A Good Year
(2006) Everything matures... eventually. | Released
Ratings
47%
6.7
6.9
25%
Financials
Revenue: $42,064,105
Budget: $35,000,000
Profit: + $7,064,105
Movie Details
Tag Line: Everything matures... eventually.
Status: Released
Average Rating: 7
Release Date: Sep 9, 2006
Rating: 2006-11-10
Run Time: 1h 57m
Original Language: English
Website: -
Production Countries: United Kingdom , United States of America
Production Companies: Fox 2000 Pictures , Scott Free Productions , Ingenious Film Partners
Sources:
Genres
Keywords
People Rated This
roger.hartmans
Compatibility : N/AShared : N/A
Where to watch A Good Year
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Synopsis
Failed London banker Max Skinner inherits his uncle's vineyard in Provence, where he spent many childhood holidays. Upon his arrival, he meets a woman from California who tells Max she is his long-lost cousin and that the property is hers.
Crew
| Department | Role | Name |
|---|---|---|
| Sound | Original Music Composer |
Marc Streitenfeld
|
| Production Sound Mixer |
Jean-Paul Mugel
|
|
| Boom Operator |
Samuel Cohen
|
|
| Music Editor |
Del Spiva
Chris Benstead
|
|
| Supervising Sound Editor |
Per Hallberg
Karen Baker Landers
|
|
| Sound Mixer |
Paul Massey
Doug Hemphill
|
|
| Supervising ADR Editor |
Chris Jargo
|
|
| Foley Supervisor |
Craig S. Jaeger
|
|
| Assistant Sound Editor |
Philip D. Morrill
Tony Negrete
|
|
| Sound Effects Editor |
Christopher Assells
Dino DiMuro
Dan Hegeman
Peter Staubli
Kerry Ann Carmean
|
|
| Dialogue Editor |
Patrick J. Foley
John C. Stuver
|
|
| ADR Editor |
Kimaree Long
Frederick H. Stahly
|
|
| Foley Artist |
Alicia Stevenson
Dawn Fintor
|
|
| Camera | Director of Photography |
Philippe Le Sourd
|
| First Assistant Camera |
Marco Sacerdoti
|
|
| Second Assistant Camera |
Basil Smith
|
|
| Still Photographer |
Rico Torres
|
|
| Directing | Director |
Ridley Scott
|
| Script Supervisor |
Nikki Clapp
|
|
| First Assistant Director |
Darin Rivetti
|
|
| Second Assistant Director |
Emilie Cherpitel
|
|
| Editing | Editor |
Dody Dorn
|
| Negative Cutter |
Gary Burritt
|
|
| Color Timer |
Jim Passon
|
|
| Production | Producer |
Ridley Scott
|
| Casting |
Jina Jay
Antoinette Boulat
|
|
| Co-Producer |
Erin Upson Cuevas
|
|
| Executive Producer |
Branko Lustig
Julie Payne
Lisa Ellzey
|
|
| Unit Production Manager |
Mark Allan
Branko Lustig
|
|
| Casting Assistant |
Dixie Chassay
|
|
| Art | Production Design |
Sonja Klaus
|
| Set Decoration |
Bárbara Pérez-Solero
|
|
| Art Direction |
Frederic Evard
Robert Cowper
|
|
| Art Department Coordinator |
Amy Simons
|
|
| Crew | Unit Publicist |
Ernie Malik
|
| Stunt Coordinator |
Philippe Guégan
|
|
| Post Production Supervisor |
Teresa Kelly
|
|
| Special Effects |
Alistair Williams
|
|
| Costume & Make-Up | Costume Design |
Catherine Leterrier
|
| Hairstylist |
Hayat Ouled Dahhou
|
|
| Makeup Artist |
Fabrizio Sforza
Alessandra Sampaolo
Raffaella Iorio
|
|
| Assistant Costume Designer |
Camille Janbon
|
|
| Wardrobe Supervisor |
Karen Muller Serreau
|
|
| Visual Effects | Visual Effects Supervisor |
Wesley Sewell
|
| Lighting | Gaffer |
Franck Barrault
|
| Writing | Screenplay |
Marc Klein
|
| Novel |
Peter Mayle
|
|
| Department | Role | Name |