Thoroughbreds
(2018) Good breeding gone bad | Released
Ratings
82%
6.4
7.2
84%
Financials
Revenue: $2,830,775
Budget: $0
Profit: + $2,830,775
Movie Details
Tag Line: Good breeding gone bad
Status: Released
Average Rating: 6
Release Date: Mar 9, 2018
Rating: R
Run Time: 1h 32m
Original Language: English
Website: Link
Production Countries: United States of America
Production Companies: June Pictures , B Story , Big Indie Pictures , The Walsh Company
Genres
Keywords
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Synopsis
Two teenage girls in suburban Connecticut rekindle their unlikely friendship after years of growing apart. In the process, they learn that neither is what she seems to be, and that a murder might solve both of their problems.
Crew
| Department | Role | Name |
|---|---|---|
| Production | Casting |
Douglas Aibel
Stephanie Holbrook
|
| Executive Producer |
Declan Baldwin
B. Ted Deiker
Ryan Stowell
|
|
| Producer |
Nat Faxon
Jim Rash
Kevin J. Walsh
Alex Saks
Andrew Duncan
|
|
| Post Production Coordinator |
Rebekah Hernandez
|
|
| Casting Associate |
Matt Bouldry
|
|
| Unit Production Manager |
B. Ted Deiker
|
|
| Associate Producer |
Dani Johnson
|
|
| Extras Casting |
Billy Dowd
|
|
| Co-Producer |
Leah Taylor Roy
|
|
| Location Manager |
Oliver Amerigian
|
|
| Crew | In Memory Of |
Anton Yelchin
|
| Stunt Coordinator |
Paul Marini
|
|
| Stand In |
Colleen Kelly
|
|
| Post Production Supervisor |
Stuart Macphee
|
|
| Sound | Music Editor |
Suzana Peric
|
| Supervising Sound Editor |
Gene Park
|
|
| Music Supervisor |
Susan Jacobs
|
|
| Foley Mixer |
Ryan Collison
|
|
| Foley Artist |
Leslie Bloome
Joanna Fang
|
|
| Boom Operator |
Peter Stevenson
|
|
| Sound Effects Editor |
Ric Schnupp
|
|
| Foley Editor |
Ric Schnupp
|
|
| Dialogue Editor |
Bill Orrico
|
|
| Sound Designer |
Roland Vajs
|
|
| Music Coordinator |
Jackie Mulhearn
|
|
| Foley Recordist |
Nick Seaman
|
|
| Original Music Composer |
Erik Friedlander
|
|
| Art | Set Decoration |
Kyra Friedman Curcio
|
| Production Design |
Jeremy Woodward
|
|
| Graphic Designer |
Megan Blake
|
|
| Property Master |
Morgan Kling
|
|
| Set Dresser |
Mickey Carter
Christopher Analoro
Jarrett Staaf
Risa Uchida Battis
|
|
| Art Department Coordinator |
Alix Metros
|
|
| Storyboard Artist |
Keenan McCarthy
|
|
| Leadman |
Timothy Lewis
|
|
| Camera | Director of Photography |
Lyle Vincent
|
| Still Photographer |
Claire Folger
|
|
| First Assistant Camera |
Nolan Ball
|
|
| Camera Operator |
Jonathan Beattie
|
|
| Dolly Grip |
Ben Heald
|
|
| Key Grip |
Tim Driscoll
|
|
| Second Assistant Camera |
Jason Brignola
|
|
| Costume & Make-Up | Wardrobe Supervisor |
Tina Ulee
|
| Makeup Department Head |
Liz Bernstrom
|
|
| Costume Design |
Alex Bovaird
|
|
| Hair Department Head |
Frank Barbosa
|
|
| Editing | Editor |
Louise Ford
|
| Assistant Editor |
Morgan Wajda-Levie
|
|
| Visual Effects | Visual Effects Producer |
Brian Drewes
Meg Bailey
|
| Directing | First Assistant Director |
Michael T. Meador
|
| Director |
Cory Finley
|
|
| Script Supervisor |
Aidan Payne
|
|
| Second Assistant Director |
Tina Haveles
|
|
| Writing | Writer |
Cory Finley
|
| Lighting | Gaffer |
Joshua Dreyfus
|
| Electrician |
Daniel Hourihan
|
|
| Department | Role | Name |
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