X-Men: First Class
(2011) Witness the moment that will change our world. | Released
Ratings
65%
7.3
7.8
86%
Financials
Revenue: $353,624,124
Budget: $160,000,000
Profit: + $193,624,124
Movie Details
Tag Line: Witness the moment that will change our world.
Status: Released
Average Rating: 7
Release Date: Jun 1, 2011
Rating: 2011-06-03
Run Time: 2h 12m
Original Language: English
Website: Link
Production Countries: United States of America
Production Companies: The Donners' Company , Bad Hat Harry Productions , 20th Century Fox , Marvel Entertainment
Sources:
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Keywords
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Where to watch X-Men: First Class
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Synopsis
Before Charles Xavier and Erik Lensherr took the names Professor X and Magneto, they were two young men discovering their powers for the first time. Before they were arch-enemies, they were closest of friends, working together with other mutants (some familiar, some new), to stop the greatest threat the world has ever known.
Crew
| Department | Role | Name |
|---|---|---|
| Production | Producer |
Bryan Singer
Simon Kinberg
Lauren Shuler Donner
Gregory Goodman
|
| Casting |
Jeremy Rich
Lucinda Syson
Roger Mussenden
|
|
| Executive Producer |
Stan Lee
Josh McLaglen
Tarquin Pack
|
|
| Line Producer |
David Reid
Adam Bohling
Jeremiah Samuels
|
|
| Co-Producer |
Jason Taylor
|
|
| Unit Production Manager |
Gregory Goodman
Janine Modder
|
|
| Production Supervisor |
Robin Mulcahy Fisichella
|
|
| ADR Voice Casting |
Johnny Gidcomb
|
|
| Associate Producer |
Tom Cohen
|
|
| Directing | Director |
Matthew Vaughn
|
| First Assistant Director |
Kim H. Winther
Josh Robertson
Josh McLaglen
|
|
| Second Assistant Director |
Lee Tailor
|
|
| Second Unit Director |
Brian Smrz
Spiro Razatos
Alexander Witt
|
|
| Script Supervisor |
Annie Penn
Diane Durant
|
|
| Art | Art Direction |
Marc Homes
Adam O'Neill
Steve Cooper
Grant Armstrong
Alex Cameron
Sue Whitaker
James Hambidge
Paul Booth
Alan Gilmore
John Frankish
Tom Frohling
Joe Howard
|
| Production Design |
Chris Seagers
|
|
| Set Decoration |
Sonja Klaus
Erin Boyd
|
|
| Supervising Art Director |
Marc Fisichella
Dawn Swiderski
John King
|
|
| Assistant Set Decoration |
Archie Campbell-Baldwin
|
|
| Assistant Art Director |
Chris Cleek
|
|
| Leadman |
Cheryl Gould Strang
|
|
| Graphic Designer |
Andrew Tapper
|
|
| Storyboard Artist |
Giles Asbury
Tony Chance
|
|
| Art Department Coordinator |
Jennifer Bowes
Cliff Zimowski
Pippa Needs
|
|
| Property Master |
Terry Woods
|
|
| Assistant Property Master |
Brian Seccombe
|
|
| Construction Coordinator |
Dale DeStefani
|
|
| Costume & Make-Up | Costume Supervisor |
Wendy M. Craig
Nicole Young
|
| Costume Design |
Sammy Sheldon
|
|
| Assistant Costume Designer |
Richard Sale
|
|
| Tailor |
Sharon McCormack
|
|
| Set Costumer |
Bruno de Santa
Stephanie Paul
Risa Garcia
Miloslav Skorepa
|
|
| Editing | Editor |
Eddie Hamilton
Lee Smith
|
| Color Timer |
George Chavez
|
|
| Negative Cutter |
Gary Burritt
|
|
| Digital Intermediate Producer |
Loan Phan
|
|
| Digital Intermediate Editor |
Lisa Tutunjian
|
|
| Camera | Director of Photography |
John Mathieson
|
| Camera Operator |
Martin Hume
Daniele Massaccesi
|
|
| First Assistant Camera |
David Cozens
Chris Bain
Steve Burgess
|
|
| Still Photographer |
Murray Close
|
|
| Key Grip |
John Flemming
|
|
| Best Boy Grip |
Derek Russell
|
|
| Dolly Grip |
Keith Manning
Jack Flemming
Nic Cupac
Ralph Scherer
|
|
| Lighting | Lighting Artist |
Tyler DeLisle
|
| Lighting Technician |
Justin Hammond
|
|
| Gaffer |
David Smith
|
|
| Rigging Gaffer |
Andrew Watson
|
|
| Best Boy Electric |
Stewart Monteith
Billy Gamble
Guy Minoli
|
|
| Visual Effects | VFX Artist |
Sachin Bangera
|
| Animation |
Matt Weaver
Ian Blum
|
|
| Visual Effects Supervisor |
Guy Williams
John Dykstra
|
|
| Character Designer |
Jerad Marantz
|
|
| Visual Effects Producer |
Denise Davis
|
|
| Visual Effects |
Hiroshi Mori
|
|
| Crew | Production Office Assistant |
Frank Reina
|
| Utility Stunts |
Jessie Graff
Garrett Warren
Duffy Gaver
Joey Box
Chris O'Hara
|
|
| Stunt Coordinator |
Tom Struthers
Jeff Habberstad
|
|
| Post Production Supervisor |
Chris Dowell
|
|
| Unit Publicist |
Stacy Mann
|
|
| Dialogue Coach |
Jess Platt
|
|
| Stunt Double |
Sian Milne
Alicia Vela-Bailey
|
|
| Stunts |
Zack Duhame
Marc Mailley
Duffy Gaver
|
|
| Writing | Story |
Bryan Singer
Sheldon Turner
|
| Screenplay |
Jane Goldman
Zack Stentz
Matthew Vaughn
Ashley Miller
|
|
| Sound | Production Sound Mixer |
Simon Hayes
|
| Boom Operator |
Robin Johnson
Arthur Fenn
|
|
| Sound Recordist |
Tim Gomillion
|
|
| Supervising Sound Editor |
John A. Larsen
Craig Berkey
|
|
| Sound Re-Recording Mixer |
Chris Burdon
Ron Bartlett
Doug Hemphill
|
|
| Sound Designer |
Matthew Collinge
Rob Prynne
Craig Berkey
|
|
| Sound Effects Editor |
John Morris
Wayne Lemmer
David Grimaldi
Bob Kellough
|
|
| Supervising Dialogue Editor |
Danny Sheehan
|
|
| Dialogue Editor |
Michael Maroussas
|
|
| Supervising ADR Editor |
R.J. Kizer
|
|
| ADR Editor |
Donald Sylvester
Laura Graham
|
|
| Foley Supervisor |
John Murray
|
|
| Foley Editor |
Scott Curtis
Doug Jackson
Bruce Tanis
Christopher Flick
|
|
| First Assistant Sound Editor |
Randall Guth
|
|
| Assistant Sound Editor |
Blake R. Cornett
Gavin Rose
|
|
| ADR Mixer |
Charleen Richards-Steeves
|
|
| ADR Recordist |
David Lucarelli
|
|
| ADR Engineer |
Derek Casari
|
|
| Foley Artist |
Dan O'Connell
John T. Cucci
|
|
| Foley Mixer |
James Ashwill
Richard Duarte
|
|
| Supervising Music Editor |
Daniel Pinder
|
|
| Music Editor |
John Finklea
|
|
| Original Music Composer |
Henry Jackman
|
|
| Department | Role | Name |