White Noise
(2005) The line separating the living from the dead has been crossed. | Released
Ratings
30%
5.5
5.5
8%
Financials
Revenue: $91,196,419
Budget: $10,000,000
Profit: + $81,196,419
Movie Details
Tag Line: The line separating the living from the dead has been crossed.
Status: Released
Average Rating: 6
Release Date: Jan 7, 2005
Rating: 2005-01-07
Run Time: 1h 41m
Original Language: English
Website: -
Production Countries: Canada , United Kingdom , United States of America
Production Companies: White Noise UK Ltd. , Universal Pictures , Brightlight Pictures , Endgame Entertainment , Gold Circle Films , The Movie Network , Corus Entertainment , Chum Television , Senator International
Sources:
Genres
Keywords
People Rated This
Where to watch White Noise
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Synopsis
An architect's desire to speak with his wife from beyond the grave using EVP (Electronic Voice Phenomenon), becomes an obsession with supernatural repercussions.
Crew
| Department | Role | Name |
|---|---|---|
| Directing | Director |
Geoffrey Sax
|
| First Assistant Director |
Richard Coleman
|
|
| Script Coordinator |
Natalie Allan
|
|
| Script Supervisor |
Jessica Clothier
|
|
| Second Assistant Director |
Glenn Bottomley
|
|
| Third Assistant Director |
Karin Behrenz
|
|
| Production | Executive Producer |
Simon Brooks
Scott Niemeyer
Stephen Hegyes
Norm Waitt
|
| Producer |
Paul Brooks
Shawn Williamson
|
|
| Casting |
Maureen Webb
|
|
| Associate Producer |
Jonathan Shore
|
|
| Production Coordinator |
Michele O'Flanagan
|
|
| Production Accountant |
Anne Jacobsen
|
|
| Production Manager |
Pascal Verschooris
|
|
| Location Manager |
Greg Jackson
|
|
| Assistant Accountant |
Alan Homma
|
|
| Assistant Location Manager |
Shane Lennox
|
|
| ADR Voice Casting |
Abigail Barbier
|
|
| Location Production Assistant |
Randy Kennedy
|
|
| Post Production Coordinator |
Nicola Instone
|
|
| Production Assistant |
John MacCulloch
|
|
| Attorney |
Adam R. Mehr
|
|
| Key Production Assistant |
Raimey Casiro
|
|
| Production Executive |
Alan Martin
|
|
| Editing | Editor |
Nick Arthurs
|
| First Assistant Editor |
Lalit Goyal
|
|
| Colorist |
Sarah Carefoot
|
|
| Negative Cutter |
Chris Andrews
|
|
| Digital Intermediate Colorist |
Jet Omoshebi
|
|
| Writing | Screenplay |
Niall Johnson
|
| Camera | Director of Photography |
Chris Seager
|
| Still Photographer |
Chris Helcermanas-Benge
|
|
| Key Grip |
Michael Taschereau
|
|
| First Assistant Camera |
Dave Roman
|
|
| Grip |
Rick Jermakowicz
|
|
| Steadicam Operator |
Marty McInally
|
|
| Dolly Grip |
Dave Dibdin
|
|
| Best Boy Grip |
Lionel Hebert
|
|
| Camera Trainee |
Jesse Sannerud
|
|
| Second Assistant Camera |
Scott Cozens
|
|
| Camera Truck |
Clif Kosterman
|
|
| Lighting | Rigging Grip |
Robert Little
|
| Best Boy Electric |
Dave Klassen
|
|
| Rigging Gaffer |
Rod Newby
|
|
| Gaffer |
John Dekker
|
|
| Key Rigging Grip |
Johnny Walker
|
|
| Art | Set Decoration |
Penny A. Chalmers
|
| Art Direction |
Gregory G. Venturi
|
|
| Production Design |
Michael S. Bolton
|
|
| Construction Coordinator |
Dave Conway
|
|
| Location Scout |
Kimberly Lozinski
|
|
| Greensman |
Frank Haddad
|
|
| Sculptor |
Iesza Jessica Jordan
|
|
| Construction Foreman |
Richard Dobbin
|
|
| Property Master |
Kimberley Regent
|
|
| Graphic Designer |
Doris Deutschmann
|
|
| Paint Coordinator |
Robin Thomas
|
|
| Storyboard Artist |
David Allcock
|
|
| Set Supervisor |
Shelly Shaw
|
|
| Costume & Make-Up | Costume Design |
Karen L. Matthews
|
| Costume Supervisor |
Shelly Shaw
|
|
| Assistant Costume Designer |
Linda Leduc
|
|
| Hairstylist |
Mary L. Mastro
|
|
| Set Costumer |
Elaine Arsens
|
|
| Makeup Artist |
Gene McCormick
|
|
| Set Dressing Artist |
Tony Beck
|
|
| Key Hair Stylist |
Adina Shore
|
|
| On Set Dresser |
Andy Koessler
|
|
| Assistant Makeup Artist |
Emanuela Daus
|
|
| First Assistant Makeup Artist |
Deborah Slonowski
|
|
| Costumer |
Michelle Lambert
|
|
| Sound | Original Music Composer |
Claude Foisy
|
| Sound Designer |
Hugh Johnson
|
|
| Music Editor |
Lee Kerr
|
|
| Dolby Consultant |
Mark Kenna
|
|
| Foley Editor |
Owen Bleasdale
|
|
| Music Supervisor |
Randy Gerston
|
|
| Supervising Sound Editor |
Bernard O'Reilly
|
|
| ADR Supervisor |
Deni King
|
|
| Sound Editor |
Miha Jaramaz
|
|
| Sound Effects Editor |
Mike Grimes
Ben Meechan
|
|
| Boom Operator |
Mark Noda
|
|
| Sound Mixer |
William Skinner
|
|
| Dialogue Editor |
Stewart Henderson
|
|
| Foley Mixer |
Gianluca Buttari
|
|
| ADR Editor |
Michele Woods
|
|
| Foley Artist |
Melissa Lake
|
|
| Supervising Dialogue Editor |
Hilary Wyatt
|
|
| ADR Recordist |
Dan Green
|
|
| Music Coordinator |
Brian Leff
|
|
| ADR Mixer |
Adam Sharpe
|
|
| Visual Effects | 3D Artist |
George Barbour
|
| Visual Effects Coordinator |
Sarah Cloutier
|
|
| Visual Effects Producer |
Sharon Lark
|
|
| Visual Effects Supervisor |
Simon Giles
|
|
| 2D Artist |
Gavain Browne
|
|
| Compositing Supervisor |
Valeri Pfahning
|
|
| Crew | Visual Effects Editor |
Simon Allmark
|
| Video Assist Operator |
Barry Kaiser
|
|
| Security |
Susan Kearney
|
|
| Driver |
Reg Advocaot
|
|
| Carpenter |
Richard Barrett
|
|
| Transportation Co-Captain |
Donald James Davey
|
|
| Scenic Artist |
Judi Varga
|
|
| Transportation Captain |
Dean Capstick
|
|
| Transportation Coordinator |
David R. Anderson
|
|
| Chef |
Erika Espinosa
|
|
| Craft Service |
Jamie Humphrey
|
|
| Executive in Charge of Finance |
Chris Doss
|
|
| Telecine Colorist |
Jill Allanson
|
|
| Post Production Supervisor |
Lisa Sweet
|
|
| CGI Supervisor |
Graham Cristie
|
|
| Special Effects Coordinator |
Tim Storvick
|
|
| Stand In |
Rob Court
|
|
| Stunt Coordinator |
Randy Lee
|
|
| Assistant Chef |
Luz Gabriela Rosas Rojas
|
|
| Special Effects Assistant |
Ron Kozier
|
|
| Special Effects Best Boy |
Don Leask
|
|
| Cast Driver |
Ross Kulak
|
|
| Stunt Double |
Carolyn Anderson
Garvin Cross
|
|
| Stunt Driver |
Ed Anders
Curt Bonn
|
|
| Security Coordinator |
Loralee Wilson
|
|
| Playback Coordinator |
Brian Knox McGugan
|
|
| Department | Role | Name |