The War of the Roses
(1989) Once in a lifetime comes a motion picture that makes you feel like falling in love all over again. This is not that movie. | Released
Ratings
79%
6.9
6.8
82%
Financials
Revenue: $160,188,546
Budget: $26,000,000
Profit: + $134,188,546
Movie Details
Tag Line: Once in a lifetime comes a motion picture that makes you feel like falling in love all over again. This is not that movie.
Status: Released
Average Rating: 7
Release Date: Dec 8, 1989
Rating: 1989-12-04
Run Time: 1h 56m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: 20th Century Fox , Gracie Films
Sources:
Genres
Keywords
People Rated This
Where to watch The War of the Roses
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Synopsis
Barbara and Oliver Rose live happily as a married couple. When Barbara starts to wonder what life would be like without Oliver and likes what she sees, the two begin a campaign to force each other to leave their house, with their divorce lawyer D'Amato caught in the middle.
Crew
| Department | Role | Name |
|---|---|---|
| Directing | Director |
Danny DeVito
|
| First Assistant Director |
Thomas Lofaro
|
|
| Second Assistant Director |
Jeffrey M. Ellis
|
|
| Script Supervisor |
Wilma Garscadden-Gahret
|
|
| Production | Producer |
James L. Brooks
Arnon Milchan
|
| Casting |
David Rubin
|
|
| Co-Producer |
Michael J. Leeson
|
|
| Executive Producer |
Polly Platt
Doug Claybourne
|
|
| Unit Production Manager |
Robert Latham Brown
|
|
| Executive In Charge Of Production |
Richard Sakai
|
|
| Casting Assistant |
Debra Zane
Lisa Beach
|
|
| Assistant Location Manager |
Errol Reichow
|
|
| Production Coordinator |
Mary Courtney
|
|
| Writing | Novel |
Warren Adler
|
| Screenplay |
Michael J. Leeson
|
|
| Editing | Editor |
Lynzee Klingman
|
| Additional Editing |
Nicholas C. Smith
|
|
| Assistant Editor |
John Ganem
|
|
| Color Timer |
Reid Burns
|
|
| Negative Cutter |
Gary Burritt
|
|
| Sound | Original Music Composer |
David Newman
|
| Supervising Sound Editor |
Leslie Shatz
|
|
| Sound Mixer |
Jeff Wexler
|
|
| Boom Operator |
Don Coufal
|
|
| Dialogue Editor |
Sarah Goldsmith
Michael Magill
Elliott Koretz
|
|
| Dolby Consultant |
Douglas Greenfield
|
|
| Foley Supervisor |
Marian Wilde
|
|
| Foley Editor |
Chuck Michael
John Duvall
|
|
| Foley Mixer |
Gary Gegan
|
|
| Music Editor |
Tom Villano
|
|
| Sound Re-Recording Mixer |
Michael J. Kohut
Leslie Shatz
Matthew Iadarola
Bill W. Benton
|
|
| Scoring Mixer |
Tim Boyle
|
|
| First Assistant Sound Editor |
Rachel Shaw
|
|
| Assistant Sound Editor |
Jennifer L. Ware
Renée Tondelli
Laura Graham
Mary Ann Skweres
Valerie Davidson
|
|
| Apprentice Sound Editor |
Jeanine Schaack
|
|
| Camera | Director of Photography |
Stephen H. Burum
|
| Camera Operator |
Dustin Blauvelt
|
|
| First Assistant Camera |
Alan S. Blauvelt
|
|
| Second Assistant Camera |
Bob Apger
|
|
| Still Photographer |
François Duhamel
|
|
| Key Grip |
Clyde Hart
|
|
| Crew | Stunts |
M. James Arnett
Janet Brady
Patricia M. Peters
Richard Drown
Chuck Picerni Jr.
Marcia Holley
Sammy Thurman
Tracy Keehn-Dashnaw
Scott Wilder
Jon H. Epstein
|
| Stunt Coordinator |
Michael Runyard
|
|
| Special Effects Technician |
Rocky Gehr
Richard L. Hill
Francis Pennington
|
|
| Transportation Coordinator |
James C. Taylor
|
|
| Transportation Captain |
Skip Wilson
|
|
| Transportation Co-Captain |
Ken Bellanca
|
|
| Costume & Make-Up | Costume Design |
Gloria Gresham
|
| Key Hair Stylist |
Kathryn Blondell
|
|
| Makeup Artist |
John M. Elliott Jr.
|
|
| Art | Production Design |
Ida Random
|
| Set Decoration |
Anne D. McCulley
|
|
| Art Direction |
Mark W. Mansbridge
|
|
| Set Designer |
Stan Tropp
Mark Fabus
|
|
| Set Painter |
Chuck Eskridge
|
|
| Assistant Property Master |
Paul Rylander
|
|
| Lighting | Gaffer |
Alex Skvorzov
|
| Visual Effects | Special Effects Supervisor |
John Frazier
|
| Department | Role | Name |