Ratings
Financials
Revenue: $12,840,842
Budget: $17,000,000
Profit: - $-4,159,158
Movie Details
Tag Line: First comes the warning. Then comes the mark. Then comes the terror.
Status: Released
Average Rating: 5
Release Date: Nov 1, 2002
Rating: 2002-11-27
Run Time: 1h 30m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: Focus Features , Dimension Films , Radar Pictures
Genres
Keywords
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Synopsis
A psychology student who experienced night terrors as a child must face the chilling realization that her nightmares were not all in her head.
Crew
Department | Role | Name |
---|---|---|
Directing | Director |
Robert Harmon
|
Second Assistant Director |
Alexis Hinde
|
|
First Assistant Director |
Richard Coleman
|
|
Third Assistant Director |
Shelley Cox
|
|
Second Unit Director |
David Crone
|
|
Writing | Writer |
Brendan Hood
|
Storyboard |
Andrea Dietrich
|
|
Crew | Stunts |
Owen Walstrom
Duane Dickinson
|
Stunt Double |
Ashlea Earl
Crystal Dalman
Leanne Buchanan
|
|
Post Production Supervisor |
Ben Brafman
|
|
Unit Publicist |
Michael Hansen
|
|
Picture Car Coordinator |
Will Sickles
|
|
Stunt Coordinator |
Scott J. Ateah
|
|
Craft Service |
Emily Coutts
|
|
Legal Services |
Susan H. Bodine
|
|
Transportation Captain |
Ryan Steel
|
|
Transportation Coordinator |
Jake Callihoo
|
|
Transportation Co-Captain |
Rick McLennan
|
|
Additional Music |
Thomas Bartke
|
|
Carpenter |
Paul E. Moes
|
|
Software Engineer |
Berj Bannayan
|
|
Driver |
John Armstrong
|
|
Special Effects Coordinator |
Mike Larivee
|
|
Presenter |
Wes Craven
|
|
Stunt Driver |
Ron James
|
|
Generator Operator |
Kevin O'Leary
|
|
Special Effects Assistant |
Darren English
|
|
Catering |
Bob Bedard
|
|
Special Effects Technician |
Damian Fisher
|
|
Playback Coordinator |
Byron Drinkle
|
|
Production | Producer |
Tom Engelman
Scott Kroopf
|
Executive Producer |
David Linde
Ted Field
|
|
Casting |
Amy McIntyre Britt
Anya Colloff
Jennifer Fishman
|
|
Co-Producer |
Tony Blain
Barbara Kelly
|
|
Associate Producer |
John Mariella
|
|
Production Manager |
Bev White
|
|
Production Coordinator |
Andrea Boorman
|
|
Unit Production Manager |
Barbara Kelly
|
|
Production Accountant |
Susan Stefanyshyn
|
|
Finance |
Scott Litsinger
|
|
Location Manager |
S. Steven Sach
|
|
Casting Assistant |
Frank Patton III
|
|
Extras Casting |
Andrea Brown
|
|
Production Executive |
Amy Kaufman
|
|
Assistant Accountant |
Karen Bergen
|
|
Assistant Location Manager |
Kenneth Meisenbacher
|
|
Production Assistant |
Lian Anson
|
|
First Assistant Accountant |
Debbie Van Dusen
|
|
Sound | Original Music Composer |
Elia Cmiral
|
Music Supervisor |
Joe Rangel
|
|
Sound Effects Editor |
Devan Kraushar
|
|
Dolby Consultant |
Gene Radzik
|
|
Sound Mixer |
David Husby
|
|
Orchestrator |
Thomas Bartke
|
|
Sound Designer |
Anke Bakker
|
|
Supervising Sound Editor |
Anke Bakker
|
|
Music Editor |
Matthew Friedman
|
|
Boom Operator |
Donald D. Brown
|
|
Foley Editor |
Dario DiSanto
|
|
Assistant Sound Editor |
Jay Cheetham
|
|
Supervising Music Editor |
Mike Flicker
|
|
Dialogue Editor |
Brian Campbell
|
|
Sound Assistant |
Carmen Lavender
|
|
ADR Mixer |
Robert Deschaine
|
|
Foley Artist |
Maureen Murphy
|
|
Foley Mixer |
Jean Tejkel
|
|
Sound Supervisor |
Jacqueline Cristianini
|
|
Editing | Editor |
Chris Peppe
|
First Assistant Editor |
Amy Flint Catherwood
|
|
Color Timer |
Ricardo Olivero
|
|
Art | Set Decoration |
Lin MacDonald
|
Art Direction |
Patrick Banister
|
|
Construction Coordinator |
Peter Grace
|
|
Art Department Coordinator |
Ron Sowden
|
|
Assistant Art Director |
Jeremy Stanbridge
|
|
Production Design |
Douglas Higgins
|
|
Construction Foreman |
John Beatty
|
|
Lead Painter |
Franklin Leibel
|
|
Standby Painter |
John Kobylka
|
|
Sculptor |
Norman Cabrera
|
|
Leadman |
Ed McMahon
|
|
Set Dresser |
David Paul Hewitt White
|
|
Assistant Property Master |
Mark Francis
|
|
Property Master |
Wayne McLaughlin
|
|
Storyboard Artist |
Jacques Rey
|
|
Property Buyer |
Don Anderson
|
|
Set Buyer |
Audra Neil
|
|
Construction Buyer |
Chris Reesor
|
|
Paint Coordinator |
Marko Lytviak
|
|
Costume & Make-Up | Costume Design |
Karen L. Matthews
|
Assistant Costume Designer |
Janice MacIsaac
|
|
Makeup Department Head |
Fay von Schroeder
|
|
Makeup Artist |
Michelle Hrescak
|
|
Hairstylist |
Melina Calogiros
|
|
Costume Supervisor |
Debbie Geaghan
|
|
Costumer |
Sondra Durksen
|
|
Costume Set Supervisor |
Cindy L. Russell
|
|
First Assistant Makeup Artist |
Sydney Silvert
|
|
Camera | Still Photographer |
Shane Harvey
|
First Assistant Camera |
Sean M. Harding
|
|
Steadicam Operator |
David Crone
|
|
Underwater Camera |
Pauline Heaton
|
|
Additional Photography |
Jeremy Stanbridge
|
|
Dolly Grip |
Jay Clennan
|
|
Grip |
Jayson Rupert
|
|
Key Grip |
John Westerlaken
|
|
Best Boy Grip |
Royce Mattice
|
|
Camera Trainee |
Vanessa Andrascik
|
|
Second Assistant Camera |
George Majoros
|
|
Assistant Camera |
Wynne Keing
|
|
Director of Photography |
Rene Ohashi
|
|
Lighting | Gaffer |
Lee Riggs
|
Rigging Gaffer |
Oliver Hajdu
|
|
Best Boy Electric |
Chris Madden
|
|
Rigging Grip |
Doug Parton
|
|
Visual Effects | Creature Design |
Mike Beaulieu
Patrick Tatopoulos
|
Visual Effects Supervisor |
Kyle Menzies
|
|
Lead Animator |
Paul Anderson
|
|
Visual Effects Production Manager |
Barbara Mah
|
|
Department | Role | Name |