Ratings
31%
5
4.8
38%
Financials
Revenue: $12,840,842
Budget: $17,000,000
Profit: - $-4,159,158
Movie Details
Tag Line: First comes the warning. Then comes the mark. Then comes the terror.
Status: Released
Average Rating: 5
Release Date: Nov 1, 2002
Rating: 2002-11-27
Run Time: 1h 30m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: Focus Features , Dimension Films , Radar Pictures
Sources:
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Keywords
People Rated This
Main Cast
Crew
| Department | Role | Name |
|---|---|---|
| Directing | Director |
Robert Harmon
|
| Second Assistant Director |
Alexis Hinde
|
|
| First Assistant Director |
Richard Coleman
|
|
| Third Assistant Director |
Shelley Cox
|
|
| Second Unit Director |
David Crone
|
|
| Writing | Writer |
Brendan Hood
|
| Storyboard |
Andrea Dietrich
|
|
| Crew | Stunts |
Owen Walstrom
Duane Dickinson
|
| Stunt Double |
Ashlea Earl
Crystal Dalman
Leanne Buchanan
|
|
| Post Production Supervisor |
Ben Brafman
|
|
| Unit Publicist |
Michael Hansen
|
|
| Picture Car Coordinator |
Will Sickles
|
|
| Stunt Coordinator |
Scott J. Ateah
|
|
| Craft Service |
Emily Coutts
|
|
| Legal Services |
Susan H. Bodine
|
|
| Transportation Captain |
Ryan Steel
|
|
| Transportation Coordinator |
Jake Callihoo
|
|
| Transportation Co-Captain |
Rick McLennan
|
|
| Additional Music |
Thomas Bartke
|
|
| Carpenter |
Paul E. Moes
|
|
| Software Engineer |
Berj Bannayan
|
|
| Driver |
John Armstrong
|
|
| Special Effects Coordinator |
Mike Larivee
|
|
| Presenter |
Wes Craven
|
|
| Stunt Driver |
Ron James
|
|
| Generator Operator |
Kevin O'Leary
|
|
| Special Effects Assistant |
Darren English
|
|
| Catering |
Bob Bedard
|
|
| Special Effects Technician |
Damian Fisher
|
|
| Playback Coordinator |
Byron Drinkle
|
|
| Production | Producer |
Tom Engelman
Scott Kroopf
|
| Executive Producer |
David Linde
Ted Field
|
|
| Casting |
Amy McIntyre Britt
Anya Colloff
Jennifer Fishman
|
|
| Co-Producer |
Tony Blain
Barbara Kelly
|
|
| Associate Producer |
John Mariella
|
|
| Production Manager |
Bev White
|
|
| Production Coordinator |
Andrea Boorman
|
|
| Unit Production Manager |
Barbara Kelly
|
|
| Production Accountant |
Susan Stefanyshyn
|
|
| Finance |
Scott Litsinger
|
|
| Location Manager |
S. Steven Sach
|
|
| Casting Assistant |
Frank Patton III
|
|
| Extras Casting |
Andrea Brown
|
|
| Production Executive |
Amy Kaufman
|
|
| Assistant Accountant |
Karen Bergen
|
|
| Assistant Location Manager |
Kenneth Meisenbacher
|
|
| Production Assistant |
Lian Anson
|
|
| First Assistant Accountant |
Debbie Van Dusen
|
|
| Sound | Original Music Composer |
Elia Cmiral
|
| Music Supervisor |
Joe Rangel
|
|
| Sound Effects Editor |
Devan Kraushar
|
|
| Dolby Consultant |
Gene Radzik
|
|
| Sound Mixer |
David Husby
|
|
| Orchestrator |
Thomas Bartke
|
|
| Sound Designer |
Anke Bakker
|
|
| Supervising Sound Editor |
Anke Bakker
|
|
| Music Editor |
Matthew Friedman
|
|
| Boom Operator |
Donald D. Brown
|
|
| Foley Editor |
Dario DiSanto
|
|
| Assistant Sound Editor |
Jay Cheetham
|
|
| Supervising Music Editor |
Mike Flicker
|
|
| Dialogue Editor |
Brian Campbell
|
|
| Sound Assistant |
Carmen Lavender
|
|
| ADR Mixer |
Robert Deschaine
|
|
| Foley Artist |
Maureen Murphy
|
|
| Foley Mixer |
Jean Tejkel
|
|
| Sound Supervisor |
Jacqueline Cristianini
|
|
| Editing | Editor |
Chris Peppe
|
| First Assistant Editor |
Amy Flint Catherwood
|
|
| Color Timer |
Ricardo Olivero
|
|
| Art | Set Decoration |
Lin MacDonald
|
| Art Direction |
Patrick Banister
|
|
| Construction Coordinator |
Peter Grace
|
|
| Art Department Coordinator |
Ron Sowden
|
|
| Assistant Art Director |
Jeremy Stanbridge
|
|
| Production Design |
Douglas Higgins
|
|
| Construction Foreman |
John Beatty
|
|
| Lead Painter |
Franklin Leibel
|
|
| Standby Painter |
John Kobylka
|
|
| Sculptor |
Norman Cabrera
|
|
| Leadman |
Ed McMahon
|
|
| Set Dresser |
David Paul Hewitt White
|
|
| Assistant Property Master |
Mark Francis
|
|
| Property Master |
Wayne McLaughlin
|
|
| Storyboard Artist |
Jacques Rey
|
|
| Property Buyer |
Don Anderson
|
|
| Set Buyer |
Audra Neil
|
|
| Construction Buyer |
Chris Reesor
|
|
| Paint Coordinator |
Marko Lytviak
|
|
| Costume & Make-Up | Costume Design |
Karen L. Matthews
|
| Assistant Costume Designer |
Janice MacIsaac
|
|
| Makeup Department Head |
Fay von Schroeder
|
|
| Makeup Artist |
Michelle Hrescak
|
|
| Hairstylist |
Melina Calogiros
|
|
| Costume Supervisor |
Debbie Geaghan
|
|
| Costumer |
Sondra Durksen
|
|
| Costume Set Supervisor |
Cindy L. Russell
|
|
| First Assistant Makeup Artist |
Sydney Silvert
|
|
| Camera | Still Photographer |
Shane Harvey
|
| First Assistant Camera |
Sean M. Harding
|
|
| Steadicam Operator |
David Crone
|
|
| Underwater Camera |
Pauline Heaton
|
|
| Additional Photography |
Jeremy Stanbridge
|
|
| Dolly Grip |
Jay Clennan
|
|
| Grip |
Jayson Rupert
|
|
| Key Grip |
John Westerlaken
|
|
| Best Boy Grip |
Royce Mattice
|
|
| Camera Trainee |
Vanessa Andrascik
|
|
| Second Assistant Camera |
George Majoros
|
|
| Assistant Camera |
Wynne Keing
|
|
| Director of Photography |
Rene Ohashi
|
|
| Lighting | Gaffer |
Lee Riggs
|
| Rigging Gaffer |
Oliver Hajdu
|
|
| Best Boy Electric |
Chris Madden
|
|
| Rigging Grip |
Doug Parton
|
|
| Visual Effects | Creature Design |
Mike Beaulieu
Patrick Tatopoulos
|
| Visual Effects Supervisor |
Kyle Menzies
|
|
| Lead Animator |
Paul Anderson
|
|
| Visual Effects Production Manager |
Barbara Mah
|
|
| Department | Role | Name |
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