Ratings
Financials
Revenue: $264,218,220
Budget: $175,000,000
Profit: + $89,218,220
Movie Details
Tag Line: Beyond the horizon lies the secret to a new beginning.
Status: Released
Average Rating: 6
Release Date: Jul 28, 1995
Rating: 1995-07-28
Run Time: 2h 15m
Original Language: English
Website: -
Production Countries: United States of America
Production Companies: Gordon Company , Davis Entertainment , Universal Pictures , Licht/Mueller Film Corporation
Sources:
Genres
Keywords
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Synopsis
In a futuristic world where the polar ice caps have melted and made Earth a liquid planet, a beautiful barmaid rescues a mutant seafarer from a floating island prison. They escape, along with her young charge, Enola, and sail off aboard his ship. But the trio soon becomes the target of a menacing pirate who covets the map to 'Dryland'—which is tattooed on Enola's back.
Crew
| Department | Role | Name |
|---|---|---|
| Production | Producer |
Charles Gordon
John Davis
Kevin Costner
Lawrence Gordon
|
| Executive Producer |
Ilona Herzberg
Jeffrey A. Mueller
Andrew Licht
|
|
| Extras Casting |
Kenneth Chamitoff
|
|
| Casting |
David Rubin
|
|
| Associate Producer |
David Fulton
|
|
| Line Producer |
Gene Levy
|
|
| Casting Associate |
Jakki Fink
|
|
| Executive In Charge Of Production |
Krystyna Demkowicz
|
|
| Location Manager |
Ginger Peterson
|
|
| Production Coordinator |
Dina Farnell
|
|
| Production Supervisor |
Stephen Traxler
|
|
| Production Manager |
John J. Smith
|
|
| Art Department Production Assistant |
Chela Fiorini
|
|
| Production Executive |
Tom Prince
|
|
| Extras Casting Coordinator |
Anne Johns
|
|
| Production Assistant |
Jack Holland
|
|
| Key Set Production Assistant |
David M. Bernstein
|
|
| Sound | Original Music Composer |
James Newton Howard
|
| Sound Re-Recording Mixer |
Gregg Landaker
|
|
| Sound Effects Editor |
Richard King
|
|
| Supervising Sound Editor |
Jay Wilkinson
|
|
| Foley |
Dan O'Connell
|
|
| Music Editor |
Jay B. Richardson
Jim Weidman
Lee Scott
|
|
| Sound Recordist |
Bill Meadows
|
|
| Boom Operator |
Timothy P. Salmon
|
|
| Sound |
Steve Kohler
|
|
| Assistant Sound Editor |
David Burk
|
|
| Sound Mixer |
Keith A. Wester
|
|
| Orchestrator |
Jeff Atmajian
|
|
| Sound Editor |
Lou Angelo
|
|
| Music Score Producer |
Michael C. Mason
|
|
| Foley Recordist |
Nerses Gezalyan
|
|
| ADR Recordist |
Rick Canelli
|
|
| Foley Mixer |
James Ashwill
|
|
| ADR Mixer |
Thomas J. O'Connell
|
|
| Foley Artist |
John T. Cucci
|
|
| Utility Sound |
Mark C. Grech
|
|
| Supervising ADR Editor |
Lauren Palmer
|
|
| Additional Production Sound Mixer |
Mark Ulano
|
|
| Additional Sound Re-Recording Mixer |
Bill W. Benton
|
|
| Conductor |
Jeff Atmajian
|
|
| ADR Editor |
Susan Dudeck
|
|
| First Assistant Sound Editor |
Caitlin McKenna
|
|
| Editing | Editor |
Peter Boyle
|
| First Assistant Editor |
Gladys Vega
|
|
| Color Timer |
Dale E. Grahn
|
|
| Assistant Editor |
Carole Henderson Harrington
|
|
| Negative Cutter |
Sandy Brundage
|
|
| Associate Editor |
Jonathan Lucas
|
|
| Camera | Director of Photography |
Dean Semler
|
| Steadicam Operator |
Mark O'Kane
|
|
| Still Photographer |
Ben Glass
|
|
| Camera Operator |
Ian Fox
Mark O'Kane
|
|
| First Assistant Camera |
Louis Niemeyer
|
|
| Grip |
Bruce Byall
|
|
| Aerial Camera |
Kurt E. Soderling
|
|
| Key Grip |
William 'Bear' Paul
|
|
| Underwater Camera |
Pete Romano
|
|
| Additional Photography |
Richard Merryman
|
|
| Assistant Camera |
Robert Beverlin
|
|
| Best Boy Grip |
Michael Guthrie
|
|
| Second Assistant Camera |
Kirk Bloomberg
|
|
| Dolly Grip |
John W. Murphy
|
|
| Crew | Stunts |
Billy D. Lucas
Tony Epper
Danny Epper
Clay Cullen
Michael Runyard
Danny Wynands
Al Goto
Tommy J. Huff
Troy Gilbert
Jeff Imada
Gene LeBell
Annie Ellis
Ronnie Rondell Jr.
Richard M. Ellis
Terry Ahue
Troy Robinson
Troy Brown
Bob Brown
Gary McLarty
Lance Gilbert
Gregory J. Barnett
Steve M. Davison
John C. Meier
Jeffrey J. Dashnaw
Buddy Joe Hooker
Jimmy N. Roberts
Jimmy Nickerson
Cheyenne Ellis
Kira Tashjian
Lori Lynn Ross
Terri Cadiente
Tammy Brady Conrad
Jani D. Davis
Christy Cotton
Patricia A. Walrod
Nancy Emerson
Cris Thomas-Palomino
|
| Special Effects Coordinator |
John Frazier
Michael Schorr
Martin Bresin
|
|
| Stunt Coordinator |
R.A. Rondell
Norman Howell
Chad Randall
|
|
| Production Controller |
Kieran Woo
|
|
| Stand In |
Danny Rowe
|
|
| CG Supervisor |
Wendy Rogers
|
|
| Digital Effects Supervisor |
Alan Barnett
|
|
| Loader |
Chad Rivetti
|
|
| Carpenter |
Daniel Turk
|
|
| Security |
Shannon Rawls
|
|
| Armorer |
David Aaron
|
|
| Post Production Supervisor |
Doreen A. Dixon
|
|
| Scenic Artist |
Michael Denering
|
|
| Transportation Co-Captain |
Louis Dinson
|
|
| Utility Stunts |
Richie Gaona
|
|
| Driver |
Chris Haynes
|
|
| Studio Teachers |
Sandra McNeil
|
|
| Creative Consultant |
Bud S. Smith
|
|
| Pyrotechnician |
Gary D'Amico
|
|
| Special Effects Technician |
Stan Blackwell
|
|
| Pilot |
Cliff Fleming
|
|
| Generator Operator |
Joseph Kelly Padovich
|
|
| Special Effects Assistant |
George Zamora
|
|
| Stunt Double |
Larry Nicholas
|
|
| Aerial Coordinator |
Craig Hosking
|
|
| Presenter |
Lawrence Gordon
|
|
| Art | Art Direction |
David F. Klassen
|
| Set Decoration |
Nancy Haigh
|
|
| Production Design |
Dennis Gassner
|
|
| Set Designer |
Paul Sonski
John Dexter
Gary Diamond
Marco Rubeo
Darrell L. Wight
Don Cinderella
Natalie Richards
|
|
| Sculptor |
Fred Arbegast
|
|
| Leadman |
Robert Greenfield
|
|
| Greensman |
Liloa Wong
|
|
| Art Department Coordinator |
Peggy Casey
|
|
| Construction Coordinator |
John Villarino
|
|
| Assistant Art Director |
Steve Burg
|
|
| Standby Painter |
John French
|
|
| Production Illustrator |
Stefan Dechant
|
|
| Set Dresser |
Richard F. Anderson
|
|
| Assistant Property Master |
Scott M. Anderson
|
|
| Title Designer |
Wayne Fitzgerald
|
|
| Opening Title Sequence |
Eric Ladd
|
|
| Lead Set Dresser |
Paige Augustine
|
|
| Costume & Make-Up | Costume Supervisor |
Nick Scarano
|
| Costume Design |
John Bloomfield
|
|
| Set Costumer |
Laura Baker
Anthony J. Lipin
Brenna Charlebois
|
|
| Assistant Costume Designer |
Chrisi Karvonides-Dushenko
|
|
| Hairstylist |
Janis Clark
|
|
| Makeup Artist |
David LeRoy Anderson
|
|
| Makeup Supervisor |
Francisco X. Pérez
|
|
| Visual Effects | Visual Effects Supervisor |
Michael J. McAlister
|
| Visual Effects Producer |
Robin Griffin
Kimberly Nelson LoCascio
|
|
| Visual Effects Coordinator |
Karin Joy
|
|
| Digital Compositors |
Jason Dowdeswell
|
|
| 3D Artist |
Doug Ikeler
|
|
| Visual Effects |
Richard Bain
Janek Sirrs
|
|
| Special Effects Supervisor |
Ralph Kerr
|
|
| VFX Artist |
Alex Frisch
|
|
| VFX Director of Photography |
Mark Vargo
|
|
| Effects Supervisor |
John K. Stirber
|
|
| Visual Effects Camera |
Kurt E. Soderling
|
|
| Rotoscoping Artist |
Mary Leitz
|
|
| Visual Effects Assistant Editor |
Jonny Winograd
|
|
| Compositing Supervisor |
Carol Ashley
|
|
| Lighting | Gaffer |
Melton C. Maxwell
|
| Electrician |
Ric Delgado
|
|
| Lighting Technician |
Scott Kidner
|
|
| Rigging Grip |
Levon Besnelian
|
|
| Rigging Gaffer |
Rick A. Benedetto
|
|
| Best Boy Electric |
Tony Hibbard
|
|
| Underwater Gaffer |
Mike Gerzevitz
|
|
| Directing | Director |
Kevin Reynolds
|
| Script Supervisor |
Ana Maria Quintana
|
|
| First Assistant Director |
Alan B. Curtiss
|
|
| Second Assistant Director |
Robert Huberman
|
|
| Second Unit Director |
David R. Ellis
|
|
| Second Second Assistant Director |
David Hallinan
|
|
| Writing | Writer |
David Twohy
Peter Rader
|
| Department | Role | Name |







