Ratings
Financials
Revenue: $353,624,124
Budget: $160,000,000
Profit: + $193,624,124
Movie Details
Tag Line: Witness the moment that will change our world.
Status: Released
Average Rating: 7
Release Date: Jun 1, 2011
Rating: 2011-06-03
Run Time: 2h 12m
Original Language: English
Website: Link
Production Countries: United States of America
Production Companies: The Donners' Company , Bad Hat Harry Productions , 20th Century Fox , Marvel Entertainment
Sources:
Genres
Keywords
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Synopsis
Before Charles Xavier and Erik Lensherr took the names Professor X and Magneto, they were two young men discovering their powers for the first time. Before they were arch-enemies, they were closest of friends, working together with other mutants (some familiar, some new), to stop the greatest threat the world has ever known.
Crew
| Department | Role | Name |
|---|---|---|
| Directing | Director |
Matthew Vaughn
|
| First Assistant Director |
Kim H. Winther
Josh Robertson
Josh McLaglen
|
|
| Script Supervisor |
Annie Penn
Diane Durant
|
|
| Second Unit Director |
Brian Smrz
Spiro Razatos
Alexander Witt
|
|
| Second Assistant Director |
Lee Tailor
|
|
| Production | Producer |
Bryan Singer
Lauren Shuler Donner
Simon Kinberg
Gregory Goodman
|
| Unit Production Manager |
Janine Modder
Gregory Goodman
|
|
| Production Supervisor |
Robin Mulcahy Fisichella
|
|
| ADR Voice Casting |
Johnny Gidcomb
|
|
| Casting |
Jeremy Rich
Lucinda Syson
Roger Mussenden
|
|
| Associate Producer |
Tom Cohen
|
|
| Executive Producer |
Stan Lee
Josh McLaglen
Tarquin Pack
|
|
| Line Producer |
David Reid
Adam Bohling
Jeremiah Samuels
|
|
| Co-Producer |
Jason Taylor
|
|
| Camera | First Assistant Camera |
Steve Burgess
David Cozens
Chris Bain
|
| Still Photographer |
Murray Close
|
|
| Camera Operator |
Martin Hume
Daniele Massaccesi
|
|
| Best Boy Grip |
Derek Russell
|
|
| Dolly Grip |
Ralph Scherer
Keith Manning
Nic Cupac
Jack Flemming
|
|
| Key Grip |
John Flemming
|
|
| Director of Photography |
John Mathieson
|
|
| Second Unit Director of Photography |
Alexander Witt
|
|
| Crew | Stunt Double |
Sian Milne
Alicia Vela-Bailey
|
| Stunt Coordinator |
Jeff Habberstad
Tom Struthers
|
|
| Dialogue Coach |
Jess Platt
|
|
| Unit Publicist |
Stacy Mann
|
|
| Utility Stunts |
Garrett Warren
Duffy Gaver
Jessie Graff
Joey Box
Chris O'Hara
Ben Scott
|
|
| Stunts |
Zack Duhame
Marc Mailley
Duffy Gaver
Ben Wright
|
|
| Production Office Assistant |
Frank Reina
|
|
| Post Production Supervisor |
Chris Dowell
|
|
| Digital Effects Supervisor |
Nikos Kalaitzidis
|
|
| CG Supervisor |
Daniel Macarin
|
|
| Sound | Sound Re-Recording Mixer |
Ron Bartlett
Doug Hemphill
Chris Burdon
|
| Boom Operator |
Robin Johnson
Arthur Fenn
|
|
| Production Sound Mixer |
Simon Hayes
|
|
| Supervising Sound Editor |
John A. Larsen
Craig Berkey
|
|
| Sound Recordist |
Tim Gomillion
|
|
| Sound Effects Editor |
John Morris
Wayne Lemmer
Bob Kellough
David Grimaldi
|
|
| Foley Editor |
Christopher Flick
Doug Jackson
Bruce Tanis
Scott Curtis
|
|
| Assistant Sound Editor |
Gavin Rose
Blake R. Cornett
|
|
| ADR Engineer |
Derek Casari
|
|
| ADR Editor |
Donald Sylvester
Laura Graham
|
|
| Foley Artist |
John T. Cucci
Dan O'Connell
|
|
| Sound Designer |
Matthew Collinge
Craig Berkey
Rob Prynne
|
|
| Foley Supervisor |
John Murray
|
|
| ADR Mixer |
Charleen Richards-Steeves
|
|
| Supervising Dialogue Editor |
Danny Sheehan
|
|
| Foley Mixer |
Richard Duarte
James Ashwill
|
|
| Supervising ADR Editor |
R.J. Kizer
|
|
| First Assistant Sound Editor |
Randall Guth
|
|
| ADR Recordist |
David Lucarelli
|
|
| Dialogue Editor |
Michael Maroussas
|
|
| Music Editor |
John Finklea
|
|
| Supervising Music Editor |
Daniel Pinder
|
|
| Original Music Composer |
Henry Jackman
|
|
| Art | Art Department Coordinator |
Pippa Needs
Cliff Zimowski
Jennifer Bowes
|
| Storyboard Artist |
Giles Asbury
Tony Chance
|
|
| Assistant Property Master |
Brian Seccombe
|
|
| Property Master |
Terry Woods
|
|
| Graphic Designer |
Andrew Tapper
|
|
| Leadman |
Cheryl Gould Strang
|
|
| Construction Coordinator |
Dale DeStefani
|
|
| Art Direction |
John Frankish
Alan Gilmore
Grant Armstrong
Alex Cameron
Tom Frohling
Steve Cooper
Joe Howard
Paul Booth
James Hambidge
Marc Homes
Sue Whitaker
Adam O'Neill
|
|
| Production Design |
Chris Seagers
|
|
| Set Decoration |
Sonja Klaus
Erin Boyd
|
|
| Supervising Art Director |
John King
Dawn Swiderski
Marc Fisichella
|
|
| Assistant Set Decoration |
Archie Campbell-Baldwin
|
|
| Assistant Art Director |
Chris Cleek
|
|
| Visual Effects | Visual Effects Producer |
Denise Davis
|
| VFX Artist |
Sachin Bangera
|
|
| Animation |
Matt Weaver
Ian Blum
|
|
| Visual Effects Supervisor |
Guy Williams
John Dykstra
Greg Steele
Nicolas Aithadi
|
|
| Character Designer |
Jerad Marantz
|
|
| Special Effects Supervisor |
Chris Corbould
|
|
| Lighting | Best Boy Electric |
Billy Gamble
Guy Minoli
Stewart Monteith
|
| Rigging Gaffer |
Andrew Watson
|
|
| Gaffer |
David Smith
|
|
| Lighting Artist |
Tyler DeLisle
|
|
| Lighting Technician |
Justin Hammond
Sol Saihati
|
|
| Costume & Make-Up | Set Costumer |
Risa Garcia
Bruno de Santa
Miloslav Skorepa
Stephanie Paul
|
| Tailor |
Sharon McCormack
|
|
| Assistant Costume Designer |
Richard Sale
|
|
| Costume Design |
Sammy Sheldon
|
|
| Costume Supervisor |
Wendy M. Craig
Nicole Young
|
|
| Prosthetic Makeup Artist |
Kelly Golden
|
|
| Editing | Digital Intermediate Editor |
Lisa Tutunjian
|
| Color Timer |
George Chavez
|
|
| Negative Cutter |
Gary Burritt
|
|
| Digital Intermediate Producer |
Loan Phan
|
|
| Editor |
Eddie Hamilton
Lee Smith
|
|
| Digital Intermediate Colorist |
Yvan Lucas
|
|
| Writing | Story |
Sheldon Turner
Bryan Singer
|
| Screenplay |
Zack Stentz
Matthew Vaughn
Ashley Miller
Jane Goldman
|
|
| Department | Role | Name |







