kelly
|
Supervising Art Director |
David Hindle
|
|
Set Decoration |
Clare Nia Richards
|
|
Greensman |
Tim Lanning
Mat Campbell
|
|
Assistant Art Director |
Kira Kemble
|
|
Property Master |
Craig Price
|
|
Art Department Assistant |
Alice Sutton
|
|
Title Designer |
Matt Curtis
|
|
Storyboard Artist |
Dan Maslen
|
|
Sculptor |
Bruce Gordon
|
|
Painter |
Dean Hawley
|
|
Props |
Kevin Day
|
|
Directing | Director |
James Marsh
|
Script Supervisor |
Sylvia Parker
|
|
First Assistant Director |
Deborah Saban
|
|
Editing | Editor |
Jinx Godfrey
|
First Assistant Editor |
Mark Keady
|
|
Associate Editor |
Mark Keady
|
|
Visual Effects | Special Effects Supervisor |
Mark Holt
|
Visual Effects Producer |
Noga Alon Stein
|
|
Visual Effects Coordinator |
Ines Li
Finola O'Brien
|
|
Writing | Screenplay |
Anthony McCarten
|
Book |
Jane Hawking
|
|
Lighting | Gaffer |
Pat Sweeney
|
Rigging Gaffer |
Liam McGill
|
|
Crew | Stunt Coordinator |
Glenn Marks
|
Dialect Coach |
Jill McCullough
|
|
Unit Publicist |
Rachel Kennedy
|
|
Department | Role | Name |
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