Under Suspicion
(1991) How close can you get to a killer before you're too close? | Released
Ratings
5.9
6.5
25%
Financials
Revenue: $221,000
Budget: $6,000,000
Profit: - $-5,779,000
Movie Details
Tag Line: How close can you get to a killer before you're too close?
Status: Released
Average Rating: 6
Release Date: Sep 27, 1991
Rating: 1991-09-27
Run Time: 1h 39m
Original Language: English
Website: -
Production Countries: United Kingdom
Production Companies: Carnival Films , LWT , The Rank Organisation Film Productions , Columbia Pictures
Genres
Keywords
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Synopsis
In the late 1950s, British police officer Tony Aaron resigns from the force after sleeping with Hazel, wife of the man whose house he was supposed to guard. In his new job as a fake private investigator, he helps couples get divorces by photographing Hazel having "affairs" with the husband. When she is murdered during a job, Tony begins having an affair with the dead man's mistress, Angeline, while trying to prove his innocence.
Crew
| Department | Role | Name |
|---|---|---|
| Directing | Director |
Simon Moore
|
| Third Assistant Director |
David Carrigan
|
|
| First Assistant Director |
Simon Hinkly
Terry Needham
|
|
| Second Assistant Director |
Tim Lewis
|
|
| Script Supervisor |
Annie Penn
|
|
| Writing | Writer |
Simon Moore
|
| Camera | Director of Photography |
Vernon Layton
|
| Clapper Loader |
Ray Cooper
|
|
| Still Photographer |
Keith Hamshere
|
|
| Steadicam Operator |
Nigel Kirton
|
|
| Camera Operator |
John Maskall
|
|
| Focus Puller |
Bob Stilwell
|
|
| Editing | Editor |
Tariq Anwar
|
| Art | Props |
Bill Hargreaves
|
| Production Design |
Tim Hutchinson
|
|
| Art Direction |
Tony Reading
|
|
| Set Decoration |
Beth DeSort
Stephenie McMillan
|
|
| Construction Manager |
Alan Booth
|
|
| Property Buyer |
Brian Read
|
|
| Assistant Art Director |
James Wadeson
|
|
| Property Master |
Arthur Wicks
|
|
| Production | Producer |
Brian Eastman
|
| Executive Producer |
Nick Elliott
George Helyer
Fred Turner
|
|
| Associate Producer |
Vincent Winter
|
|
| Casting |
Anne Henderson
|
|
| Location Manager |
Howard Gibbins
|
|
| Assistant Location Manager |
Christian Banfield
|
|
| Production Coordinator |
Bi Benton
|
|
| Sound | Original Music Composer |
Christopher Gunning
|
| Boom Operator |
Colin Codner
|
|
| Sound Effects Editor |
Stan Fiferman
|
|
| Dialogue Editor |
Ian Fuller
|
|
| Assistant Dialogue Editor |
Andy Stears
|
|
| Sound Recordist |
Ken Weston
|
|
| Costume & Make-Up | Costume Design |
Penny Rose
|
| Makeup Supervisor |
Peter Frampton
|
|
| Key Hair Stylist |
Martin Samuel
|
|
| Costume Supervisor |
Catherine Halloran
|
|
| Visual Effects | Special Effects Supervisor |
David Harris
|
| Crew | Stunts |
Steve Dent
Nick Gillard
Valentino Musetti
Paul Weston
|
| Armorer |
Rob Partridge
|
|
| Lighting | Genetator Operator |
John Cohen
|
| Best Boy Electric |
John Lake
|
|
| Electrician |
Stuart Reid
Les Weighell
|
|
| Gaffer |
Micky Wilson
|
|
| Department | Role | Name |