Ratings
Financials
Revenue: $221,000
Budget: $6,000,000
Profit: - $-5,779,000
Movie Details
Tag Line: How close can you get to a killer before you're too close?
Status: Released
Average Rating: 6
Release Date: Sep 27, 1991
Rating: R
Run Time: 1h 39m
Original Language: English
Website: -
Production Countries: United Kingdom
Production Companies: Carnival Films , LWT , The Rank Organisation Film Productions , Columbia Pictures
Genres
Keywords
People Rated This
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Synopsis
In the late 1950s, British police officer Tony Aaron resigns from the force after sleeping with Hazel, wife of the man whose house he was supposed to guard. In his new job as a fake private investigator, he helps couples get divorces by photographing Hazel having "affairs" with the husband. When she is murdered during a job, Tony begins having an affair with the dead man's mistress, Angeline, while trying to prove his innocence.
Crew
Department | Role | Name |
---|---|---|
Editing | Editor |
Tariq Anwar
|
Costume & Make-Up | Costume Design |
Penny Rose
|
Makeup Supervisor |
Peter Frampton
|
|
Key Hair Stylist |
Martin Samuel
|
|
Costume Supervisor |
Catherine Halloran
|
|
Crew | Stunts |
Nick Gillard
Paul Weston
Valentino Musetti
Steve Dent
|
Armorer |
Rob Partridge
|
|
Art | Art Direction |
Tony Reading
|
Production Design |
Tim Hutchinson
|
|
Property Master |
Arthur Wicks
|
|
Set Decoration |
Stephenie McMillan
Beth DeSort
|
|
Construction Manager |
Alan Booth
|
|
Property Buyer |
Brian Read
|
|
Assistant Art Director |
James Wadeson
|
|
Props |
Bill Hargreaves
|
|
Visual Effects | Special Effects Supervisor |
David Harris
|
Directing | First Assistant Director |
Terry Needham
Simon Hinkly
|
Second Assistant Director |
Tim Lewis
|
|
Director |
Simon Moore
|
|
Script Supervisor |
Annie Penn
|
|
Third Assistant Director |
David Carrigan
|
|
Sound | Original Music Composer |
Christopher Gunning
|
Dialogue Editor |
Ian Fuller
|
|
Sound Effects Editor |
Stan Fiferman
|
|
Sound Recordist |
Ken Weston
|
|
Boom Operator |
Colin Codner
|
|
Assistant Dialogue Editor |
Andy Stears
|
|
Writing | Writer |
Simon Moore
|
Camera | Director of Photography |
Vernon Layton
|
Still Photographer |
Keith Hamshere
|
|
Steadicam Operator |
Nigel Kirton
|
|
Clapper Loader |
Ray Cooper
|
|
Camera Operator |
John Maskall
|
|
Focus Puller |
Bob Stilwell
|
|
Production | Producer |
Brian Eastman
|
Associate Producer |
Vincent Winter
|
|
Executive Producer |
Nick Elliott
George Helyer
Fred Turner
|
|
Casting |
Anne Henderson
|
|
Location Manager |
Howard Gibbins
|
|
Production Coordinator |
Bi Benton
|
|
Assistant Location Manager |
Christian Banfield
|
|
Lighting | Gaffer |
Micky Wilson
|
Genetator Operator |
John Cohen
|
|
Best Boy Electric |
John Lake
|
|
Electrician |
Stuart Reid
Les Weighell
|
|
Department | Role | Name |