True Lies
(1994) When he said I do, he never said what he did. | Released
Ratings
63%
7
7.2
72%
Financials
Revenue: $378,882,411
Budget: $115,000,000
Profit: + $263,882,411
Movie Details
Tag Line: When he said I do, he never said what he did.
Status: Released
Average Rating: 7
Release Date: Jul 15, 1994
Rating:
Run Time: 2h 21m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: Lightstorm Entertainment , 20th Century Fox
Genres
Keywords
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Synopsis
A fearless, globe-trotting, terrorist-battling secret agent has his life turned upside down when he discovers his wife might be having an affair with a used car salesman while terrorists smuggle nuclear war heads into the United States.
Crew
| Department | Role | Name |
|---|---|---|
| Editing | Editor |
Mark Goldblatt
Richard A. Harris
Conrad Buff IV
|
| Color Timer |
Dan Muscarella
|
|
| Assistant Editor |
Jane Kass
|
|
| Negative Cutter |
Mary Nelson-Duerrstein
|
|
| Project Manager |
Stephen Sobisky
|
|
| Production | Casting |
Mali Finn
|
| Producer |
James Cameron
Stephanie Austin
|
|
| Production Executive |
Aron Warner
|
|
| Executive Producer |
Rae Sanchini
Lawrence Kasanoff
Robert Shriver
|
|
| Casting Associate |
Emily Schweber
|
|
| Production Supervisor |
Paddy Cullen
|
|
| Unit Production Manager |
Scott Thaler
|
|
| Location Manager |
Carol Flaisher
|
|
| Post Production Coordinator |
Lauren Alexandra Ritchie
|
|
| Head of Production |
Ellen Somers
|
|
| Associate Producer |
Pamela Easley
|
|
| Production Coordinator |
Aaron Dem
|
|
| Production Accountant |
Susannah Brengel
|
|
| Assistant Location Manager |
Patrick Burn
|
|
| Key Set Production Assistant |
Michael Salven
|
|
| General Manager |
Scott Ross
|
|
| Assistant Accountant |
Stacy Layne Kramer
|
|
| Location Assistant |
Nigel Arscott
|
|
| Payroll Accountant |
John R. Hansen
|
|
| Production Assistant |
Trish Minnich
|
|
| Trainee Production Coordinator |
Karin Roffman
Nancy Townsend
|
|
| Art | Set Decoration |
Cindy Carr
|
| Art Direction |
Robert W. Laing
Michael Novotny
|
|
| Production Design |
Peter Lamont
|
|
| Assistant Art Director |
Martin Laing
|
|
| Leadman |
Jon Danniells
|
|
| Set Dresser |
Paul Richards
|
|
| Property Master |
Charles Stewart
|
|
| Title Designer |
Kyle Cooper
|
|
| Set Designer |
Joseph Hodges
|
|
| Greensman |
William D. McLane
|
|
| Construction Foreman |
Chris Santini
|
|
| Production Illustrator |
Tom Cranham
|
|
| Art Department Coordinator |
Teri Anne Kopp
|
|
| Construction Coordinator |
William Les Collins
|
|
| Location Scout |
Marce Sterner
|
|
| Painter |
Dean F. Janik
|
|
| Sculptor |
Monty Shook
|
|
| Standby Painter |
Joseph Calta
|
|
| Swing |
Sean Hood
|
|
| Assistant Property Master |
John Patteson
|
|
| Graphic Designer |
Thomas Conroy
|
|
| Writing | Screenplay |
James Cameron
Claude Zidi
Simon Michaël
Didier Kaminka
|
| Storyboard |
Brent Boates
|
|
| Directing | Director |
James Cameron
|
| First Assistant Director |
Aldric La'Auli Porter
J. Michael Haynie
|
|
| Second Unit Director |
E. J. Foerster
Glenn R. Wilder
|
|
| Script Supervisor |
Sharron Reynolds-Enriquez
|
|
| Second Second Assistant Director |
David Ticotin
Howell Caldwell
|
|
| Second Assistant Director |
Martin Jedlicka
|
|
| Sound | Original Music Composer |
Brad Fiedel
|
| Sound Designer |
David Kneupper
|
|
| Sound Editor |
Clayton Collins
|
|
| Boom Operator |
Nicholas R. Allen
|
|
| Sound Effects Editor |
Bob Beher
|
|
| Conductor |
Shirley Walker
|
|
| Utility Sound |
Knox White
|
|
| Supervising Sound Editor |
Gregg Baxter
|
|
| Dialogue Editor |
Richard Dwan Jr.
|
|
| ADR Editor |
Chris Jargo
|
|
| Foley Editor |
Willy Allen
|
|
| Dolby Consultant |
Douglas Greenfield
|
|
| First Assistant Sound Editor |
Robert Batha
|
|
| Music Supervisor |
Randy Gerston
|
|
| Sound Mixer |
Lee Orloff
|
|
| Music Editor |
Patty von Arx
|
|
| Supervising Music Editor |
Allan K. Rosen
|
|
| Foley Mixer |
James Ashwill
|
|
| Scoring Mixer |
Tim Boyle
|
|
| Sound Engineer |
John Rotondi
|
|
| Sound Recordist |
Rick Bozeat
|
|
| Music Coordinator |
Rick Fleishman
|
|
| Costume & Make-Up | Costume Design |
Marlene Stewart
|
| Makeup Supervisor |
Jeff Dawn
|
|
| Hairstylist |
Lucia Mace
|
|
| Costume Supervisor |
Lisa Lovaas
|
|
| Key Hair Stylist |
Peter Tothpal
|
|
| Makeup Artist |
Linda Boykin-Williams
|
|
| Set Costumer |
Fran Allgood
|
|
| Assistant Costume Designer |
Chrisi Karvonides-Dushenko
|
|
| Key Costumer |
Tom Numbers
|
|
| Camera | Director of Photography |
Russell Carpenter
|
| Steadicam Operator |
J. Michael Muro
|
|
| Camera Operator |
Michael St. Hilaire
|
|
| First Assistant Camera |
Michael Condro
Mark R. Jackson
|
|
| Aerial Director of Photography |
David L. Butler
|
|
| Key Grip |
Lloyd Moriarity
|
|
| Underwater Camera |
Pete Romano
|
|
| Still Photographer |
Zade Rosenthal
|
|
| Second Assistant Camera |
Kirk Bloomberg
|
|
| Additional Grip |
Hugh McCallum
|
|
| Grip |
William Buckingham III
|
|
| Dolly Grip |
Doug Chartier
|
|
| Data Wrangler |
Jon Aghassian
|
|
| Best Boy Grip |
Eugene B. Kerry
|
|
| Assistant Camera |
Scott Hering
|
|
| Crew | Stunts |
Kenny Alexander
|
| Stunt Coordinator |
Joel Kramer
|
|
| Special Effects Coordinator |
Thomas L. Fisher
|
|
| Stunt Double |
Peter Kent
|
|
| Digital Effects Producer |
Teresa Cheng
|
|
| Stunt Driver |
John Calvin Doyle
|
|
| Choreographer |
Lynne Hockney
|
|
| Digital Effects Supervisor |
Jacques Stroweis
|
|
| Visual Effects Editor |
Allen Cappuccilli
|
|
| Systems Administrators & Support |
Kevin Andrew Smith
|
|
| Special Effects Assistant |
Gary L. King
|
|
| Carpenter |
Rome Duval
|
|
| Weapons Master |
Harry Lu
|
|
| Set Medic |
Marie Nashold
|
|
| Production Controller |
Kieran Woo
|
|
| Transportation Coordinator |
Donald R. Casella
|
|
| Pyrotechnician |
Robert Hutchins
|
|
| Scenic Artist |
Jack Reeves
|
|
| Propmaker |
Mike Brooks
|
|
| Driver |
Bobby Enriquez
|
|
| Loader |
Amy La Licata
|
|
| Post Production Supervisor |
Price Pethel
|
|
| Stand In |
Kathleen Conway
|
|
| Supervising Animator |
Peter Farson
|
|
| Technical Supervisor |
Barb Meier
|
|
| Video Assist Operator |
Charles May II
|
|
| Special Effects Technician |
Jeanna Crawford
|
|
| Dialogue Coach |
Peter Kelley
|
|
| Pilot |
Jeff Senour
|
|
| Visual Effects | Visual Effects Supervisor |
John Bruno
|
| Roto Supervisor |
Bret Mixon
|
|
| Visual Effects Producer |
Mike Chambers
|
|
| Visual Effects Coordinator |
Crystal Dowd
|
|
| Visual Effects Assistant Editor |
Josh Margolies
|
|
| Digital Compositors |
Lisa Aycock
|
|
| Rotoscoping Artist |
Tim Scannell
|
|
| Lighting | Chief Lighting Technician |
Rick A. West
|
| Rigging Grip |
Brian A. Pitts
|
|
| Best Boy Electric |
Robert Neville
|
|
| Electrician |
John L. Dardis
|
|
| Department | Role | Name |
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